In this biography, published on the 250th anniversary of Bach's death, the author demonstrates the connection between the composer's life and music, showing how his inventiveness pervaded his career as musician, composer, performer, scholar and teacher.
Toddler-Hunting & Other Stories introduces to American readers a startlingly original voice. Winner of most of Japan's top literary prizes for fiction, Taeko Kono writes with a disquieting and strange beauty, always foregrounding what Choice called "the great power of serious, indeed shocking events." In the title story, the protagonist loathes young girls, but she compulsively buys expensive clothes for little boys so that she can watch them dress and undress. The impersonal gaze Taeko Kono turns on this behavior transfixes the reader with a fatal question: What are we hunting for? And why? Now available in paperback for the first time, Toddler-Hunting & Other Stories should fascinate any reader interested in Japanese literature--or in the growing world of transgressive fiction.
These centuries, as the author demonstrates, were the era in which the most deeply rooted of ancient institutions disappeared for all time. By 476 the Roman empire had vanished from western Europe; by 655 the Persian empire had vanished from the Near East. Mr. Brown, Professor of History at Princeton University, examines these changes and men's reactions to them, but his account shows that the period was also one of outstanding new beginnings and defines the far-reaching impact both of Christianity on Europe and of Islam on the Near East. The result is a lucid answer to a crucial question in world history; how the exceptionally homogeneous Mediterranean world of c. 200 A.D. became divided into the three mutually estranged societies of the Middle Ages: Catholic Western Europe, Byzantium, and Islam. We still live with the results of these contrasts.
The distinguished social critic Richard Sennett here shows how the excessively ordered community freezes adults-both the young idealists and their security-oriented parents-into rigid attitudes that stifle personal growth. He argues that the accepted ideal of order generates patterns of behavior among the urban middle classes that are stultifying, narrow, and violence-prone. And he proposes a functioning city that can incorporate anarchy, diversity, and creative disorder to bring into being adults who can openly respond to and deal with the challenges of life.
For over a century, opening the black box of embryonic development was the holy grail of biology. Evo Devo-Evolutionary Developmental Biology-is the new science that has finally cracked open the box. Within the pages of his rich and riveting book, Sean B. Carroll explains how we are discovering that complex life is ironically much simpler than anyone ever expected.
At the edge of civilization, nature and evil collide in what stands out as one of the decade s best books of its kind (Alan Cheuse, Boston Globe)."
In Still Life in Milford Thomas Lynch tenders poems on life and death, history and memory, the local and the larger geographies. "[Thomas Lynch's] poems . . . are as stark and graceful as geese lifting off backwater. The poems trace from the rural midwest to London and County Clare, a quiet elegy of loss and testament. But then Lynch is by trade a mortician, and by craft a bard."-Amazon.com "[Lynch] evinces a steady wisdom drawn from years of passionate attention to daily experience."-Seattle Weekly
The eleventh-century Muslim world was a great civilization while Europe lay slumbering in the Dark Ages. Slowly, inevitably, Europe and Islam came together, through trade and war, crusade and diplomacy. The ebb and flow between these two worlds for seven hundred years, illuminated here by a brilliant historian, is one of the great sagas of world history.
The plot of Exercises in Style is simple: a man gets into an argument with another passenger on a bus. However, this anecdote is told 99 more times, each in a radically different style, as a sonnet, an opera, in slang, and with many more permutations. This virtuoso set of variations is a linguistic rust-remover, and a guide to literary forms.
Nature and humans build their devices with the same earthly materials and use them in the same air and water, pulled by the same gravity. Why, then, do their designs diverge so sharply? Humans, for instance, love right angles, while nature's angles are rarely right and usually rounded. Our technology goes around on wheels-and on rotating pulleys, gears, shafts, and cams-yet in nature only the tiny propellers of bacteria spin as true wheels. Our hinges turn because hard parts slide around each other, whereas nature's hinges (a rabbit's ear, for example) more often swing by bending flexible materials. In this marvelously surprising, witty book, Steven Vogel compares these two mechanical worlds, introduces the reader to his field of biomechanics, and explains how the nexus of physical law, size, and convenience of construction determine the designs of both people and nature. "This elegant comparison of human and biological technology will forever change the way you look at each."-Michael LaBarbera, American Scientist
Richard Wagner's vast Der Ring des Nibelungen cycle comprises four full-length operas (Das Rheingold, Die Walkure, Siegfried and Gotterdammerung) and is arguably the most extraordinary achievement in the history of opera. His own libretto to the operas, translated by Andrew Porter, is an intricate system of metric patterns, imaginative metaphors and alliteration, combining to produce the music in text.
Whether it's a Web page on the Internet or a chapter in an annual budget report, readers today have less time to spend wading through text-they want the writing they read to be articulate and to the point. Effective Writing will help writers at any level of proficiency produce clear, concise writing structured around the messages they want to convey to their audience, and supported with strong, well-developed paragraphs and sentences. Written in plain language and a relaxed style, this book is easily adaptable to a wide variety of writing styles and tasks, and will be helpful at any stage of the process: conceptualization, writing, or editing.
May Sarton's ninth novel explores a woman's struggle to reconcile the claims of life and art, to transmute passion and pain into poetry. As it opens, Hilary Stevens, a renowned poet in her seventies, is talking with Mar, an intense young man who has sought her out and whose passionate despair reminds her of herself when young. Mar has had an unhappy love affair with a man. Bewildered by both his sexuality and his writing talent, he flings his anguish against Hilary's brusque, sympathetic intelligence.
A foundling, Fanny, is raised by adoptive parents, Lord and Lady Bellars, but is forced to flee to London when her libertine stepfather ravishes her. After toiling in a London brothel, Fanny embarks on a series of adventures that teach her what she must know to live and prosper as a woman.
Patrick O'Brian has emerged, in the opinion of many, as one of the greatest novelists in English. His fame rests mainly on the achievement of the epic Aubrey/Maturin novels, but few readers know that O'Brian first made his reputation as a writer of short fiction. Collected here are twenty-seven stories that O'Brian wished to preserve: stories of uncommon lyricism and beauty that will confirm his rightful place in the front rank of short-story writers as well as of novelists.Although the tone of this collection ranges effortlessly from the humorous to the dramatic, the most characteristic and memorable stories often have to do with a glimpse of savage, destructive forces through the fragile shell of human civilization. The threatened chaos may be psychological, as in "On the Wolfsberg," or it may be lurking in the natural world, as in "A Passage of the Frontier," or, as in the dark masterpiece "The Chian Wine," it is suddenly discovered in the ancient, irrational impulses of human nature.The setting may be the marshes of western Ireland, the Pyrenees, or the claustrophobic confines of a clockmender's house, but each story is a showcase for Patrick O'Brian's fresh and meticulous prose; each story reaffirms his sympathetic understanding of human passion and suffering. This collection proves that O'Brian is not simply the master of a genre, but an author who will long be honored as one of our most eminent literary figures.
The author seeks to show how its success in building up its authority and its legal and administrative machinery militated against its claim to spiritual leadership, and how an institution which rose through furthering the cause of reform later became an obstacle to reform and itself in need of reformation. In other words, he is concerned with the great dichotomies - to say nothing of the conflicting ideals and contrasting personalities - which make the history of the medieval papacy so dramatic and instructive. Professor Barraclough's writings on papal history cover a period of more than thirty years. They are based on extensive research in the Vatican Archives and other major manuscript libraries. The present volume is refreshingly original in judgment and constantly surprises the reader by its ability to place even the best-known episodes and personalities in anew and revealing light.
My book does not pretend to scholarship, only to a desire to help the average reader who wants to know Joyce's work but has been scared off by the professors. The appearance of difficulty is part of Joyce's big joke; the profundities are always expressed in good round Dublin terms; Joyce's heroes are humble men.
A finalist for the 1996 National Book Award, "Sun Under Wood" is full of wit and energy, sadness and humor, and a passion for language and experiences, words and ideas. Now in paperback, this collection explores family life, nature, history, and literature in Hass' singular intelligence and unmistakable voice.
This remarkable memoir is written with extraordinary care, intelligence, and honesty. . . . In short, it s fully alive. Phillip Lopate"
So, on a sunny morning in April, Dr. Akeret got in his van and set off to visit his most memorable former patients--a journey "in search of story endings." And what remarkable stories they are...Naomi, an abused young Jewish girl from the Bronx who transforms herself into a Spanish flamenco dancer named Isabella--what is she like now, in her mid-fifties?What about Charles, who fell madly in love with a circus polar bear? Had he been able to resist his fatal psychosexual attraction?What of Sasha, the dashing, prize-winning French novelist with writers block and a penchant for exploiting women? In the end, did his art prevail or his life?And what became of Mary--did she ever "murder" again?Like a brilliant psychological detective novel, this book tells its stories in fascinating detail while raising fundamental questions about psychotherapy.
Siggi Jepsen, incarcerated as a juvenile delinquent, is one day assigned to write a routine German lesson on the "The Joys of Duty." Overfamiliar with these "joys," Siggi sets down his life since 1943, a decade earlier, when as a boy he watched his father, constable of the northernmost police station in Germany, doggedly carry out orders from Berlin to stop a well-known Expressionist, their neighbor, from painting and to seize all his "degenerate" work. Soon Siggi is stealing the paintings to keep them safe from his father. Against the great brooding northern landscape. Siggi recounts the clash of father and son, of duty and personal loyalty, in wartime Germany. "I was trying to find out," Lenz says, "where the joys of duty could lead a people"
On facing pages in Latin and English, most of the poems in this anthology were written between the first century A.D. and the thirteenth century. They were chosen by the translator during the dark days of World War II, and many reflect ageless themes, affirming the values of civilization, values that have endured through war and tumult in centuries past. Each poet's work is prefaced by an editorial note, followed by a passage from Helen Waddell's own published writings.
Richards here offers anew the 1935 edition of his work (then entitled Science and Poetry) with commentary that reveals not only the development of his own criticism but also the ways in which the relationship between the two disciplines has evolved. He has also written a new essay entitled "Re-Orientation" and has included, as another kind of commentary on the basic text, his essay "How Does a Poem Know When It Is Finished?"
This book was written to stimulate, perhaps to provoke critical thought about Germany's past, present, and future-in Germany. This is a professional sociologist's study of the country to which he belongs not merely because it is written in his passport.
"Definitive. . . . Deeply researched and pondered." "A literary biography of the same caliber as Richard Ellmann's James Joyce." These words of praise from Edmund Morris in the New York Times and Michael Dirda in the Washington Post are but some of the acclaim that greeted Martin Stannard's Evelyn Waugh: The Early Years 1903-1939. This eagerly awaited second volume, spanning the years from World War II to Waugh's death in 1966, completes the portrait of one of the foremost writers of the century. This was the period of some of Waugh's greatest work, including Brideshead Revisited, The Loved One, and the Sword of Honour trilogy.
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