Böcker utgivna av University Press of Mississippi

Ross Anderson interviewed over 140 artists to tell the story of how, with Who Framed Roger Rabbit, they created something truly magical. Anderson describes the ways in which the Roger Rabbit characters have been used in film shorts, commercials, and merchandising, and how they have remained a cultural touchstone today.

In this groundbreaking volume, Laurent Cugny examines and connects the theoretical and methodological processes that underlie all of jazz. Jazz in all its forms is researched and analysed by performers, scholars, and critics. This book is required reading for any serious study of jazz.

Provides a close reading of Rutu Modan's work and examines her role in creating a comics arts scene in Israel. Drawing on archival research, Kevin Haworth traces the history of Israeli comics from its beginning in the 1930s, to the counterculture movement of the 1970s, to the burst of creativity that began in the 1990s and continues today.

Neil Gaiman is one of the most critically decorated and popular authors of the last fifty years, but his work is under represented in sustained fashion in comics studies. The thirteen essays and two interviews with Gaiman and his frequent collaborator, artist P. Craig Russell, in this volume examine the work of Gaiman and his many illustrators.

Investigates lynching as a racialized practice of civic engagement, in effect an argument against black inclusion within the changing nation. Ersula Ore scrutinizes the civic roots of lynching, the relationship between lynching and white constitutionalism, and contemporary manifestations of lynching discourse and logic today.

Ranging from 2001 to 2016, the twenty-three interviews collected in Conversations with Colson Whitehead reveal the workings of one of America's most idiosyncratic and most successful literary minds.

Explores how comics and notions of the sacred interweave new modes of seeing and understanding the sacral. Coeditors Assaf Gamzou and Ken Koltun-Fromm reveal the graphic character of sacred narratives, imagining new vistas for both comics and religious texts.

Presents the first collection of interviews with the renowned contemporary American author Gish Jen. Spanning more than two decades, beginning in 1991 and ending with a new, unpublished interview from 2017, these interviews provide readers a sense of Jen's development as a novelist and cultural critic.

Spanning the period from 1990 to 2017, Alison Bechdel: Conversations collects ten interviews that illustrate how Bechdel uses her own life, relationships, and contemporary events to expose the world to what she has referred to as the "fringes of acceptability" - the comics genre as well as queer culture and identity.

Explores how comics and notions of the sacred interweave new modes of seeing and understanding the sacral. Coeditors Assaf Gamzou and Ken Koltun-Fromm reveal the graphic character of sacred narratives, imagining new vistas for both comics and religious texts.

Few books have looked at what the zombie means in fiction. Tim Lanzendoerfer fills this gap by looking at a number of zombie novels, short stories, and comics, and probing what the zombie represents in contemporary literature.

Presents ten essays that explore the point where social justice meets the Justice League. Ranging from comics to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change.

Presents interviews that span the length of Neil Gaimain's career, from his first formal interview by the BBC at the age of seven to a new, unpublished interview held in 2017. They cover topics as wide and varied as a young Gaiman's thoughts on managing anger, learning the comics trade from Alan Moore, and being on the clock virtually 24/7.

Explores the death of home cooking, revealing how modern changes transformed cooking at home from an odious chore into a concept imbued with deep meanings associated with home, family, and community. Drawing on a wide array of texts - cookbooks, advertising, and more - Dutch analyses the many manifestations of traditional cooking in America today.

Presents the first, full-length scholarly study of Mira Nair's cinema. Amardeep Singh delves into the complexities of her films from 1981 to 2016, offering critical commentary on all of Nair's major works, including her early documentary projects as well as shorts.

After the death of Joseph Stalin, Soviet-era Russia experienced a flourishing artistic movement due to relaxed censorship and economic growth. In this atmosphere of freedom, Russia's satirical magazine Krokodil became rejuvenated. John Etty explores Soviet graphic satire through Krokodil and its political cartoons.

Originally published in 1966, more than ten years after the Supreme Court ended segregation in public schools, James Meredith describes his intense struggle to attend an all-white university and break down long-held race barriers in one of the most conservative states in America.

In this engaging, cradle-to-grave biography, Todd James Pierce explores the life of Ward Kimball, a lead Disney animator who worked on characters such as Mickey Mouse, Donald Duck, Jiminy Cricket, the Cheshire Cat, and the Mad Hatter. Pierce defines the life of perhaps the most influential animator of the twentieth century.

Lois Weber was one of early Hollywood's most successful screenwriter-directors. Despite her many successes, Weber was pushed out of the business in the 1930s as a result of Hollywood's institutionalized sexism. This book restores her long-muted voice by reprinting more than sixty items in which she expressed her views on a range of filmic subjects.

In the first volume to collect the paintings and drawings of Clarence Major, readers are offered six decades of unique, colourful, and compelling canvases and works on paper-works of singular beauty and social relevance. These works represent Major's personal painterly journey of passionate commitment to art.

Presents the first collection of interviews with the beloved children's book author best known for her 1962 Newbery Award-winning novel, A Wrinkle in Time. The thirteen interviews collected here reveal an amazing feat of authorial self-fashioning, as L'Engle transformed from novelist to children's author to Christian writer.

Millions of southerners left the South in the twentieth century in a mass migration that has, in many ways, rewoven the fabric of American society on cultural, political, and economic levels. Mary Weaks-Baxter analyses narratives by and about those who left the South and how those narratives have remade what it means to be southern.

Based on meticulous archival research and oral history interviews with over one hundred parents, teachers, students, principals, superintendents, community leaders, and school board members, Natalie G. Adams and James H. Adams explore the arduous and complex task of implementing school desegregation.

The seventeen interviews in this volume, most of which have been translated into English for the first time, offer new insights into Claude Chabrol's remarkably wide-ranging filmography, providing a sense of his attitudes and ideas about a number of subjects.

Post-Blackness. Post-Soul. Post-Black Art. New Blackness. Cameron Leader-Picone suggests that this proliferation of terms, along with the renewed focus on questioning the relationship between individual black artists and the larger black community, indicates the arrival of novel forms of black identity and black art.

Presents a collection of anecdotal reflections that relate many of the experiences that shaped Barry Gifford as a writer. Representative of Gifford's body of work, this volume is divided into three sections: books, film and television, and music. Within these sections, Gifford's best work is showcased.

Analyses how the highly biased, white historical memories of what had been a wealthy southern hub originated from the experiences and hardships of the Civil War. These collective narratives eventually culminated in a heritage tourism enterprise still in business today.

Charles Burnett (b. 1944) is a groundbreaking African American filmmaker and one of America's finest directors, yet he remains largely unknown, and few filmgoers have seen his films or heard of Burnett. The interviews in this volume explore this paradox and collectively shed light on the work of a rare film master.

Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits brings this figure into the light, exploring her cultural significance in a variety of media from 1926 to 2014. Robin Roberts argues that the female ghost is well worth studying for what she can tell us about feminine subjectivity in cultural contexts.

Getting in touch with a spiritual side is a craving many are unable voice, but readers and viewers seek out this connection through animation, cinema, anime, and art. This book offers a range of explorations of the meanings of the spirited and spiritual in the dynamic, polarized creative environment of the twenty-first century.