The decision of Louis XIV to revoke the Edict of Nantes and thus liquidate French Calvinism was well received in the intellectual community which was deeply prejudiced against the Huguenots. This antipathy would gradually disappear. After the death of the Sun King, a more sympathetic view of the Protestant minority was presented to French readers by leading thinkers such as Montesquieu, the abbé Prévost, and Voltaire. By the middle years of the eighteenth century, liberal clerics, lawyers, and government ministers joined Encyclopedists in urging the emancipation of the Reformed who were seen to be loyal, peaceable and productive. Then, in 1787, thanks to intensive lobbying by a group which included Malesherbes, Lafayette, and the future revolutionary Rabaut Saint-Étienne, the government of Louis XVI issued an edict of toleration which granted the Huguenots a modest bill of civil and religious rights. Adams' illuminating work treats a major chapter in the history of toleration; it explores in depth a fascinating shift in mentalités, and it offers a new focus on the process of "reform from above" in pre-Revolutionary France.
Loretta Czernis applies her sociological training in document analysis to study one government prescription for what ails Canadians. The Report of the Task Force on Canadian Unity rewrote Canada by reinventing patriotism, essentially inviting Canadians to imagine a new Canada.
Provides a detailed ethnographic and historical analysis of how, in spite of superficial appearances to the contrary, traditional Tongan values continue to play key roles in the way that Tongans make their way in the modern world.
Writing, for Michael Snow, is as much a form of art-making as the broad range of visual art activities for which he is renowned, including the Walking Woman series and the film Wavelength. Conversely, many of the texts included in this anthology are as significant visually as they are at the level of content they are meant to be looked at as well as read. Situated somewhere between a repository of contemporary thought by one of our leading Canadian artists and a history book as it brings to light some important moments in the cultural life of Canada since the 1950s, these texts tell their own story, marking the passage of time, ideas and attitudes. The works included here, ranging from essays and interviews and record album cover notes to filmscripts and speeches (which, in Snow s hands, often fall into the category of performance art), are not only built for browsing, they offer insights into both the professional and the private Snow. Together, they expand the context of Snow s work and show the evolution of a great Canadian artist, beginning with his early attempts at defining art, to his emergence and recognition on the international art scene. This book is one of four books that are part of the Michael Snow Project. Initiated by the Art Gallery of Ontario and The Power Plant Gallery, the project also includes four exhibitions of his visual art and music.
Argues for the value of attending to narratorial, lyric, and theatrical conventions in dialogue with questions of epistemological and social justice. Using the twinned framing devices of crosstalk and cross-sighting, the contributing authors attend to how the interplay of the verbal and the visual maps public spheres of creative engagement today.
Explores the ways in which several of Canada's women journalists, broadcasters, and other media workers reached well beyond the glory of their personal bylines to advocate for the most controversial women's rights of their eras. To do so, some of them adopted conventional feminine identities, while others refused to conform altogether.
Highlights qualitative research in early psychosis. The first half of the book centres on the individual lived experience of psychosis - from the perspective of the individual, the family, and the practitioner. The second half moves from the micro level to the macro, focusing on broader system issues.
Suffering, the sacred, and the sublime are concepts that often surface in humanities research in an attempt to come to terms with what is challenging, troubling or impossible to represent. This title addresses the ways in which literature and theory have engaged with these three concepts and related concerns.
Offers the first historical examination of women's engagement with multiple aspects of print over some two hundred years, from the settlers who wrote diaries and letters to the New Women who argued for ballots and equal rights.
The development of urban Aboriginal communities represents one of the most significant shifts in the histories and cultures of Aboriginal peoples in Canada. The essays in this volume are from contributors directly engaged in urban Aboriginal communities and draw on ethnographic research on and by Aboriginal people.
Family conflict has traditionally been studied by researchers who are at a safe intellectual distance from the families under their study. In Skeletons in the Closet, and in line with feminist research methodologies, the hierarchical distance between researcher and subject is broken down.
"e;My name is Joe, and I AM Canadian!"e; How did a beer ad featuring an unassuming guy in a plaid shirt become a national anthem? This book about Canadian TV examines how affect and consumption work together, producing national practices framed by the television screen. Drawing on the new field of affect theory, Feeling Canadian: Television, Nationalism, and Affect tracks the ways that ideas about the Canadian nation flow from screen to audience and then from body to body. From the most recent Quebec referendum to 9/11 and current news coverage of the so-called "e;terrorist threat,"e; media theorist Marusya Bociurkiw argues that a significant intensifying of nationalist content on Canadian television became apparent after 1995. Close readings of TV shows and news items such as Canada: A People's History , North of 60 , and coverage of the funeral of Pierre Trudeau reveal how television works to resolve the imagined community of nation, as well as the idea of a national self and national others, via affect. Affect theory, with its notions of changeability, fluidity, and contagion, is, the author argues, well suited to the study of television and its audience. Useful for scholars and students of media studies, communications theory, and national television and for anyone interested in Canadian popular culture, this highly readable book fills the need for critical scholarly analysis of Canadian television's nationalist practices.
For some, Iraq is synonymous with internal hatred, bloodshed, and sectarianism. The contributors to this book know another Iraq: a country that was once full of hope and achievement and that boasted one of the most educated workforces in its region - a cosmopolitan secular society with a great tradition of artisans, poets, and intellectuals.
Intends to engage the reader in understanding how place images, and the attempts to build communities, are fundamentally tied to and revolve around themselves.
1988 saw a turning point in the tenor of television campaign advertising. By the early 1990s there was a growing reliance upon negative political images and symbols. This book is about that growing reliance.
Focusing on three first- and early-second-century documents, this work is concerned with the social setting of early Christianity. It views that the development of structures of leadership is best accounted for by reference to the hospitality, patronage, and leadership of wealthy hosts who invited local Christian groups to meet in their homes.
How critical is education in the development struggle of a third world country? Responding to popular demands for more accessible education, the Guyanese government instituted numerous educational reforms, hoping to promote economic growth in both the modern and the traditional sectors of the economy. Many in the traditional sector, however, saw education as a means of economic advancement, and sought increasingly to move into higher social strata through employment in the modern sector. Consequently, the civil service and private firms gained an oversupply of personnel, while agriculture and small business suffered, and unemployment increased. The author examines Guyana's educational system from historical, political, social, and economic perspectives, and draws implications for other developing countries.
The career of Eli Mandel (19221992) was one of the most prolific and distinguished in all of Canadian literature, yet in recent years his work has gone unsung compared with that of such peers as Margaret Atwood, Leonard Cohen, Robert Kroetsch, Irving Layton, and P.K. Page. Though he was a critic, anthologist, and editor of national prominence, Mandels legacy resides most securely in his poetry, which earned many accolades. From Room to Room: The Poetry of Eli Mandel presents thirty-five of Mandels best poems written over four decades, from the 1950s to the 1980s. The selection covers the most prominent themes in Mandels work, including his Russian-Jewish heritage, his Saskatchewan upbringing, his interest in classical and biblical archetypes, and his concern for the political and social issues of his time. The book also highlights the way in which Mandels work bridged the formal attributes of modernist poetry with contemporary, sometimes experimental, poetics. Complete with a scholarly introduction by Peter Webb and a literary afterword by Andrew Stubbs, From Room to Room makes a worthy addition to the Laurier Poetry Series, which presents affordable editions of contemporary Canadian poetry for use in the classroom and the enjoyment of anyone wishing to read some of the finest poetry Canada has to offer.
What do images of the body, which recent poets and filmmakers have given us, tell us about ourselves, about the way we think and about the culture in which we live? In his new book A Body of Vision, R. Bruce Elder situates contemporary poetic and cinematic body images in their cultural context. Elder examines how recent artists have tried to recognize and to convey primordial forms of experiences. He proposes the daring thesis that in their efforts to do so, artists have resorted to gnostic models of consciousness. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. The works of Brakhage, Artaud, Schneeman, Cohen and others lie naked under Elder s razor-sharp dissecting knife and he exposes the essence of their work, cutting deeply into the themes and theses from which the works are derived. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.
The book focuses on the International Development Research Centre as a unique institution that has funded research in the developing Southresearch proposed and undertaken by Southern researchersand how, as a result, it has had tremendous impact despite a relatively small budget. The IDRC is much better known in the developing South than in Canada; in many of the roughly 150 countries in which it has provided research funding it has contributed to creating a very positive image of Canada. The centre's arms-length relationship with Canadian government assistance provides it with enormous freedom and flexibilityit was established in 1970 with its own act under the Trudeau government. The IDRC board is one-half international and one-half Canadian and is the only governmental agency in the world that has this structure, giving them unique insight into Southern development issues. One of the IDRC's founding principles was its insistence on having Southern researchers decide which projects would be put forward for possible funding, and much care has been taken to avoid "e;research imperialism"e; or "e;colonialism."e; An analysis of the path less travelled, but which IDRC found amenable, is fundamental to this history of the centre, and the book highlights the decisions, ideas, and practices that flow from this basic premise.
This book uncovers an early collection of sayings, called N, that are ascribed to Jesus and are similar to those found in the Gospel of Thomas and in Q, a document believed to be a common source, with Mark, for Matthew and Luke. In the process, the book sheds light on the literary methods of Mark and Thomas. A literary comparison of the texts of the sayings of Jesus that appear in both Mark and Thomas shows that each adapted an earlier collection for his own purpose. Neither Mark nor Thomas consistently gives the original or earliest form of the shared sayings; hence, Horman states, each used and adapted an earlier source. Close verbal parallels between the versions in Mark and Thomas show that the source was written in Greek. Horman's conclusion is that this common source is N. This proposal is new, and has implications for life of Jesus research. Previous research on sayings attributed to Jesus has treated Thomas in one of two ways: either as an independent stream of Jesus sayings written without knowledge of the New Testament Gospels and or as a later piece of pseudo-Scripture that uses the New Testament as source. This book rejects both views.
Autobiographical impostures, once they come to light, appear to us as outrageous, scandalous. They confuse lived and textual identity (the person in the world and the character in the text) and call into question what we believe, what we doubt, and how we receive information. In the process, they tell us a lot about cultural norms and anxieties. Burdens of Proof: Faith, Doubt, and Identity in Autobiography examines a broad range of impostures in the United States, Canada, and Europe, and asks about each one: Why this particular imposture? Why here and now? Susanna Egans historical survey of texts from early Christendom to the nineteenth century provides an understanding of the author in relation to the text and shows how plagiarism and other false claims have not always been regarded as the frauds we consider them today. She then explores the role of the media in the creation of much contemporary imposture, examining in particular the cases of Jumana Hanna, Norma Khouri, and James Frey. The book also addresses ethnic imposture, deliberate fictions, plagiarism, and ghostwriting, all of which raise moral, legal, historical, and cultural issues. Egan concludes the volume with an examination of how historiography and law failed to support the identities of European Jews during World War II, creating sufficient instability in Jewish identity and doubt about Jewish wartime experience that the impostor could step in. This textual erasure of the Jews of Europe and the refashioning of their experiences in fraudulent texts are examples of imposture as an outcrop of extreme identity crisis. The first to examine these issues in North America and Europe, Burdens of Proof will be of interest to scholars of life writing and cultural studies. </p
Offers insights into the strategies employed by German and Austrian filmmakers to position themselves between the commercial pressures of the film industry and the desire to mediate or even attempt to affect social change. This book will be of interest to scholars in film studies, cultural studies, and European studies.
The Arms of the Infinite takes the reader inside the minds of author Christopher Barkers parents, writer Elizabeth Smart ( By Grand Central Station I Sat Down and Wept ) and poet George Barker. From their first fateful meeting and subsequent elopement, Barker candidly reveals their obsessive, passionate, and volatile love affair. He writes evocatively of his unconventional upbringing with his siblings in a shack in Ireland and, later, a rambling, falling-down house in Essex. Interesting and charismatic figures from the literary and art worlds are regular visitors, and the book is full of fascinating cameos and anecdotes. North American rights only.
The influx of Protestant missionaries from Britain to Japan, Korea and Taiwan was an integral part of the British presence in East Asia from 1865 to 1945. This book examines the life, work and attitudes of the British missionaries, women and men, who ventured far from their homeland to preach the gospel.
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