Böcker utgivna av University of Wisconsin Press

A rich multivoiced anthology of folktales, legends, joik songs, proverbs, riddles, and other verbal art, this is a comprehensive collection of Sami oral tradition in English. Collected by August Koskimies and Toivo Itkonen in the 1880s, the material reveals a complex web of social relations that existed both inside and beyond the community.

Three prospectors find treasure and loss in John Huston's screenplay for his acclaimed 1948 film with Humphrey Bogart, Walter and John Huston and Alfonso Bedoya. This book contrasts the film with the original anticapitalist novel by legendary and reclusive writer B Traven and describes Huston's art.

That Gad Beck, a gay Jew in the Berlin of Nazi Germany, lived through the Holocaust at all is amazing. His determination to keep loving, living and believing in every human possibility - even in the face of the unthinkably monstrous - makes this quite a different story of the Holocaust.

After laboring in Germany for thirty years, Hüseyin uses his hard-earned savings to purchase a sunny and spacious flat in Istanbul, envisioning the joys of retirement in his home country with his wife, Emine, by his side. But in a cruel twist of fate, he dies of a heart attack on the day he moves in. As Hüseyin's children and wife travel to Turkey for his funeral, the novel explores their lives and dreams: a teenage son struggling to embrace his sexuality; a college-educated daughter desperate to align conflicting facets of her identity; a first-born son racialized and profiled all his life, forced to perform a role he could not choose for himself; a daughter left behind in rural Turkey who dreams of recapturing her family's love after joining them in Germany as a teenager; and a mother unable to break free from the cycles of violence that have defined her. In this epic tale, Fatma Aydemir explores the lives of characters who could not be more different from one another--except in their insatiable desires to be understood. Rather than a seamless narrative, the novel circles around suppressed memories, unspoken trauma, and buried pasts. Turning expectations and stereotypes of the immigrant experience on their side, Aydemir shows how we all grapple with power and beauty, the holes in our lives, and the demons that hover just out of sight.

When Mike Leckrone retired as director of bands at the University of Wisconsin in 2019, he had served in that role for an astonishing fifty years. A brilliant showman, he became known for aerial entries and sequined outfits. He created the Fifth Quarter celebration that follows all home football games, removed barriers for women to march in the band, and established regular appearances at Camp Randall by special-needs high school musicians. Above all, Leckrone has always sought joy in life--which, along with his sixty-year love affair with his late wife, UW "band mom" Phyllis Leckrone, was perhaps the secret to his remarkable career. A consummate musician, as both a trumpeter and an arranger, Leckrone remains an outstanding raconteur--a talent beautifully on display in his long-awaited memoir. This book is the next best thing to sitting down with this master storyteller. Coauthor Doug Moe captures the joys of performing--whether at Camp Randall, in the Kohl Center, or along the Rose Bowl Parade route. Reading Leckrone's story, one comes to understand the mix of discipline, showmanship, work ethic, warmth, toughness, wit, and musical skill that make him a Wisconsin treasure. Even for people who know Leckrone, Moments of Happiness details the stories behind the highlights and the unglamorous work that made his accomplishments possible. It both cements his legend and offers unprecedented insights into a career that will never be equaled.

Escape Artist--based on Glenn Lovell's extensive interviews with John Sturges, his wife and children, and numerous stars including Clint Eastwood, Robert Duvall, and Jane Russell--is the first biography of the director of such acclaimed films as The Magnificent Seven, The Great Escape, and Bad Day at Black Rock.

Uganda has attracted much attention and political visibility for its significant economic recovery after a catastrophic decline. In her groundbreaking book, Aili Mari Tripp provides extensive data and analysis of patterns of political behavior and institutions by focusing on the unique success of indigenous women's organizations. Tripp explores why the women's movement grew so dramatically in such a short time after the National Resistant Movement took over in 1986. Unlike many African countries where organizations and institutions are controlled by a ruling party or regime, the Ugandan women's movement gained its momentum by remaining autonomous.

This is the first full history of voting in Wisconsin from statehood in 1848 to the present. Fowler both tells the story of voting in key elections across the years and investigates electoral trends and patterns over the course of Wisconsin's history. He explores the ways that ethnic and religious groups in the state have voted historically and how they vote today, and he looks at the successes and failures of the two major parties over the years. Highlighting important historical movements, Fowler discusses the great struggle for women's suffrage and the rich tales of many Wisconsin third parties--the Socialists, Progressives, the Prohibition Party, and others. Here, too, are the famous politicians in Wisconsin history, such as the La Follettes, William Proxmire, and Tommy Thompson.

Winner of France's 2004 Prix de Flore for his memoir The Romanian: Story of an Obsession, Bruce Benderson has gained international respect for his controversial opinions and original take on contemporary society. In this collection of essays, Benderson directs his exceptional powers of observation toward some of the most debated, as well as some of the most neglected, issues of our day. In Sex and Isolation, readers will encounter eccentric street people, Latin American literary geniuses, a French cabaret owner, a transvestite performer, and many other unusual characters; they'll visit subcultures rarely described in writing and be treated to Benderson's iconoclastic opinions about culture in former and contemporary urban society. Whether proposing new theories about the relationship between art, entertainment, and sex, analyzing the rise of the Internet and the disappearance of public space, or considering how religion and sexual identity interact, each essay demonstrates sharp wit, surprising insight and some startling intellectual positions. This is the first American volume of Benderson's collected essays, featuring both new work and some of his best-known writings, including his famous essay "Toward the New Degeneracy."

Nearly two million Jewish men, women, and children emigrated from Eastern Europe between 1882 and 1924 and settled in, or passed through, the Lower East Side of New York City. Sanford Sternlicht tells the story of his own childhood in this vibrant neighborhood and puts it within the context of fourteen early twentieth-century East Side writers. Anzia Yezierska, Abraham Cahan, Michael Gold, and Henry Roth, and others defined this new "Jewish homeland" and paved the way for the later great Jewish American novelists. Sternlicht discusses the role of women, the Yiddish Theater, secular values, the struggle between generations, street crime, politics, labor unions, and the importance of newspapers and periodicals. He documents the decline of Yiddish culture as these immigrants blended into what they called "The Golden Land."

Fact and fiction meet at the boundaries, the betwixt and between where transformations occur. This is the area of ambiguity where fiction and fact become endowed with meaning, and this is the area--where ambiguity, irony, and metaphor join forces--that Harold Scheub exposes in all its nuanced and evocative complexity in The Poem in the Story.In a career devoted to exploring the art of the African storyteller, Scheub has conducted some of the most interesting and provocative investigations into nonverbal aspects of storytelling, the complex relationship between artist and audience, and, most dramatically, the role played by poetry in storytelling. This book is his most daring effort yet, an unconventional work that searches out what makes a story artistically engaging and emotionally evocative, the metaphorical center that Scheub calls "the poem in the story." Drawing on extensive fieldwork in southern Africa and decades of experience as a researcher and teacher, Scheub develops an original approach--a blend of field notes, diary entries, photographs, and texts of stories and poems--that guides readers into a new way of viewing, even experiencing, meaning in a story. Though this work is largely focused on African storytelling, its universal applications emerge when Scheub brings the work of storytellers as different as Shakespeare and Faulkner into the discussion.

Most histories of the Spanish Civil War (1936-1939) have examined major leaders or well-established political and social groups to explore class, gender, and ideological struggles. The war in Spain was marked by momentous conflicts between democracy and dictatorship, Communism and fascism, anarchism and authoritarianism, and Catholicism and anticlericalism that still provoke our fascination. In Republic of Egos, Michael Seidman focuses instead on the personal and individual experiences of the common men and women who were actors in a struggle that defined a generation and helped to shape our world. By examining the roles of anonymous individuals, families, and small groups who fought for their own interests and survival--and not necessarily for an abstract or revolutionary cause--Seidman reveals a powerful but rarely considered pressure on the outcome of history. He shows how price controls and inflation in the Republican zone encouraged peasant hoarding, black marketing, and unrest among urban workers. Soldiers of the Republican Army responded to material shortages by looting, deserting, and fraternizing with the enemy. Seidman's focus on average, seemingly nonpolitical individuals provides a new vision of both the experience and outcome of the war.

In the early morning hours of October 1, 1965, a group calling itself the September 30th Movement kidnapped and executed six generals of the Indonesian army, including its highest commander. The group claimed that it was attempting to preempt a coup, but it was quickly defeated as the senior surviving general, Haji Mohammad Suharto, drove the movement's partisans out of Jakarta. Riding the crest of mass violence, Suharto blamed the Communist Party of Indonesia for masterminding the movement and used the emergency as a pretext for gradually eroding President Sukarno's powers and installing himself as a ruler. Imprisoning and killing hundreds of thousands of alleged communists over the next year, Suharto remade the events of October 1, 1965 into the central event of modern Indonesian history and the cornerstone of his thirty-two-year dictatorship.Despite its importance as a trigger for one of the twentieth century's worst cases of mass violence, the September 30th Movement has remained shrouded in uncertainty. Who actually masterminded it? What did they hope to achieve? Why did they fail so miserably? And what was the movement's connection to international Cold War politics? In Pretext for Mass Murder, John Roosa draws on a wealth of new primary source material to suggest a solution to the mystery behind the movement and the enabling myth of Suharto's repressive regime. His book is a remarkable feat of historical investigation.

Postcolonialism, the politics of ethnic and religious identity, and the role of women in African society and politics have become important, and often connected, foci in African studies. Here, fifteen chapters explore these themes in tandem. With essays that span the continent, this volume showcases the political histories, challenges, and promise of contemporary Africa. Written in honor of Crawford Young, a foundational figure in the study of African politics, the essays reflect the breadth and intellectual legacy of this towering scholar and illustrate the vast impact Young had, and continues to have, on the field. The book's themes build from his seminal publications, and the essays were written by leading scholars who were trained by Young.

In a thoughtful, well-informed study exploring fiction from throughout Stephen King's immense oeuvre, Heidi Strengell shows how this popular writer enriches his unique brand of horror by building on the traditions of his literary heritage. Tapping into the wellsprings of the gothic to reveal contemporary phobias, King invokes the abnormal and repressed sexuality of the vampire, the hubris of Frankenstein, the split identity of the werewolf, the domestic melodrama of the ghost tale. Drawing on myths and fairy tales, he creates characters who, like the heroic Roland the Gunslinger and the villainous Randall Flagg, may either reinforce or subvert the reader's childlike faith in society. And in the manner of the naturalist tradition, he reinforces a tension between the free will of the individual and the daunting hand of fate. Ultimately, Strengell shows how King shatters our illusions of safety and control: "King places his decent and basically good characters at the mercy of indifferent forces, survival depending on their moral strength and the responsibility they may take for their fellow men."

Amidst the militancy of the 1960s and early 1970s the Mexican population of the dusty agricultural town of Crystal City, Texas (Cristal in Spanish), staged two electoral revolts, winning control of the city council and school board. Armando Navarro presents the most comprehensive examination to date of the rise of the Chicano political movement in Cristal.

In this biting, lyrical memoir, Camara Lundestad Joof, born in Bodø to Norwegian and Gambian parents, shares her experiences as a queer Black Norwegian woman. Joof's daily encounters belie the myth of a colorblind contemporary Scandinavia. She wrestles with the fickle palimpsest of memory, demanding communion with her readers even as she recognizes her own exhaustion in the face of constantly being asked to educate others about racism. "I regularly decide to quit talking to white people about racism," writes Joof. Discussions with white people about racism often feel unproductive, the occasional spark of hope coming at enormous personal cost. But not talking about it is impossible, a betrayal of self. The book is a self-examination as well as societal indictment. It is an open challenge to readers, to hear her as she talks about it, all the time.

Postcolonial and post-World War II Southeast Asia churned with new political, social, and cultural realities and possibilities. Liberal democracies flourished briefly, only to be discarded in favor of dictatorships and other authoritarian regimes, as the disorder and slow response times inherent to democracy proved unsavory or unequal to the challenges of the Cold War. Uniquely, Laos maintained a stable democracy into the 1970s, but its history has often been flattened into the global tug-of-war between the superpowers. Forsaken Causes offers the groundbreaking intellectual history of the Royal Lao Government (RLG) from 1945 to 1975. Ryan Wolfson-Ford's account firmly centers the Lao people as not pawns of the superpowers but agents of their own history, with the Lao elite as the authors of the nation's trajectory. The prevailing ideologies of liberal democracy and anticommunism were not imposed from the outside, as is usually assumed in Western accounts; rather, they were rooted in the specific culture of Laos, which prized its traditional monarchy, its Buddhist faith, and a powerful nationalistic concept of Lao race. Contrary to histories that dismiss the Lao elite as mere instruments of foreign powers, the RLG charted its own course during the Cold War, guided by complex motivations, rationales, and beliefs. By recentering the Lao in their own history, Wolfson-Ford restores our understanding of this robust, multiparty political system and enhances our understanding of postcolonial and Cold War Southeast Asia as a whole.

"What might it mean to take the dead seriously as political actors?" asks Lia Kent in this exciting new contribution to critical human rights scholarship. In Timor-Leste, a new nation-state that experienced centuries of European colonialism before a violent occupation by Indonesia from 1975 to 1999, the dead are active participants in social and political life who continue to operate within familial structures of obligation and commitment. On individual, local, and national levels, Timor-Leste is invested in various forms of memory work, including memorialization, exhumation, reburial, and commemoration of the occupation's victims. Such practices enliven the dead, allowing them to forge new relationships with the living and unsettling the state-building logics that seek to contain and control them. With generous, careful ethnography and incisive analysis, Kent challenges comfortable, linear narratives of transitional justice and argues that this memory work is reshaping the East Timorese social and political order--a process in which the dead are active, and sometimes disruptive, participants. Community ties and even the landscape itself are imbued with their presence and demands, and the horrific scale of mass death in recent times--up to a third of the population perished during the Indonesian occupation--means Timor-Leste's dead have real, significant power in the country's efforts to remember, recover, and reestablish itself.

The Metamorphoses, written by the Roman poet Ovid, has fascinated readers ever since it was written in the first century CE, and here Celia M. Campbell offers a bold new interpretive approach. Reasserting the significance of the ancient hymnic tradition, she argues that the first pentad of Ovid's Metamorphoses draws a programmatic strain of influence from hymns to the gods, in particular conversation--and competition--with the work of the Alexandrian poet Callimachus, a favored source of inspiration to Augustan writers. She suggests that Ovid read Callimachus' six hymns as a self-conscious set--and reading the first five books of the Metamorphoses through Callimachus' hymnic collection allows us to pierce the occasionally opaque and seemingly idiosyncratic mythology Ovid constructs. Through careful, innovative close readings, Campbell illustrates that Callimachus and the hymnic tradition provide a kind of interpretative key to unlocking the dynamic landscape of divine power in Ovid's poetic cosmos.

Chasing leads, Sheriff Dave Cubiak suddenly finds himself amid a troupe of live-action role players living in an ersatz Camelot. In a setting where pretense in the norm, Cubiak must determine if suspects are who they say they are or if their made-up identities conceal a ruthless killer.