Our world is shrinking fast: goods, money, microbes, pollution, people, and ideas are crossing borders with growing ease. National governments are ill-suited for tackling the problems that result, from climate change, to the soaring trade in limited resource commodities like timber, to the management of regional water supplies. Hilary French argues that the only long-term solution to our environmental problems is a worldwide commitment to strengthening the international treaties and institutions essential for integrating ecological considerations into the still-nascent rules of global commerce. More than two hundred international environmental treaties already exist, but few of them stipulate stringent commitments and effective enforcement; and institutions such as the International Monetary Fund and the World Trade Organization continue to view environmental protection as a peripheral concern. But at the same time, new communications technologies are making it possible for nongovernmental organizations to mobilize powerful coalitions of private citizens to press for change, and some forward-thinking businesses have begun to support environmental codes of conduct and other international standards. Vanishing Borders provides people concerned about the future of the planet with a clear plan of action for ensuring environmental stability in the wake of globalization.
They are: Hugh Gough, Charles Napier, Charles Gordon, Frederick Roberts, Garnet Wolseley, Evelyn Wood, Hector Macdonald, and Herbert Kitchener.
Packard Schmidt is an appealing but seedy timeserver in the English department of a third-rate midwestern college. When his semester teaching the dismally undermotivated is done, Pack dashes off to Vegas--his favorite place on earth. There he runs into an ex-student-turned-call-girl, and his world falls apart. Author Edward Allen is an avid fan of game shows and casinos and the author of Straight Through the Night.
Open The Acorn Plan and listen to its sad, comic chorus of Southern voices, and to the story of Billy Riley, a brooding, reckless young man struggling to resolve the competing claims of love, loyalty, and ambition.
At nineteen years old, Colin Harpur's girlfriend Denise Prior knows little about criminals, and even less about the law. When Denise drifts into the social circle of Harpur's number-one informant Jack Lamb, and one of the criminals is shot to death during a robbery, Denise's life is suddenly in danger and Harpur must solve a new crime-before it happens.
Herbert Simmons' first novel, winner of the prestigious Houghton Mifflin Literary Fellowship in 1957, relates the violent rise and fall of 18-years-old Jake Adams, whose Buick Dynaflow, custom-made suits, and attractiveness to women are all the fruits of his job pushing dope for the Organization.
Configurations was his first major collection to be published in this country, and includes in their entirety Sun Stone (1957) and Blanco (1967). Paz himself translated many of the poems from the Spanish. Some distinguished contributors to this bilingual edition include, among others, Paul Blackburn, Lysander Kemp. Denise Levertov, and Muriel Rukeyser. Paz's poems, although rooted in the mythology of South America and his native Mexico, nevertheless have an international background, transfiguring the images of the contemporary world. Powerful, angry, erotic, they voice the desires and rage of a generation.
Federico García Lorca's position as one of the few geniuses of the modern theatre was firmly established in the English-speaking world with his Three Tragedies. Here, with an introduction by the dramatist's brother, Francisco García Lorca, are five of his "comedies," in the authorized translations, extensively revised to reflect recent Lorca scholarship and to convey the sparkle, freshness, and magic of the original Spanish. The Shoemaker's Prodigious Wife tells of a young beauty married to an old man, a theme that often concerned Lorca. The resolution for the earnest shoemaker, who leaves home and comes back disguised as a puppeteer, is lighthearted, but there is underlying pathos. The Love of Don Perlimplin is again about a girl who weds someone much older, this time a bookish, 18th-century gentleman, who seeks an original but sardonic way out of the situation. According to Lorca himself, "Dona Rosita is the outer gentleness and inner scorching of a girl in Granada who, little by little, turns into that grotesque and moving thing - an old maid in Spain."
An idiosyncratic and highly controversial French philosopher, Jacques Derrida inspired profound changes in disciplines as diverse as law, anthropology, literature and architecture. In Derrida's view, texts and contexts are woven with inconsistencies and blindspots, which provide us with a chance to think in new ways about, among other things, language, community, identity and forgiveness. Derrida's suggestions for "how to read" lead to a new vision of ethics and a new concept of responsibility.Penelope Deutscher discusses extracts from the full range of Derrida's work, including Of Grammatology, Dissemination, Limited Inc, The Other Heading: Reflections on Europe, Monolinguism of the Other, Given Time, and "Force of Law."
Emphasizing the Romantic heritage and modernist legacy of Karl Marx's writings, Peter Osborne presents Marx's thought as a developing investigation into what it means, concretely, for humans to be practical historical beings.Drawing on passages from a wide range of Marx's writings, and showing the links among them, Osborne refutes the myth of Marx as a reductively economistic thinker. What Marx meant by "materialism," "communism," and the "critique of political economy" was much richer and more original, philosophically, than is generally recognized. With the renewed globalization of capitalism since 1989, Osborne argues, Marx's analyses of the consequences of commodification are more relevant today than ever before.Extracts are taken from the full breadth of Marx's writings, including Notebooks on Epicurean Philosophy, the Economic and Philosophical Manuscripts, and The Communist Manifesto to Capital.
Vic and Melinda Meller's loveless marriage is held together by an arrangement which allows Melinda to take any number of lovers as long as she does not desert her family. Eventually, Vic tries to win her back by asserting himself through a tall tale of murder - one that soon comes true.
Ralph Ember longs to be respectable. The trouble is his money comes from big-time drug dealing, where fortunes are made but reputations are dubious and the risks truly murderous. Ralph has to decide whether to go after a syndicate alone or form an alliance with others.
Worldwatch Institute researcher Chris Bright explains why conservation biologists are raising the alarm about a global threat to biodiversity that is unfolding largely unnoticed - bioinvasion, the spread of alien, "exotic" organisms.With the exception of a few spectacular invasions, like the zebra mussel's conquest of the Great Lakes, there has been little public recognition of the dangers posed by these invading species. But exotic species are injuring our biological wealth on virtually every level - from the genetic (when exotics interbreed with native species) to the wholesale transformation of landscapes.Life Out of Bounds shows that this "biological pollution" is now beginning to corrode the world's economies as well. But the policy responses, on both the national and international levels, have usually been weak and uncoordinated. This book outlines the current scientific research on the threat, the social and economic implications if these invasions are allowed to continue unchecked, and steps that can be taken to contain the spread of exotic species.
Covers everything from the first spark of inspiration to the final draft. Writers will see how a series of careful questions will lead them to the messages of their reports, and will learn how to let those messages drive the structure of the piece. From this foundation they will be able to create a paragraph-by-paragraph plan of their entire report. A final chapter explains the author's techniques for editing reports of any length.
Well-known writers, including William Maxwell, Margaret Atwood, Don DeLillo, and Mark Richard, join lesser-known writers, such as Molly Giles, Andrew Lam, Judy Troy--who will be (or should be) better known--in this stellar collection of 60 short-shorts--serious writing that's fun to read.
The new edition retains the author's pungent analysis of what makes math "hard" for otherwise successful people and how women, more than men, become victims of a gendered view of math. It has been substantially updated to incorporate new research on what we know and don't know about "sex differences" in brain organization and function, and it has been enlarged to include problems, puzzles, and strategies tried out in hundreds of math anxiety workshops Tobias and her colleagues have sponsored.What remains unchanged is the author's politics. She sees "math anxiety" as a political issue. So long as people themselves to be disabled in mathematics and do not rise up and confront the social and pedagogical origins of their disabilities, they will be denied "math mental health." Tobias defines this as "the willingness to learn the math you need when you need it." In an ever more technical society, having that willingness can make the difference between high and low self-esteem, failure and success.
Ablaze with intellectual and social change, Paris in the 1830s and 1840s beckons to two English brothers-Frederick and Charles Courtland, an architect and a priest-each of whom is struggling for self-definition and social recognition. Of their lives and this world Sennett has made a remarkable work of fiction that transports the reader into nineteenth century Europe and into the nature and inconsistencies of culture and faith, and the way each is shaped by the passage of time.
As Marilyn Hacker has written, "Black, lesbian, mother, cancer survivor, urban woman: none of Lorde's selves has ever silenced the others; the counterpoint among them is often the material of her strongest poems."
As both a poet and novelist, Charlie Smith has been hailed as one of the most original voices on the literary scene today. The New York Times calls him "prodigiously talented" and Madison Smartt Bell describes him as "not only a spectacular stylist but also a visionary." He is the author of four novels, a book of novellas, and two previous volumes of poetry, Red Roads and Indistinguishable from the Darkness. In images both stark and voluptuous, Charlie Smith writes in The Palms of a world that is sometimes brutal, violent, and chaotic. His mythmaking imagination, Stanley Kunitz says, is "the art of the born storyteller...in love with language and places, heart's mysteries, and the invitation of roads." He follows where the imagination leads, whether it be driving a rental car east on Sunset Boulevard or "stepping into Nebraska / as one would step onto a white ferry." In his willingness to stand looking until he sees, he draws us into the urgency and glory of American life.
"This collection of 25 short stories written in English by non-Americans represents a wide range of writers working in all genres. Some of these writers are well known and widely published; others have just begun their writing careers." -Library Journal
At the opening of this masterful debut novel, Vishnu lies dying on the staircase he inhabits while his neighbors the Pathaks and the Asranis argue over who will pay for an ambulance. As the action spirals up through the floors of the apartment building we are pulled into the drama of the residents' lives: Mr. Jalal's obsessive search for higher meaning; Vinod Taneja's longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious divisions of contemporary India, and Vishnu's ascent of the staircase parallels the soul's progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, we wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.
An electrifying collection of the finest, most entertaining, and illuminating writing on and from the rock and roll scene--from its earliest days to the present, from the brightest moments of the biggest stars to obscure but compellingly significant treasures. The crazy, exhilarating, endlessly creative world of rock and roll has fascinated us--and some of our best writers--since the earliest days of the genre. William McKeen has assembled in this book the writing of those who played the music and pushed it to new limits, as well as those who were on the scene to witness and celebrate its magic. The story of rock and roll music and the rock and roll life lifts from these pages with marvelous immediacy, in selections ranging from Bruce Springsteen on his experience of backing up Chuck Berry, to Joan Didion sitting in on a Doors recording session, to Henry Rollins on Madonna, to Roddy Doyle's The Commitments. Tom Wolfe, Patti Smith, Don DeLillo, John Lennon, Frank Zappa, Nick Hornby, and many others contribute to this portrait of the music and its culture from its ancestors in the blues to its latest variants beyond grunge and rap. The book is organized into sections that create provocative and eye-opening juxtapositions, from "Superstardom" to "Weirdness," from "Present at the Creation" to "Soul." A section on rock critics shows how these writers matched the music with their own sharp rhythm, while "Tributes" rounds off the volume by remembering in their glory some of the greats who are making noise in the hereafter.
"The literature of the classical world that has survived is a pitiful remnant of what once existed...". So begins Bernard Knox's preface to an anthology that introduces the modern reader to the enormous breadth and rich variety of that "pitiful remnant" - the foundation of Western literature and culture, the inspiration for writers from Dante to Shakespeare to T. S. Eliot. However much - or little - of it we may have read, classical literature has shaped our world and how we perceive it. Yet for most of us classical writing is little more than a narrow circle of legendary figures. The names of Homer, Aeschylus, Plato, Virgil, and Saint Augustine are familiar, but behind their work lies a vast fellowship of writers with a common mythological and artistic heritage. The Norton Book of Classical Literature thus includes not only the "greats" but also significant though lesser known figures and traditions: archaic lyric poets, Alexandrian Greeks, and Roman satirists, for example. Also recovered for us are the breathtaking variety of forms that literature took - epic, lyric, ode, dithyramb, tragedy, comedy, history, dialogue, idyll, epigram, satire, to name a few. The translations selected for this collection, from classic nineteenth-century versions to as yet unpublished manuscripts, reflect the diversity of the works themselves and bring them to us with eloquence and clarity. In his brilliant introduction - an account of the development of classical literature from the origins of the Greek language and Homer to the fall of Rome and Saint Augustine - Knox distills for the general reader a complex literary tradition and allows even those with a thorough knowledge of classical writing to seethat tradition anew. Informative notes throughout the book allow works - some long forgotten, ignored, or misinterpretedto emerge, as vital and compelling today as they were so many centuries ago. From the lyrical precision of Archilochus and Sappho to the epic sweep of Apollonius and Virgil; from the storytelling genius of Herodotus and Ovid to the philosophical ruminations of Marcus Aurelius; from the sobering histories of Thucydides and Tacitus to the satires of Petronius and Juvenal; from tantalizing papyrus fragments only recently unearthed to the complete Antigone, Sophocles' tragic masterpiece - The Norton Book of Classical Literature revives what for many of us has become a lost tradition.
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