Böcker utgivna av Vanderbilt University Press

Specters, Monsters, and the Damned examines a rich selection of Spanish fantastic literature to illustrate how the language of the supernatural expresses the fears of complex societies beset by dizzying change and perceived decline. Throughout the nineteenth century, amid governmental upheavals and imperial losses, Spain's dominant political, legal, and scientific voices constructed the prototypical citizen as male, middle-class, and "ethnically pure." The role of realist novels by canonical authors like Benito Pérez Galdós, Emilia Pardo Bazán, and Leopoldo Alas in forging this Spanish identity has been meticulously examined over the last half century, to the exclusion of many other genres. This book complements existing scholarship by demonstrating how a neglected corpus of late nineteenth- and turn-of-the-century fantastic short fictions, many by the same canonical authors, engages with processes of national identity formation in unexpected and ambiguous ways. Tang offers innovative readings of eleven fantastic short stories and one novella as they first appeared, some serialized and others illustrated, in Spanish periodicals from the late 1800s and early 1900s. Drawing on original archival research, she demonstrates how these stories--in which the everyday is suddenly and inexplicably disrupted by the supernatural--often employ gothic imagery (specifically that of the specter, the monster, and the curse) to depict as threatening those who deviate from cultural norms in terms of class, gender, and race. Tang argues, however, that these unsettling, open-ended narratives likewise allow readers to question how and why certain designated groups are privileged by society. She contends that the fantastic depiction of reality as unstable in these works ultimately facilitates an interrogation of those values that are accepted as natural by the reigning social order, gesturing toward the inhumanity not of the marginalized, but of the dominant group.

The term "gastrocracy" refers to the appropriation of discourses and practices related to the sourcing, preparation, distribution, and consumption of food for political purposes. The intersections of gastronomy and governance, dating in Spain to the last quarter of the nineteenth century, have become highly visible over the past decade, when political debates around nationalism in its different forms have taken the guise of discussions about regional and local cuisines. Concomitant with the rise of the "slow food" movement and following UNESCO's addition in 2011 of "Gastronomic Meal of the French" to its list of Intangible Cultural Heritage of Humanity, public and private associations all around Spain have been established with the goal of achieving recognition by UNESCO for Spanish, Catalan, and other national cuisines. In 2016, Gastro Marca España--an association and a web portal--was launched to raise the profile of food in Spain's national brand. Eliciting wide public participation, coopted for political purposes, regarded as a factor of economic development on any scale, and integrated into every so-called banal nationalism, the production, distribution, and consumption of food are highly relevant for historical analysis. Seeking to encourage a broader discussion about Peninsular gastrocracies, this book brings together an interdisciplinary group of scholars from different sides of the Atlantic and the Pacific who have spearheaded research on gastronomy and governance in Spain.

This is the fascinating, detailed account of the rise and fall of the largest banking house ever before established in the South, whose financial misfeasance during the prosperous twenties led to its eventual collapse and brought ruin to numerous innocent investors. Caldwell and Company was founded in Nashville in 1917 by Rogers Caldwell, the son of a leading local banker and businessman. Beginning as a small underwriter and distributor of Southern municipal bonds, the firm soon branched out into real estate bonds and industrial securities as well. Control of important banks in Tennessee and Arkansas was acquired; newspapers, and even Nashvilles professional baseball team, came under the firm's ownership. Caldwell and Company was, truly, a pioneer conglomerate. Caldwell and Company also ventured into the realm of politics, supporting certain politicians (notably Colonel Luke Lea) with questionable benefits accruing to the firm, including substantial state deposits in Caldwells Bank of Tennessee. In November 1930 the firm went into receivership. Unethical practices, including overextension in the acquisition of banks, insurance companies, and other business, had already strain Caldwell and Company's assets. With the 1929 collapse of stock prices. Rogers Caldwell could not meet the company's obligations, and he began to squeeze all available cash from the various controlled firms. He also negotiated a merger between Caldwell and Company and Banco-Kentucky Company of Louisvillea transaction which must stand as one of the strangest deals in the annals of American business. Even the aforementioned State of Tennessee deposits, which helped float his empire for a while, could not prevent its collapsea collapse which resulted in a multi-million dollar loss to Tennessee's Treasury, public hysteria, and clamor for the impeachment of the Governor of Tennessee. Originally Published in 1939, this edition includes a new introduction in which the author comments on the long-run implications of the Caldwell episode and reports the outcome of legal actions, both civil and criminal, still pending at the time the book was first published.

The End of the Future broadens the theoretical framework for understanding memory's role in reconciliation following a violent conflict. This book explores the complicated and confusing linkages between memory and trauma for individuals caught up in civil war and post-conflict reconciliation in the Peruvian Amazon's Huallaga Valley--an epicenter for leftist rebels and a booming shadow economy based on the extraction and circulation of cocaine. The End of the Future tells the story of the Túpac Amaru Revolutionary Movement's (Movimiento Revolucionario Túpac Amaru, MRTA) violent attempts to overthrow the state in the late 1980s and early 1990s from the perspective of the poorest residents of the lower Huallaga's Caynarachi Basin. To give context to the causes and consequences of the MRTA's presence in the lower and central Huallaga, this book relies on the written works and testimony of Sístero García Torres, an MRTA rebel commander; the government's Truth and Reconciliation Commission; MRTA propaganda; media accounts; and critical historical texts. Besides exposing Huallaga Valley human rights abuses, the book's contribution to political anthropology is consequential for its insistence that reconciliation is by no means equivalent to local, Indigenous notions of "justice" or customary forms of dispute resolution. Without deliberately addressing the diverse socio-cultural contours defining overlapping epistemologies of justice, freedom, and communal wellbeing, enduring reconciliation will likely remain elusive.

Tells the stories of Black working women who resisted employment inequality in Milwaukee, Wisconsin, from the 1940s to the 1970s. The book explores the job-related activism of Black Midwestern working women and uncovers the political and intellectual strategies they used to dismantle unjust structures, and transform their lives.

Carmen Miranda got knocked down and kept going. Filming an appearance on The Jimmy Durante Show on August 4, 1955, the ambassadress of samba suddenly took a knee during a dance number, clearly in distress. Durante covered without missing a beat, and Miranda was back on her feet in a matter of moments to continue with what she did best: performing. By the next morning, she was dead from heart failure at age 46. This final performance in many ways exemplified the power of Carmen Miranda. The actress, singer, and dancer pursued a relentless mission to demonstrate the provocative theatrical force of her cultural roots in Brazil. Armed with bare-midriff dresses, platform shoes, and her iconic fruit-basket headdresses, Miranda stole the show in films like That Night in Rio and The Gangs All Here. For American film audiences, her life was an example of the exoticism of a mysterious, sensual South America. For Brazilian and Latin American audiences, she was an icon. For the gay community, she became a work of art personified and a symbol of courage and charisma. In Creating Carmen Miranda, Kathryn Bishop-Sanchez takes the reader through the myriad methods Miranda consciously used to shape her performance of race, gender, and camp culture, all to further her journey down the road to becoming a legend.

When Nashville identified its first case of coronavirus in March 2020, the city was between Public Health Department directors and as unprepared as the rest of the world for what was to come. Dr. Alex Jahangir, a trauma surgeon acting at that time as chair of the Metro Nashville Board of Health, unexpectedly found himself head of the citys COVID-19 Task Force and responsible for leading it through uncharted waters. What followed was a year of unprecedented challenge and scrutiny. Jahangir, who immigrated to the US from Iran at age six, grew up in Nashville. He thought he knew the city well. But the pandemic laid bare ethnic, racial, and cultural tensions that daily threatened to derail what should have been a collective effort to keep residents healthy and safe.Hot Spot is Jahangirs narrative of the first year of COVID, derived from his op notes (the journal-like entries surgeons often keep following operations) and expanded to include his personal reflections and a glimpse into the inner sanctums of city and state governance in crisis.

Benevolent Orders, the Sons of Ham, Prince Hall Freemasonsthese and other African American lodges created a social safety net for members across Tennessee. During their heyday between 1865 and 1930, these groups provided members with numerous resources, such as sick benefits and assurance of a proper burial, opportunities for socialization and leadership, and the chance to work with local churches and schools to create better communities. Many of these groups gradually faded from existence, but their legacy endures in the form of the cemeteries the lodges left behind. These Black cemeteries dot the Tennessee landscape, but few know their history or the societies of care they represent. To Care for the Sick and Bury the Dead is the first book-length look at these cemeteries and the lodges that fostered them. This book is a must-have for genealogists, historians, and family members of the people buried in these cemeteries.

A manufactured and pre-programmed serial killer; a suicidalrobot; a romantic necrophiliac; and an archaeologist who feeds the perverse desires of aficionados of the apocalypseFrancisco Garca Gonzalezs stories map out literary and metafictional approaches to the sci-fi universe in ways that echo the humor and violence of Miguel de Cervantes,Mara de Zayas, Jorge Luis Borges, Rosa Montero, and Roberto Bolao. With ascholarly introduction by translator Bradley J. Nelson thatintroduces Garca Gonzlezs oeuvre to contemporary readers and scholars of Spanish-language literature, this science fiction collectionintroduces Anglophones to this unique author. Garca Gonzlezturns a black mirroron contemporary society and its relation both to history and to the future. His insightfulness and relevance draw comparisons with Margaret Atwood, Neal Stephenson, and China Mieville, though his verbal economy and elegance are more akin to Cormac McCarthy, producing both disturbingly uncanny violence and unexpected comedy.

In its exploration of puppetry and animation as the performative media of choice for mastering the art of illusion, To Embody the Marvelous engages with early modern notions of wonder in religious, artistic, and social contexts.

What is left of Francisco Francos legacy in Spain today? Franco ruled Spain as a military dictator from 1939 until his death in 1975. In October 2019, his remains were removed from the massive national monument in which they had been buried for forty-four years. For some, the exhumation confirmed that Spain has long been a modern, consolidated democracy. The reality is more complicated. In fact, the country is still deeply affectedand dividedby the dictatorial legacies of Francoism. In one short volume, Exhuming Franco covers all major facets of the Francoist legacy today, combining research and analysis with reportage and interviews. This book is critical of Spanish democracy; yet, as the final chapter makes clear, Spain is one of many countries facing difficult questions about a conflictive past. To make things worse, the rise of a new, right-wing nationalist revisionism across the West threatens to undo much of the progress made in the past couple of decades when it comes to issues of historical justice.

Gathers diverse voices to address women's interaction with STEM fields in the context of Spanish cultural production. This volume focuses on the many ways the arts and humanities provide avenues for deepening the conversation about how women have been involved in, excluded from, and represented within the scientific realm.

The 400th anniversaries of Don Quixote in 2005 and 2015 sparked worldwide celebrations that brought to the fore its ongoing cultural and ideological relevance. Living Quixote examines contemporary appropriations of Miguel de Cervantes's masterpiece in political and social justice movements in the Americas.

Blues Hall of Fame InducteeNamed a Classic of Blues Literature by the Blues Foundation, 2019 This remarkable book recovers three invaluable perspectives, long thought to have been lost, on the culture and music of the Mississippi Delta. In 1941 and '42 African American schol-ars from Fisk Universityamong them the noted composer and musicologist John W. Work III, sociologist Lewis Wade Jones, and graduate student Samuel C. Adams Jr.joined folklorist Alan Lomax of the Library of Congress on research trips to Coahoma County, Mississippi. Their mission was ';to document adequately the cultural and social backgrounds for music in the community.' Among the fruits of the project were the earliest recordings by the legendary blues singer and guitarist Muddy Waters. The hallmark of the study was to have been a joint publication of its findings by Fisk and the Library of Congress. While this publication was never completed, Lost Delta Found is composed of the writings, interviews, notes, and musical transcriptions produced by Work, Jones, and Adams in the Coahoma County study. Their work captures, with compelling immediacy, a place, a people, a way of life, and a set of rich musical traditions as they existed in the 1940s. Illustrated with photos and more than 160 musical transcriptions.