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Recent events in the Philippines - the 1986 People Power Revolution, the ouster of President Marcos, the election of Corazon Aquino, and the coup of 1989 - are the backdrop of this new novel by a celebrated Filipina writer. She focuses on the experiences of the people in and beyond Gulod, a barrio that "has spread like a field sown by a blind hand" on the outskirts of Manila, on the fringes of power, in the tangled roots of dreams. The story is told through the conflicting lives and ambitions of disillusioned lawyer Benhur, the politician Osong for whom he works, Osong's wife Sally, the retired Col. Moscoso, and many others whose potent but fragile hopes are shaped and destroyed in a context of ceaseless revolutionary change. Linda Ty-Casper combines historical objectivity with convincing moral authority and provides readers with a remarkable sense of people and place, a leap of insight into what it is to live in the Philippines today at a critical juncture in the nation's history. Research in newspaper archives and interviews with participants in the revolution inform her narrative. The events are actual; her fictional characters are believable; her prose is sardonic, compassionate, and virtuosic.

A memoir of a young Jewish girl in Nazi-occupied France that recounts her own family's difficult and brave survival and portrays as well the love and quiet heroism of her rescuers. It focuses on Madame Marie Chotel, the Catholic concierge and seamstress who is cherished by the girl, even in absentia, as her godmother and mentor.

A description of how the Washington State Legislature works. Presenting information on women in the legislature, the role of the governor, and the various origins of legislation, it explains the process by which thousands of proposed laws are introduced each year and are culled down to the approximately twenty per cent that are eventually enacted.

Examines how peasants responded to these events, and to their own economic and political circumstances, with protests that shaped the course of postwar revolution in the north and reform in the south.

A traveler's guide to Washington state, focusing on historical sites. Sections on various regions describe local history, with entries on towns and sites offering information on festivals, museums, and historic districts. Contains b&w photos, and a chronology. Annotation c. by Book News, Inc., Port

This study combines a cultural history of 14th-century England with a biography of Trevista, from his Cornish origins, through his years in Oxford to his life as vicar of Berkeley, Gloucestershire, and his association with the Berkeley family.

This volume examines the role of dynastic rulers, the imperial system, and the ruling literati in the promotion and shaping of Chinese thought and culture. It includes ten papers chosen for publication from a conference held in Taiwan in September 1992: "Determining Orthodoxy: Imperial Roles" by Jack L. Dull; "Ssu-ma Ch'ien's Portrayal of the First Ch'in Emperor" by Stephan Durrant; "The Literary Emperor: The Case of Han Wu-ti" by David R. Knechtges; "Empress Wu and Feminist Sentiments in T'ang China" by Chen Jo-shui; "Academies: Official Sponsorship and Suppression" by Thomas H. C. Lee; "Imperial Power and The Reestablishment of Monastic Order in the Northern Sung" by Huang Chi-chiang; "Imperial Rulership in Cultural History: Chu Hsi's Interpretation" by Huang Chun-chieh; "The Emperor and the Star Spirits: A Mythological Reading of the Shui-hu chuan" by Frederick P. Brandeur; "Ku Yen-wu's Image and Ideal of the Emperor: A Cultural Giant and Political Dwarf" by Ku Wei-ying; and "Imperial Power and the Appointment of Provincial Governors in Ch'ing China" by R. Kent Guy.It will be of interest to students of Chinese culture including literature, art, religion, philosophy, and politics.

Architect Gould (1873-1939) was one of the major shapers of modern Seattle (among his achievements: the U. of Washington campus plan and many of its buildings, and the Seattle Art Museum in Volunteer Park.) The authors draw on Gould's writings and public activities to trace the evolution of his ide

From the time that Roger Sale's interpretive history Seattle Past to Present was published in 1976 he has often served as an unofficial guide for friends and visitors to Seattle, and has also been asked by those who run professional tours for advice on how to view Seattle with fresh eyes. In Seeing Seattle he invites the reader to join him in walking tours of the city in a collaborative process of looking, asking, and forming opinions and judgments. The book starts near where Seattle itself started and works out to the city limits in layers. In the first walk, the Pioneer Square area reveals through its buildings - many of them handsomely rehabilitated - how the city re-established itself after the great fire of 1889. We are asked to observe and evaluate how new buildings and new uses have been combined with old ones, and how architects, builders, and planners have served this historical area. The same points are considered for the downtown business district, Pike Place Market, and other areas near the historic core of the city. We face the breathtaking downtown skyline from viewpoints on Seattle's many hills, from points across the bay at Duwamish Head, and from Seward Park, which has Seattle's largest stand of old-growth forest. What makes Seattle distinctively Seattle? Sale muses over this question as he walks through the older residential sections of Queen Anne Hill and Capitol Hill, with their mansions and near mansions. He traces the routes along Lake Washington Boulevard and the influence of the Olmsted brothers in shaping the social as well as the visual landscape of the city. He tours upscale neighborhoods with lake and sound views as well as working-class neighborhoods thatowe their history and early growth to nearby mills and streetcar transportation. He visits the Chinatown/International District and the University of Washington, and learns to identify trees in Washington Park Arboretum and to recognize those trees elsewhere. He finds the "enchanted house" where Mary McCarthy lived as a girl and the garden in which Theodore Roethke sought solitude among trees that "came closer with a denser shade". Sale and photographer Mary Randlett have worked together to integrate photographs closely with text and promote a view of Seattle in a context of new and old, landscapes and skyscrapers, neighborhood streets and remarkable vistas. Estimated times for each walk (or drive, in outlying areas) and bus route information are provided.

Includes tales that represent the Yunnan Province's officially designated ethnic minorities. This title also includes introductions and an appendix which describe the places and people of Yunnan, analyze the literary and psychological characteristics of their stories, and explain the methodology of collecting folk literature in China.

Long considered the dean of modern Philippine literature, N. V. M. Gonzalez has influenced an entire generation of young Philippine writers and has also acquired a devoted international readership. His books, however, are not widely available in this country. The Bread of Salt and Other Stories provides a retrospective selection of sixteen of his short stories (all originally written in English), arranged in order of their writing, from the early 1950s to the present day.This is a powerful collection, both for the unity and universality of the author's subjects and themes and for the distinctive character of his prose style. As Gonzalez remarks in his Preface: "In tone and subject matter, [these stories] might suggest coming full circle - in the learning of one's craft, in finding a language and, finally, in discovering a country of one's own."Gonzalez has traveled widely and has taught the writer's craft in various countries. Nonetheless, his primary metaphor is his colonial island homeland, and his stories are peopled with the farmers and fishermen, the schoolteachers and small-town merchants, "the underclass who constitute the majority in all societies." He portrays, in the men, women, and children of the peasantry, an ordinary and enduring people who live lives of stark dignity against a backdrop of forgotten and unknown gods. A broad humanity suggests itself: "This feeling of having emerged out of a void, or something close to it, is not uncommon, and we face our respective futures predisposed, by an innocence, to prayer and hope."Colonization, Gonzalez feels, has created in Filipinos "a truly submerged people." The stories in The Bread of Salt explore this rich vein at several levels, from the river-crossed wilderness of the kaingin farmers, stoic in the hard face of nature; to the commercial centers of the town dwellers, cut off from the mythic animism of the land; to the America of the contemporary sojourner, exiled from the old ways without the guidance of new traditions. Gonzalez writes: "It was in America that I began to recognize my involvement in the process of becoming a new person . . . of trying to shed my skin as a colonial."Gonzalez's social commentary is implicit throughout his stories. His message is humane, moral, tellingly accurate, and gently ironic; he is neither sentimental nor doctrinaire. His narratives are presented without intrusive explanation, invoking instead the reader's own powers of contemplation and discovery. His strong prose style, spare yet lyrical suggests the cadences of Philippine oral narrative traditions.Each of these sixteen tales is a small masterpiece. The language and its imagery, the characters and their aspirations, all connect powerfully with the reader and serve to illuminate the dreams of exiles and colonials, suggesting what it was like, as a Filipino, to witness the endless interacting of cultures.

Explores the origins, development, and significance of the European Branches of the Chinese Communist Organizations (ECCO), highlights the differences between it and the Communist home organization, and describes its impact on the Chinese Communist Party. This title provides information and analysis about the political leadership of modern China.

Offering the study of women in an Arab country's Jewish community, this title examines the changing status of Jewish women in Libya from the second half of the nineteenth century until 1967, when most Jews left the country.

This remarkable first novel follows the struggle of Ben Lucero, a young Filipino American priest who must come to terms with his bifurcated notion of home as well as his own religious commitment.

Offers an approach, methodology, and theoretical framework for the interpretation of traditional Chinese "law." This book argues that Chinese society has always operated according to the disciplinary system of order, in which hierarchy is established by actual power, and provides a methodology and framework for understanding disciplinary theory.

This book is about mid-Columbia Indians and their land. The author overturns many of the myths the dominant culture holds about Native Americans and even some misconceptions perpetrated by earlier scholarship in the field.

Doris Chase has achieved international stature as a pioneer in the field of video art since she moved from Seattle to New York City in 1972. An artist of remarkable and continuous creativity, Chase now divides her time between her video headquarters in New York and a Seattle studio where she works on new projects in painting and sculpture.Beginning as an innovative painter and sculptor in Seattle in the 1950s, Chase created sculpture that was meant to be touched and manipulated by the viewer. Chase then developed large-scale kinetic sculptures in collaboration with choreographers, and her art was set in motion by dancers. In New York, her majors contribution to the evolution of artists¿ video has been her work in videodance. On videotape, dancers and sculpture evolve into luminous abstract forms which represent some of the most sophisticated employments of video technology by an artist of the 1970s. In the 1980s, Chase began working in the nascent genre of video theater. In these productions, she uses the imtimacy of the video screen to achieve a new synthesis of visual and dramatic art. Her video theatre compositions present multicultural and social commentary, utilizing scripts by writers such as Lee Breuer, Thulani Davis, and Jessica Hagedorn in the ¿Concepts¿ series. Collaborating with actresses Geralding Page, Ann Jackson, Roberta Wallach, Joan Plowright, and Luise Riner in the ¿By Herself¿ series, she focuses on the viewpoints and experiences of older women. Today, coming full circle, Doris Chase in Seattle is exploring a renewed interest in painting and sculpture as well as in the modernist aesthetic she never really ceased pursuing, even during her most adventuresome multimedia years.This profile by art historian Patricia Failing is both a celebration of a distinguished artists and a historical summary of the development of video as an art form from the early seventies to the present day. The making of Chase¿s widely acclaimed filmdance, Circles II (1972), is discussed within the context of her own artists evolution and also as exemplary of an artistic milieu shaped by McLuhanism and a growing interest in multimedia experimentation. An entire chapter focuses on the institutional and theoretical working environment for video artists in the 1970s, outlining the circumstances under which New York became the best-endowed center for the production of artists¿ video. Attention is also paid to the specific manner in which Chase learned to employ video technology, the mechanisms of exhibition and distribution of independent video art, and the theoretical and practical issues raised in collaborations among artists from different art forms. Centering upon first-hand commentary by Chase and her colleagues, Doris Chase, Artist in Motion is an accessible introduction to a pioneering artist and her milieu.The Foreword by noted critic and teacher of video art Ann-Sargent Wooster adds a valuable dimension to the volume. Doris Chase, Artist in Motion is illustrated with representative examples of Chase¿s work and includes selected lists of her videotapes and films as well as her works in public collections. It will appeal to students of video art as well as to those intersted in women artists and feminist performance.

Lieutenant Emmons, United States Navy, was stationed in Alaska during the 1880s and 1890s. His duties brought him into close contact with the Tlingit Indians. In addition to an interest in native manufacturing, he recorded all aspects of the culture, together with the Tlingit terms.

Behler discusses the current state of thought on modernity and postmodernity, detailing the intellectual problems to be faced and examining the positions of such central figures in the debate as Lyotard, Habermas, Rorty, and Derrida. He finds that beyond the ¿limits of communication,¿ further discussion must be carried out through irony.The historical rise of the concept of modernity is examined through discussions of the querelle des anciens et des modernes as a break with classical tradition, and on the theoretical writings of de Stael, the English romantics, and the great German romantics Schlegel, Hegel, and Nietzsche. The growth of the concept of irony from a formal rhetorical term to a mode of indirectness that comes to characterize thought and discourse generally is then examined from Plato and Socrates to Nietzsche, who avoided the term ¿irony¿ but used it in his cetnral concept of the mask.

Advanced industrial nations face many difficult political and economic problems due to the accelerating pace and evolving character of technological change. In this volume, economists and political scientists discuss analytic and policy issues relating to the current state of technological capability in the United States, Japan, and Western Germany from a historical perspective and as a basis for future technological development. They also examine the problems and the issues involved in competition and cooperation among high technology firms and in evolving a more harmonious trade regime.The essays presented here explore from an international perspective the theoretical underpinnings of policy issues that are shaped by increasing internations competition and by the changing form and character of the international trade regime. Issues are discussed against the background of declining American technological dominance and intensifying competition as well as increasing international cooperation among high technology firms.Specific topics include the internationalization of basic research; the closing gap between basic and applied research; the effect of nation specific interfirm relations and various characteristics of labor markets on technological progress; and the effectiveness of various forms of government research and development assistance (or, more broadly, industrial policy). Three essays present overviews of the technological capability of and major policy issues faced by the United States, Japan, and Western Germany. Others raise major theoretical and policy issues from the perspectives of political science and economics, and address specific policy issues or groups of related issues.

Among the greatest attractions of the Pacific Northwest are its state parks, campgrounds and tree-lined highways. From Idaho hot springs to the Oregon coast, millions of people enjoy this priceless legacy every year but few stop to think about the source of this bounty.The Park Builders profiles the men who provided the parks, and the times that shaped them. From its beginnings as part of the progressive crusades to its evolution into an expected function of state government, the state parks movement in the Northwest is a window onto the political and social developments of the twentieth century. The states of Washington, Idaho, and Oregon were generally in the mainstream of the parks movement, but each of their histories is unique. Taken together, they help to define the nature and limitations of regionalism in the Northwest.Especially in the early years, the story of state parks was largely the story of individuals. Drawing extensively from interviews and personal papers, Thomas Cox creates memorable pictures of parks activists in each state. Robert Moran, creator of the battleship, Nebraska, spent a decade lobbying the state of Washington to accept his magnificent acreage on Orcas Island. Sam Boardman went from a road crew to the head of Oregon¿s park system, and took up his mission with a zeal that was literally religious: ¿To me a park is a pulpit,¿ he wrote. ¿The more you keep it as He made it, the closer you are to Him.¿ In Idaho, Senator Weldon Heyburn, no proponent of state expenditures, set out to create a national park, and ended up with a premier state park, named for him.State parks serve more people at far less expense than do those in the National Park System. Since their fates are determined largely at the state level, they are an ideal venue for the study of grassroots activism and regional trends. This book is the first to collect these themes into a coherent whole. It will serve as a model for further regional studies of its kind.