Böcker utgivna av Verlag Peter Lang

The papers comprising this volume are selected from presentations made at the 2001 Conference of the British Association of Lecturers in English for Academic Purposes, which was held at the University of Strathclyde (in Glasgow, Scotland). The role of EAP (English for Academic Purposes) is increasingly important, as higher education institutions consider their linguistic support strategies (both for native and non-native speakers of English), and confront the potential of the world wide web as a scholarly and pedagogic resource. The articles collected consider EAP ¿ as an international profession ¿ from a number of vital and relevant perspectives including practical pedagogy, research, and the impact of new technology.

Explores the multifaceted concepts of otherness, barbarism and exteriority. This book examines some major twentieth-century poetic responses to the violent denial of otherness and difference in modern Europe. It focuses on three twentieth-century poets who experienced barbarism in some way and whose work constitutes a poetic counter-attack.

Awarded the 2007 National Research Prize SAES/AEFA. This study is a reappraisal of John Bunyan in the light of the dissenting religious culture of the late-seventeenth century. Charges of schism and fanaticism were repeatedly levelled against Bunyan, both from within the dissenting community and without, but far from being chastened by these accusations, Bunyan responded with a religious discourse marked by a rhetoric of excess. The focus of this book is therefore upon Bunyan¿s overwhelming spiritual experiences, especially the representation of torment, in his literary and polemical works. The believers¿ suffering was an obsessive concern of dissenting ministers, even to the point where their writings are often remembered today for little else. Hitherto, most scholars have termed all the mental states that they invoke ¿despair¿, but this simplifies the experiences at issue. A wealth of contemporary material helps to restore the nuances of seventeenth-century physical and spiritual conditions, from enthusiasm to melancholy and madness; from fear to desertion and sloth. These chapters explore fresh ways in which this subtle typology of torment and its extreme manifestations form the core of the literary expression of Restoration dissent, challenging Bunyan to represent spiritual equilibrium as the ultimate quest of the earthly pilgrimage.

This book explores the property of co-reference within various texts as a possible means of distinguishing genre types. Based on observed rather than invented material, it supplies empirical data on co-reference as a cohesive mechanism within authentic English texts. Co-referential form and frequency are identified in nine texts representing three genres: academic journals, news magazine articles and fictional narrative texts. This study offers not only quantitative but also qualitative information regarding co-reference in three individual text types, thereby laying the foundation for a comparative study of the three different genres. Focusing on the property of co-reference in this way singles out differences in language use and allows for some pertinent statements to be made regarding modes of co-reference as an indicator of text variety.

This volume synthesizes the work accomplished at the 5 International Security Forum (ISF) in Zurich from 14 to 16 October 2002. It presents a thematic overview of 150 academic presentations distributed over 6 workshop tracks, 30 workshops, 15 side-bar presentations, and 3 plenary sessions. The book contains a timely overview of 21 century international security topics and challenges. Special emphasis is placed on the impact of new information and communications technologies and knowledge management in the conduct of security and defense policy, and on a wide range of issues in the field of security sector reform and the democratic and parliamentary control of armed forces. The contributions also offer a fresh perspective on traditional regional and human security issues in the light of 11 September 2001, notably asymmetric war, Islam, gender, small arms, Russia, and Europe, including NATO, ESDP, and peace support operations. The 5 ISF was organized by the Center for Security Studies and Conflict Research at the ETH Zurich (Swiss Federal Institute of Technology Zurich) in Zurich in cooperation with the Geneva Centre for Security Policy, the Geneva Centre for the Democratic Control of Armed Forces, and the Graduate Institute of International Studies, Geneva.

In this study the author elaborates a comparative framework for analysing literary texts from the Third Reich and the GDR in terms of the extent of assent and/or dissent expressed through them towards the National Socialist and SED regimes. The author maps out areas of similarity and difference in the workings of cultural policy in the two dictatorships. In the second part of the study, Günter Eich¿s work for the Nazi radio system and Bertolt Brecht¿s cultural activities in the GDR act as case studies to illuminate the patterns of interdependent assent and dissent generated under the conditions of dictatorship.

In 2002, Expo. 02 ¿ the Swiss National Exhibition ¿ celebrated the modern identity of the Swiss Confederation and the electorate approved a historic change in relations with other countries by voting to join the United Nations. Yet, despite bilateral agreements regulating areas of common interest between Switzerland and the European Union, there are still strong fears that Swiss identity could be jeopardised by full membership, and that, within a wider framework, her quadrilingual composition could not be sustained. The experience which the Swiss have accumulated in dealing pragmatically and largely peacefully with different languages is detailed in the six essays of this volume. The special contemporary characteristics of German, French and Italian within Switzerland, the pressures on Romansh, the role played by Switzerland in integrating gender-neutral language into standard usage and the dominance of English as a means of communication between different language groups are amongst the topics discussed.

The ideas underlying Benn¿s Ausdruckswelt not only anticipate and parallel many of the assumptions now current in recent trends in literary criticism; they also disclose their ultimate limitations. Benn¿s poetics were founded on the intellectual crises of the early years of the twentieth century. Following Nietzschean leads, Benn sought to achieve in his person and his work a return to a primitive, archetypal mode of perception which he felt would restore a purer, more natural mentality to modern man, whom he portrayed as being ¿far ahead of his syntax¿. By focusing on Benn¿s early Expressionist prose and what this study calls his ¿fictive self¿, the author traces the relationship between Benn¿s Weltanschauung and later critical theory. Building upon the latest scholarship, she analyses Benn¿s poetics as precursor of certain postmodernist ideas concerning language, meaning and polysemy, aesthetics, personal identity, authorial intention versus reader reception, intertextuality, and the role of art in society. By paying specific attention to the concept of the autonomous self and its relation to language, this study demonstrates that Gottfried Benn¿s aesthetic theories do not represent the end of German Expressionism, but rather the beginning of the present post-modernist period.

This book is an analysis and study of postmodernism, political theatre, and the politics of representation. Traversing a wide span of twentieth-century political theatre and performance practices in the West, the author analyses and questions the performance practices of the historical and neo-avant-gardes, modernist political theatre, and postmodern performance in order to explore the relationships between politics, performance and postmodernism. Chinna contends that it is the provisional and contingent strategies of performance which set the model for the postmodern. Drawing on the poststructuralist theories of Jean-Francois Lyotard and Jacques Derrida, among others, the postmodern is defined as a performance model ¿ like deconstruction, endlessly deferring unequivocal meaning and final closure. It is argued that historical avant-garde performance practices such as Dada, as well as the neo-avant-gardes from the 1950s onward, were always trapped within a dialectic of representation and the ¿real¿ in their quest for a merging of art and life.

This collection of essays, inspired by André Breton¿s concept of the limites non-frontières of Surrealism, focuses on the crossings, intersections and margins of the surrealist movement rather than its divides and exclusion zones. Some of the essays originated as papers given at the colloquium ¿Surrealism: Crossings/Frontiers¿ held at the Institute of Romance Studies, University of London, in November 2001. Surrealism is foregrounded as a trajectory rather than a fixed body of doctrines, radically challenging the notion of frontiers. The essays explore real and imaginary journeys, as well as the urban dérives of the surrealists and situationists. The concept of crossing, central to a reading of the dynamics at work in Surrealism, is explored in studies of the surrealist object, which eludes or elides genres, and explorations of the shifting sites of identity, as in the work of Joyce Mansour or André Masson. Surrealism¿s engagement with frontiers is further investigated through a number of revealing cases, such as a political reading of 1930s photography, the parodic rewriting of the popular ¿locked room¿ mystery, or the surrealists¿ cavalier redrawing of the map of the world. The essays contribute to our understanding of the diversity and dynamism of Surrealism as an international and interdisciplinary movement.