Böcker utgivna av Wave Books

Eighteen new (Soma)tic exercises that strive for human connection and political action.

A stunning new collection of poems from Mary Ruefle inviting the many readers of her prose to discover the central form of her literary imagination.

A new collection of exciting and vivacious prose poems, essays, and more in-between from lauded poet Mary Ruefle.

"The Unsignificant: Three Talks on Poetry and Pictures is a selection of lectures that poet and Griffin Award-finalist Srikanth Reddy presented for the Bagley Wright Lecture Series in 2015. True to its title, The Unsignificant is concerned with what it's not about--not significance, or insignificance, but "unsignificance." The lectures approach poetry from Homer to Gertrude Stein to Ronald Johnson obliquely, refracted through images such as Bruegel's Landscape with the Fall of Icarus, Hermann Rorschach's inkblots, or Galileo's drawings of the moon. Ranging from pictorial backgrounds in visual art to portraiture and similes to the poetics of wonder, The Unsignificant embarks on an errant tour of Western poetry and poetics from the ancient world to our continuous present"--

"In Tisa Bryant's Unexplained Presence, readers are spectators of mise-en-scáenes in which black subjectivity has been distorted and denied within various visual narratives. Moving from cultural analysis to cinematic (re)creation, Bryant's prose traverses like a tracking shot through John Schlesinger's Darling, Patricia Rozema's Mansfield Park and Virginia Woolf's Orlando, giving voice to characters whom have otherwise been structurally silenced. As Pulitzer-prize winning author Margo Jefferson aptly points out in her afterword, Tisa Bryant doesn't merely write about film; she is an "auteur," a "cultural anthropologist," and a "virtuosic critic-artist." Since its original publication with Leon Works in 2007, Unexplained Presence has been foundational among poets, scholars, and film critics and with this publication, Tisa Bryant's legacy as one of the most innovative voices in contemporary literature is preserved"--

"In his latest collection, Don't Forget to Love Me, Anselm Berrigan is at his most intimate, allowing us to tag along through the immediate histories of present moments in poems that were primarily written at the height of the pandemic. In reading these poems, we are permitted to witness their creation, as Berrigan pivots between semiotic slippage and shrewd assertions, letting the form of each poem take shape as it will, a surprise of sound and sight. In one poem he writes that "poetry / contains / multiple / unresolvable questions / A T / TH E / SLAME / TLIME" and later reminds us "there are / no accidents / in poetry / either." With the same acerbic wit found in Berrigan's previous work, Don't Forget to Love Me is an apogee of politics, pathos, and poetics"--

Poems that speak the literal language of dreams.

Written with keen perception and insatiable curiosity, Chris Nealon's fifth book of poetry, All About You, is both a study of personhood and a diary of release from it. “You almost let your ego go,” he writes, “but oh—/maybe tomorrow.” Revolving through moments of sociability and passages of inwardness, the poet’s address shifts in these poems from “I” to “you” and back again, inviting his audience to shift along with him. Out of that agility, All About You builds a generous model of what it means to pay attention, and drafts a delicately post-pandemic “we”:  “imagine what a healed people could do / Just flesh – full of chatter – / Hush now / Come on, let’s run – ”

A contemporary and authentically designed translation of one of Stéphane Mallarmé's most famous poems.

Elegiac and haunting, Mirror Nation by Don Mee Choi completes the KOR-US trilogy, along with Hardly War (Wave Books, 2016) and the National Book Award–winning DMZ Colony (Wave Books, 2020).Much like Proust's madeleine, a spinning Mercedez Benz ring outside Choi's Berlin window prompts a memory of her father on the Glienicker Bridge between Berlin and Potsdam, which in turn becomes catalyst for delving into the violent colonial and neocolonial contemporary history of South Korea, with particular attention to the horrors of the Gwangju Uprising of May 1980. Here, photographs, news footage, and cultural artifacts comingle with a poetry of grief that is both personal and collective. Inspired by W. G. Sebald and Walter Benjamin as well as Choi’s DAAD Artists residency in Berlin, Mirror Nation is a sorrowful reflection on the ways in which a place can hold a “magnetic field of memory,” proving that history doesn’t merely repeat itself; history is ever present, chiming the hours in a chorus against empire.

"A collection of nine phantasmagorical stories by ... poet and City Lights editor Garrett Caples"--

"Four Lectures by Lisa Jarnot is the seventh book in the Bagley Wright Lecture Series, comprising autobiographical essays that form an intimate, uncompromising, and generous glimpse into a remarkable life in poetry"--

"A collection of poetry by Noelle Kocot"--

As labyrinthine as its namesake, Dorothea Lasky's The Shining is an ekphrastic horror lyric that shapes an entirely unique feminist psychological landscape. Here, Lasky guides us through the familiar rooms of the Overlook Hotel, both realized and imagined, inhabiting characters and spaces that have been somewhat flattened in Stephen King's text or Stanley Kubrick's film adaptations. Ultimately, Lasky's poems point us to the ways in which language is always haunted-by past selves, poetic ancestors, and paradoxical histories.

"A book of prose by Gail Scott chronicling her years in Lower Manhattan during the Obama era in a community of poets at the junction between formally radical and political art"--

Optic Subwoof is a collection of talks that poet and National Book Award finalist Douglas Kearney presented for the Bagley Wright Lecture Series in 2020 and 2021.As kinetic on the page as they are in person, these lectures offer an urgent critique of the intersections between violence and entertainment, interrogating the ways in which poetry, humor, visual art, music, pop culture, and performance alternately uphold and subvert this violence. With genius precision and an avant-garde sensibility, Kearney examines the nuances around Black visibility and its aestheticization. In myriad ways, Optic Subwoof is a book that establishes Kearney as one of the most dynamic writers and thinkers of the twenty-first century.

In the poem-essays that comprise A Duration, writing is a physical act where writing and lived experience support one another in bodies-animal, plant, mineral, and word bodies-that are injured and heal, that die and continue in new forms, playing new roles. Here, in his fifth book, Richard Meier transmutes years of daily practices of attention-be it to a line spoken by Lear's Fool, a train to Kingston, or  "red inside green stem below eight white petals in a spiral with space between them attached to the yellow center"-into mesmerizing trajectories through an always unfolding present. In the collapse of the border between writing and the body, A Duration, "play[s] both hearts with a heartbeat and kinship of place, time, mundanity in the continuous onrushing imagined joy."

A sharp new collection in response to a kaleidoscopic modern culture by a defining poet of her generation.

The Poetics of Wrongness is a collection of essay/talks that the poet Rachel Zucker, expanded from lectures presented for the Bagley Wright Lecture Series in 2016. Devastating in their revelations, yet hopeful in their endurance, these are lectures of protest and reckoning. Zucker declares "I write against. My poetics is a poetics of opposition and provocation that I never outgrew. Against the status quo or the powers that be, writing out of and into wrongness." Thus, Zucker deftly dismantles the outdated paradigms of motherhood, aesthetics, feminism, poetics, and politics. Bringing Bernadette Mayer, Marina Abramovic, Alice Notley, Adrienne Rich, Audre Lorde-among many others-into the conversation, Zucker questions the categories that have been imposed on poetry, as well as a poet's need to speak, and the resulting responsibilities. Prescient in their original observations, these expanded talks seek to respond to and engage the many political events since their presentation, remaining timelessly persistent in their galvanizing force.

Guard the Mysteries is a compendium of five talks that the poet Cedar Sigo presented for the Bagley Wright Lecture series. Retracing the ways in which he first encountered the realm of poetry, Sigo plumbs the particulars of modern critique, identity politics, early influences, and poetic form to produce a singular 'autobiography of voice.' Across these lectures, Sigo explores his childhood on the Suquamish Reservation, while paying homage to revolutionary artists, teachers, and thinkers whom have shaped his poetic aesthetic. Simultaneously timeless and extremely timely, these talks ponder the presences that California Buddhism, LGBTQ+ experiences, and Native Nations occupy in the poetic world and the world at large.