Böcker utgivna av Wilfrid Laurier University Press

Explores the experience of reading-what reading feels like, how it makes people feel, how people read and under what conditions, what drives people to read, and, conversely, what halts the individual in the pursuit of the pleasures of reading.

A dazzling selection of poems spanning nearly 50 years of Okanagan author and teacher John Lent's beautiful and genre-leaping poetry. This selection--highlighting Lent's restless fascination with literary forms as well as his life-long obsession with the possibilities of apprehending consciousness--deepens Lent's reputation as a masterful artist.

Appel: A Canadian in the French Foreign Legion is the first-hand account of the author's six years as a professional soldier during the 1990s, and his experience in the Legion's elite Groupe des?Commandos Parachutistes (GCP). Joel Struthers recounts the dangers and demands of military life, from the rigours of recruitment and operational training in the rugged mountains of France, to face-to-face combat in the grasslands of some of Africa's most troubled nations. Told through the eyes of a soldier, and interspersed with humorous anecdotes, Appel is a fascinating story that debunks myths about the French Foreign Legion and shows it more accurately as a professional arm of the French military. Struthers provides insight into the rigorous discipline that the Legion instills in its young recruits, - who trade their identities as individuals for a life of adventure and a role in a unified fighting force whose motto is "Honour and Loyalty." Foreword by Col. Benoit Desmeulles, former commanding officer of the Legions 2e R?giment ?tranger Parachutistes.

Soundin' Canaan refers to the code name often used for Canada during the Black migration. The book focuses on intersections between music and poetry as border-crossing practices that expand how we think about citizenship. It demonstrates how music in Black Canadian poetry is a form of social, ethical, and political expression.

Who gets to write poetry? Whose voices are made public? Whose voices are heeded? These are the questions at the heart of Erasing Frankenstein. This book tells the story of a public humanities project involving federally incarcerated women and university students in which participants collaboratively created a long erasure poem using Mary Shelley's Frankenstein as source text. What happens when we remake the monster?

Both a visitor's guide to the Elora Gorge on the Upper Grand River in southwestern Ontario and a thorough yet accessible introduction to its history, from the origins of its bedrock some 430 million years ago in prehistoric tropical seas, to contemporary natural and human processes affecting this fascinating example of rivers in rock.

An experimental and radical commentary on the publishing industry, the centrepiece of this book is an autoethnographic comic erotic thriller about the Frankfurt Book Fair, self-published under the pseudonym Blaire Squiscoll. The critical edition enriches the novella with essays, annotations, and creative assemblages.

Quiet Rebels tells the stories of 187 women who were called to the Ontario bar between 1897 and 1957, identifying gendered patterns of exclusion. It also explores women lawyers' experiences in later decades, when many more women entered the legal profession, assessing the extent of "changes" or "continuities" for some women lawyers.

Autobiography as Indigenous Intellectual Tradition critiques ways of approaching Indigenous texts that are informed by the Western academic tradition and offers instead a new way of theorizing Indigenous literature based on the Indigenous practice of life writing. Since the 1970s non-Indigenous scholars have perpetrated the notion that Indigenous people were disinclined to talk about their lives and underscored the assumption that autobiography is a European invention. Deanna Reder challenges such long held assumptions by calling attention to longstanding autobiographical practices that are engrained in Cree and M tis, or n hiyawak, culture and examining a series of examples of Indigenous life writing. Blended with family stories and drawing on original historical research, Reder examines censored and suppressed writing by n hiyawak intellectuals such as Maria Campbell, Edward Ahenakew, and James Brady. Grounded in n hiyawak ontologies and epistemologies that consider life stories to be an intergenerational conduit to pass on knowledge about a shared world, this study encourages a widespread re-evaluation of past and present engagement with Indigenous storytelling forms across scholarly disciplines

The U.S. incarceration machine imprisons more people than in any other country. Music-Making in U.S. Prisons looks at the role music-making can play in achieving goals of accountability and healing that challenge the widespread assumption that prisons and punishment keep societies safe. The book s synthesis of historical research, contemporary practices, and pedagogies of music-making inside prisons reveals that, prior to the 1970s tough-on-crime era, choirs, instrumental ensembles, and radio shows bridged lives inside and outside prisons. Mass incarceration had a significant negative impact on music programs. Despite this setback, current programs testify to the potency of music education to support personal and social growth for people experiencing incarceration and deepen social awareness of the humanity found behind prison walls. Cohen and Duncan argue that music-making creates opportunities to humanize the complexity of crime, sustain meaningful relationships between incarcerated individuals and their families, and build social awareness of the prison industrial complex. The authors combine scholarship and personal experience to guide music educators, music aficionados, and social activists to create restorative social practices through music-making.

Employment for former prisoners is a critical pathway toward reintegration into society and is central to the processes of desistance from crime. Nevertheless, the economic climate in Western countries has aggravated the ability of former prisoners and people with criminal records to find gainful employment. After Prison opens with a former prisoner s story of reintegration employment experiences. Next, relying on a combination of research interviews, quantitative data, and literature, contributors present an international comparative review of Canada s evolving criminal record legislation; the promotive features of employment; the complex constraints and stigma former prisoners encounter as they seek employment; and the individual and societal benefits of assisting former prisoners attain gainful employment. A main theme throughout is the interrelationship between employment and other central conditions necessary for safety and sustenance. This book offers suggestions for criminal record policy amendments and new reintegration practices that would assist individuals in the search for employment. Using the evidence and research findings of practitioners and scholars in social work, criminology and law, psychology, and other related fields, the contributors concentrate on strategies that will reduce the stigma of having been in prison; foster supportive relationships between social and legal agencies and prisons and parole systems; and encourage individually tailored resources and training following release of individuals.

In Reliving the Trenches, three plays written by returned soldiers who served in the Great War with the Canadian Expeditionary Force in France and Belgium appear in print for the first time. With a critical introduction that references the authors' service files to establish the plays as memoirs, these plays are an important addition to Canadian literature of the Great War. Important but overlooked war memoirs that relive trench life and warfare as experienced by combat veterans, the three plays include The P.B.I., written and staged in 1920 by recently returned veterans at the University of Toronto. Parts of this play appeared in print in serial form in 1922. Glory Hole, written in 1929 by William Stabler Atkinson, and Dawn in Heaven, written and staged in Winnipeg in 1934 by Simon Jauvoish, have never been published. These plays impact Canadian literature and theatre history by revealing a body of previously unknown modernist writing, and they impact life writing studies by showing how memoirs can be concealed behind genre conventions. They offer fascinating details of the daily routines of the soldiers in the trenches by bringing them back to life in theatrical re-enactment.

The first collection of critical essays devoted to the study of English-Canadian literary anthologies brings together the work of thirteen prominent critics to investigate anthology formation in Canada and answer these key questions: Why are there so many literary anthologies in Canada, and how can we trace their history? What role have anthologies played in the formation of Canadian literary taste? How have anthologies influenced the training of students from generation to generation? What literary values do the editors of various anthologies tend to support, and how do these values affect canon formation in Canada? How have different genres fared in the creation of literary anthologies? How do Canadian anthologies transmit ideas about gender, region, ideology, and nation? Specific essays focus on anthologies as national metaphors, the controversies surrounding early literary collections, representations of First Nations peoples in anthologies, and the ways in which various editors have understood exploration narratives. In addition, the collection examines the representation of women in Canadian anthologies, the use of anthologies as teaching tools, and the creation of some very odd Canadian anthologies along the way.

Florence Nightingale is famous as the lady with the lamp in the Crimean War, 1854 56. There is a massive amount of literature on this work, but, as editor Lynn McDonald shows, it is often erroneous, and films and press reporting on it have been even less accurate. The Crimean War reports on Nightingale s correspondence from the war hospitals and on the staggering amount of work she did post-war to ensure that the appalling death rate from disease (higher than that from bullets) did not recur. This volume contains much on Nightingale s efforts to achieve real reforms. Her well-known, and relatively sanitized , evidence to the royal commission on the war is compared with her confidential, much franker, and very thorough Notes on the Health of the British Army, where the full horrors of disease and neglect are laid out, with the names of those responsible.

Scratching River braids the voices of mother, brother, sister, ancestor, and river to create a story about environmental, personal, and collective healing. This memoir revolves around a search for home for the author s older brother, who is both autistic and schizophrenic, and an unexpected emotional journey that led to acceptance, understanding and, ultimately, reconciliation. Michelle Porter brings together the oral history of a M tis ancestor, studies of river morphology, and news clippings about abuse her older brother endured at a rural Alberta group home to tell a tale about love, survival, and hope. This book is a voice in your ear, urging you to explore your own braided histories and relationships.

The diary of David Watson, who rose through the officer ranks to command one of the four divisions in the Great War, is an exceptional document that details with candid insight the responsibilities of senior command and shows the talent required to rise through the CEF to divisional command. The only published diary of a Canadian who held this rank in the last two (critical) years of the war, it focuses on the evolution of military leadership and associated challenges that Watson (and his peers) faced during the Great War. It recounts how he navigated not only the military battlefield in France and Belgium but also the political battlefield of the Canadian Expeditionary Force and larger British Expeditionary Force. The divisional commanders played a central role in the Corps transformation into a first-rate professional army, a transformation that coincided with Watson s tenure at the 4th Division. Major-General David Watson s personal accounts offer valuable insights into the innermost workings of the Canadian Corps at various stages during the war and in particular its emergence as an elite fighting force and the pride of a nation

Presents a collection of poems by Robert Kroetsch selected by his former student David Eso. The book features Kroetsch's iconic collection, Completed Field Notes, alongside rare work gathered from different stages of Kroetsch's career. The book contains an afterword by Aritha van Herk.

A study of modern Muslim ethics, focussed upon the lives and writings of Sayyid Ahmad Khan and Mawlana Mawdudi, this volume sheds light upon the modern ethical problems of contemporary Islam.

The poems in this selection are drawn from Otiono's two pulished collections, Voices in the Rainbow, and Love in a Time of Nightmares, and includes previously unpublished new poems. Peter Midgley's introduction contextualizes Otiono's work within the frame of diaspora and newer critical frames like Afropolitanism.

Considers relationships between animals and humans in the iconic spaces of postcolonial India: the wild, the body, the home, and the city. Using a range of texts, including fiction, journalism, life writing, film, and visual art, this book argues that a uniquely Indian way of being modern is born in these spaces of disorderly multispecies living.

The baby boomers and postwar suburbia remain a touchstone. For many, there is a belief that it has never been as good for youngsters and their families, as it was in the postwar years. Boom Kids explores the triumphs and challenges of childhood and adolescence in Calgary's postwar suburbs.

Lillian Allen is one of the leading creative Black feminist voices in Canada. Her work has been foundational to the dub poetry movement. Make the World New brings together some of the highlights of Allen's work in a single volume, the first book of her poems to be published in over twenty years.

Collects the finest work of accomplished Indigenous poet Duncan Mercredi, from his first book in 1991 to recent unpublished poems. These are poems of life on the land as well as life in the city, vibrant with the rhythms of traditional Cree and Metis storytelling but also with the clamour and the music of the streets.

Examines the memoirs of famous Canadian women, such as L.M. Montgomery, Nellie McClung, the Dionne Quintuplets, Margaret Trudeau, and Shania Twain, to trace the rise of celebrity autobiography in Canada and the role gender has played in the rise to fame and in writing about that experience.

Using numerous examples of US and Nazi military heraldry, Gorgeous War compares the way the American and German militaries developed their graphic and textile design in the interwar period. The book shows how social and cultural design movements like modernism altered and were altered by both militaries.

Early-twentieth-century authors Nellie L. McClung, L.M. Montgomery, and Mazo de la Roche published their novels serially to keep readers and publishers in a state of anticipation. This book argues that they were heavily invested in the cultural phenomenon of the continuing story.

Weaves together compelling stories and potent lessons learned from the calamitous Halifax explosion - the worst non-natural disaster in North America before 9/11. Written in a journalistic style, this book explores how the explosion influenced later emergency planning and disaster theory.

An original look at hoaxes in Canadian culture, this book shows how the work of some contemporary artists and writers disrupts the curatorial and authorial practices of Canada's most respected cultural institutions - art galleries, museums, and publishers - in order to celebrate discomfort, imagination, empathy, and change.

Beyond its research findings, this pioneering book considers the past, present, and potential role of schools in supporting children who have been affected by military deployments. It also assesses the broader human costs to Canadian Armed Forces families of their enforced participation in the volatile overseas missions of the twenty-first century.