Böcker utgivna av University Press of Mississippi

The Francophone Caribbean boasts a trove of literary gems. Distinguished by innovative, elegant writing and thought-provoking questions of history and identity, this exciting body of work demands scholarly attention. Its authors treat the traumatic legacies of shared and personal histories pervading Caribbean experience in striking ways, delineating a path towards reconciliation and healing. The creation of diverse personal narratives-encompassing autobiography, autofiction (heavily autobiographical fiction), travel writing, and reflective essay-remains characteristic of many Caribbean writers and offers poignant illustrations of the complex interchange between shared and personal pasts and how they affect individual lives. Through their historically informed autobiography, the authors in this study-Maryse Conde, Gisele Pineau, Patrick Chamoiseau, Edwidge Danticat, and Dany Laferriere-offer compelling insights into confronting, coming to terms with, and reconciling their past. The employment of personal narratives as the vehicle to carry out this investigation points to a tension evident in these writers' reflections, which constantly move between the collective and the personal. As an inescapably complex network, their past extends beyond the notion of a single, private life. These contemporary authors from Martinique, Guadeloupe, and Haiti intertwine their personal memories with reflections on the histories of their homelands and on the European and North American countries they adopt through choice or necessity. They reveal a multitude of deep connections that illuminate distinct Francophone Caribbean experiences.

Often called a ""writer-rock star"" and a ""cult icon"", Dorothy Allison is a true performer of the written word. In the absence of a biography of Allison's life, Conversations with Dorothy Allison presents Allison's perspectives on her life, literature, and her conflicted role as a public figure.

Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event.

Engaging with Romanticism and the many monsters created by Romantic writers and artists such as Mary Shelley, Victor Hugo, and Goya, Maaheen Ahmed maps the heritage, functions, and effects of monsters in contemporary comics and graphic novels.

Adrian Rollini, an American jazz multi-instrumentalist, played the bass saxophone, piano, vibraphone, and an array of other instruments. This book draws on oral history, vintage articles, and family archives to trace Rollini's life, from his family's arrival in the US to his development and career as a musician, to his retirement and death.

Brings insights from urban theory to bear on specific comics. The works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards.

Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway argues black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognising the wisdom of African ancestors, they procured power in the struggle for black liberation.

Though texts within dystopian literature and science fiction may share similar settings, plot devices, and characters, each genre's value is different because they do distinctively different sociocritical work. This book distinguishes the two genres, explains the function of each, and outlines the impact each has on readers.

Today fans still remember and love the British girls' comic Misty for its bold visuals and narrative complexities. Yet its unique history has drawn little critical attention. Bridging this scholarly gap, Julia Round presents a comprehensive cultural history and detailed discussion of the comic.

Provides a riveting account of the day Johnny Cash took the stage at Folsom Prison in California. Michael Streissguth skilfully places the concert and the album that followed in the larger context of Cash's artistic development, the era's popular music, and California's prison system, uncovering new angles and exploding a few myths along the way.

In the twenty-two interviews included in Conversations with Neil Simon, Simon talks candidly about what it was like to write commercially successful plays that were dismissed by critics and scholars. He also speaks at length about the differences between writing for television, for the stage, and for film

With this new collection of interviews, readers will recognise the themes that motivate Steven Spielberg, the cinematic techniques he employs to create his feature films, and the emotional connection he has to his movies. The result is a nuanced and engaging portrait of the most popular director in American cinema history.

Presents the state of languages and of linguistic research on topics such as indigenous language documentation and revival; variation in educational opportunities in Louisiana's French varieties; current research on rural and urban dialects of English; and the struggles more recent immigrants face to use their heritage languages.

Examines six unique, offbeat, Downtown celebrations. Using ethnography, folklore, cultural, and performance studies, the authors analyse new Mardi Gras's connection to traditional Mardi Gras. The narrative of each krewe's development is fascinating and unique, illustrating participants' shared desire to contribute to New Orleans's vibrant culture.

Based on new research and combining multiple scholarly approaches, these essays tell new stories about the civil rights movement in Mississippi. As a group, the essays introduce numerous new characters and conundrums into civil rights scholarship and encourage historians to pull civil rights scholarship closer toward the present.

Probes the complex issues of identity confronting free blacks who attempted to meaningfully engage in colonization efforts. From a peculiarly voiced ""Counter Memorial"" against the ACS to the letters of wealthy black merchant Louis Sheridan, Stillion Southard brings to light the intricate rhetoric of blacks who addressed colonization to Africa.

Explores the role of folklore, folklore archives, and folklore studies in the contemporary history of Estonia, Latvia, and Lithuania. Sadhana Naithani combines the study of written works, archival documents, life-stories, and conversations with folklorists, ethnologists, archivists, and historians in Tartu, Riga, and Vilnius.

Allen Ginsberg (1926-1997) was one of the most famous American poets of the twentieth century. Yet, his career is distinguished by not only his strong contributions to literature but also social justice. Conversations with Allen Ginsberg collects interviews from 1962 to 1997 that chart Ginsberg's intellectual, spiritual, and political evolution.

Over twenty years after the publication of her groundbreaking work, Waking Sleeping Beauty: Feminist Voices in Children's Novels, Roberta Seelinger Trites returns to analyse how literature for the young still provides one outlet in which feminists can offer girls an alternative to sexism.

Features seventeen interviews with Joan Didion, spanning decades, continents, and genres. Didion reflects on her childhood in Sacramento; her time at Berkeley, in New York, and in Hollywood; her marriage to John Gregory Dunne; and of course her writing.

This overview of the history of Canadian comics explores acclaimed as well as unfamiliar artists. Contributors look at the myriad ways that English-language, Francophone, Indigenous, and queer Canadian comics and cartoonists pose alternatives to American comics, to dominant perceptions, even to gender and racial categories.

Exploring the US experience of war in the twenty-first century, this book argues that wherever and whenever there is war, there will be imaginative responses to it, especially the recent wars in Afghanistan and Iraq.

Collects eight of Stan Brakhage's most important interviews in which the filmmaker describes his conceptual frameworks; his theories of vision and sound; the importance of poetry, music, and the visual arts in relation to his work; his concept of the muse; and the key influences on his art-making.

Examines how Martin Luther King's life and work had a profound, if unpredictable, impact on the course of the United States since the civil rights era. Collectively, these pieces explore wide-ranging issues and contemporary social developments through the lens of Dr. King's perceptions, analysis, and prescriptions.

Eleanor Cameron (1912-1996) was an innovative and genre-defying author of children's fiction and children's literature criticism. From her beginnings as a librarian, Cameron went on to become a prominent and respected voice in children's literature, writing one of the most beloved children's science fiction novels of all time, The Wonderful Flight to the Mushroom Planet, and later winning the National Book Award for her time fantasy The Court of the Stone Children.In addition, Eleanor Cameron played an often vocal role in critical debates about children's literature. She was one of the first authors to take up literary criticism of children's novels and published two influential books of criticism, including The Green and Burning Tree. One of Cameron's most notable acts of criticism came in 1973, when she wrote a scathing critique of Roald Dahl's Charlie and the Chocolate Factory. Dahl responded in kind, and the result was a fiery imbroglio within the pages of the Horn Book Magazine. Yet despite her many accomplishments, most of Cameron's books went out of print by the end of her life, and her star faded.This biography aims to reinsert Cameron into the conversation by taking an in-depth look at her tumultuous early life in Ohio and California, her unforgettably forceful personality and criticism, and her graceful, heartfelt novels. The biography includes detailed analysis of the creative process behind each of her published works and how Cameron's feminism, environmentalism, and strong sense of ethics are reflected in and represented by her writings. Drawn from over twenty interviews, thousands of letters, and several unpublished manuscripts in her personal papers, Eleanor Cameron is a tour of the most exciting and creative periods of American children's literature through the experience of one of its valiant purveyors and champions.

In this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music, authoritatively connecting the black vaudeville movement with the explosion of blues that followed.

Robert Taylor was a central figure of Hollywood's classical era. In Robert Taylor: Male Beauty, Masculinity, and Stardom in Hollywood, Gillian Kelly investigates the initial construction and subsequent developments of Taylor's star persona across his thirty-five-year career.

Despite predictions that commercial mass culture would displace customs of the past, traditions firmly abound, often characterized as folklore. In The Practice of Folklore, author Simon Bronner works with theories of cultural practice to explain the social and psychological need for tradition in everyday life.

Brings together historians and literary scholars to explore the many facets of William Faulkner's relationship to history: the historical contexts of his novels and stories; his explorations of the historiographic imagination; his engagement with historical figures; and his influence on professional historians.

Ross Anderson interviewed over 140 artists to tell the story of how, with Who Framed Roger Rabbit, they created something truly magical. Anderson describes the ways in which the Roger Rabbit characters have been used in film shorts, commercials, and merchandising, and how they have remained a cultural touchstone today.