Böcker utgivna av W W NORTON

Cândido Rondon is by any measure the greatest tropical explorer in history. Between 1890 and 1930, he navigated scores of previously unmapped rivers, traversed untrodden mountain ranges, and hacked his way through jungles so inhospitable that even native peoples had avoided them-and led Theodore Roosevelt and his son, Kermit, on their celebrated "River of Doubt" journey in 1913-14. Upon leaving the Brazilian Army in 1930 with the rank of a two-star general, Rondon, himself of indigenous descent, devoted the remainder of his life to not only writing about the region's flora and fauna, but also advocating for the peoples who inhabited the rainforest and lobbying for the creation of a system of national parks. Despite his many achievements-which include laying down a 1,200-mile telegraph line through the heart of the Amazon and three nominations for the Nobel Peace Prize-Rondon has never received his due. Originally published in Brazil, Into the Amazon is the first comprehensive biography of his life and remarkable career.

In a future in which the world is run by the Board of Corporations, King's daughter, Athena, reckons with his legacy-literally, for he has given her access to his memories, among other questionable gifts.With climate change raging, Athena has come to believe that saving the planet and its Shareholders will require a radical act of communion-and so she sets out to tell the truth to the world's Shareholders, in entrancing sensory detail, about King's childhood on a South Indian coconut plantation; his migration to the U.S. to study engineering in a world transformed by globalization; his marriage to the ambitious artist with whom he changed the world; and, ultimately, his invention, under self-exile, of the most ambitious creation of his life-Athena herself.The Immortal King Rao, written by a former Wall Street Journal technology reporter, is a resonant debut novel obliterating the boundaries between literary and speculative fiction, the historic and the dystopian, confronting how we arrived at the age of technological capitalism and where our actions might take us next.

Momo has been one of the ever-changing ragbag of whores' children at Madame Rosa's boarding house in Paris ever since he can remember. But when the check that pays for his keep no longer arrives and as Madame Rosa becomes too ill to climb the stairs to their apartment, he determines to support her any way he can. This sensitive, slightly macabre love story between Momo and Madame Rosa has a supporting cast of transvestites, pimps, and witch doctors from Paris's immigrant slum, Belleville. Profoundly moving, The Life Before Us won France's premier literary prize, the Prix Goncourt.

The Congo-Océan railroad stretches across the Republic of Congo from Brazzaville to the Atlantic port of Pointe-Noir. It was completed in 1934, when Equatorial Africa was a French colony, and it stands as one of the deadliest construction projects in history. Colonial workers were subjects of an ostensibly democratic nation whose motto read "Liberty, Equality, Fraternity," but liberal ideals were savaged by a cruelly indifferent administrative state.African workers were forcibly conscripted and separated from their families, and subjected to hellish conditions as they hacked their way through dense tropical foliage-a "forest of no joy"; excavated by hand thousands of tons of earth in order to lay down track; blasted their way through rock to construct tunnels; or risked their lives building bridges over otherwise impassable rivers. In the process, they suffered disease, malnutrition, and rampant physical abuse, likely resulting in at least 20,000 deaths.In the Forest of No Joy captures in vivid detail the experiences of the men, women, and children who toiled on the railroad, and forces a reassessment of the moral relationship between modern industrialized empires and what could be called global humanitarian impulses-the desire to improve the lives of people outside of Europe. Drawing on exhaustive research in French and Congolese archives, a chilling documentary record, and heartbreaking photographic evidence, J.P. Daughton tells the epic story of the Congo-Océan railroad, and in doing so reveals the human costs and contradictions of modern empire.

Moving from Paris to Beirut and back, Calligraphies is a tribute to exiles and refugees, the known and unknown, dead and living, from the American poet Marie Ponsot to the Syrian pasionaria Fadwa Suleiman. Award-winning poet Marilyn Hacker finds resistance, wit, potential, and gleaming connection in everyday moments-a lunch of "standing near the fridge with / labneh, two verbs, and a spoon"-as a counterweight to the precarity of existence.With signature passion and agility, Hacker draws from French, Arabic, and English to probe the role of language in identity and revolution. Amid conversations in smoky cafes, personal mourning, and political turmoil, she traces the lines between exiles and expats, immigrants and refugees. A series of "Montpeyroux Sonnets" bookends the volume, cataloguing months in 2021 and 2022 in which the poet observes a village "in pandemic mode" and reflects on her own aging.In a variety of tones and formal registers, from vivid crowns of sonnets to insistent ghazals to elegiac pantoums and riffs on the renga, Calligraphies explores a world opened up by language.

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway?Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s. Have your sense of art history overturned and your eyes opened to many artforms often ignored or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan, this is the history of art as it's never been told before.

When the New York Public Library announced in October 1968 that its Berg Collection had acquired the original manuscript of The Waste Land, one of the most puzzling mysteries of twentieth-century literature was solved. The manuscript was not lost, as had been believed, but had remained among the papers of John Quinn, Eliot's friend and adviser, to whom the poet had sent it in 1922.If the discovery of the manuscript was startling, its content was even more so: the published version of The Waste Land was considerably shorter than the original. The manuscript pages illuminate how the famously elliptical poem was reduced and edited through the handwritten notes of Ezra Pound; of Eliot's first wife, Vivien; and of Eliot himself. So that this material could be made widely available, the poet's widow, Valerie Eliot, prepared the facsimile edition for publication in 1971, reproducing each page of the original manuscript with a clear transcript, an enlightening introduction, and explanatory notes.In celebration of the centenary of the poem, published in the United States by Boni & Liveright in 1922, Eliot's manuscript pages are presented in vivid color for the first time. The updated facsimile edition also offers a new appendix-including a sheet of Valerie Eliot's corrections discovered in the Faber archive in 2021-and an insightful afterword from Faber poetry editor Matthew Hollis. Complete with the text of the first published version of The Waste Land, this definitive volume reveals the evolution of a landmark work of the twentieth century and its enduring legacy.

In this brilliant two-part memoir, the Pulitzer Prize-winning writer Hilton Als distills into one cocktail the deep and potent complexities of love and of loss, of Prince and of power, of desire and of race. It's delicious and it's got the kick of a mule, especially as Als swirls into his mix the downtown queer nightclub scene, the AIDS crisis, Prince's ass in his tight little pants, an ill-fated peach pie, Dorothy Parker, and his desire for true love. Always surprising and stealthily-even painfully-moving, Als plumbs longing: "I inched closer to him as he danced to you, Prince. But already he was you, Prince, in my mind. He had the same coloring, and the same loneliness I wanted to fill with my admiration. I couldn't love him enough. We were colored boys together. There is not enough of that in the world, Prince-but you know that. Still, when other people see that kind of fraternity they want to kill it. But we were so committed to each other, we never could work out what that violence meant. There was so much love between us. Why didn't anyone want us to share it?"

One New Haven summer evening in 2006, a retired grandfather was shot point-blank by a young stranger. A hasty police investigation culminated in innocent sixteen-year-old Bobby being sentenced to prison for thirty-eight years. New Haven native and acclaimed author Nicholas Dawidoff returned home and spent eight years reporting the deeper story of this injustice, and what it reveals about the enduring legacies of social and economic disparity.In The Other Side of Prospect, he has produced an immersive portrait of a seminal community in an old American city now beset by division and gun violence. Tracing the histories of three people whose lives meet in tragedy-victim Pete Fields, likely murderer Major, and Bobby-Dawidoff indelibly describes optimistic families coming north from South Carolina as part of the Great Migration, for the promise of opportunity and upward mobility, and the harrowing costs of deindustrialization and neglect. Foremost are the unique challenges confronted by children like Major and Bobby coming of age in their "forgotten" neighborhood, steps from Yale University. After years in prison, with the help of a true-believing lawyer, Bobby is finally set free. His subsequent struggles with the memories of prison, and his heartbreaking efforts to reconnect with family and community, exemplify the challenges the formerly incarcerated face upon reentry into society and, writes Reginald Dwayne Betts, make this "the best book about the crisis of incarceration in America."The Other Side of Prospect is a reportorial tour de force, at once a sweeping account of how the injustices of racism and inequality reverberate through the generations, and a beautifully written portrait of American city life, told through a group of unforgettable people and their intertwined experiences.