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  • - With selected excerpts from the Notebooks for Crime and Punishment
    av Fyodor Dostoevsky
    86,-

    Translated by Constance Garnett with an Introduction and Notes by Dr Keith Carabine, University of Kent at Canterbury.Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder.From that moment on, we share his conflicting feelings of self-loathing and pride, of contempt for and need of others, and of terrible despair and hope of redemption: and, in a remarkable transformation of the detective novel, we follow his agonised efforts to probe and confront both his own motives for, and the consequences of, his crime.The result is a tragic novel built out of a series of supremely dramatic scenes that illuminate the eternal conflicts at the heart of human existence: most especially our desire for self-expression and self-fulfilment, as against the constraints of morality and human laws; and our agonised awareness of the world's harsh injustices and of our own mortality, as against the mysteries of divine justice and immortality.

  • av Emily Bronte
    86 - 200,-

    Introduction and Notes by John S. Whitley, University of Sussex.Wuthering Heights is a wild, passionate story of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine's father. After Mr Earnshaw's death, Heathcliff is bullied and humiliated by Catherine's brother Hindley and wrongly believing that his love for Catherine is not reciprocated, leaves Wuthering Heights, only to return years later as a wealthy and polished man. He proceeds to exact a terrible revenge for his former miseries.The action of the story is chaotic and unremittingly violent, but the accomplished handling of a complex structure, the evocative descriptions of the lonely moorland setting and the poetic grandeur of vision combine to make this unique novel a masterpiece of English literature.

  • av George Orwell
    86,-

    In 1943, there was an urgent need for Animal Farm. The Soviet Union had become Britain's ally in the war against Nazi Germany, and criticism of Stalin's brutal regime was either censored or discouraged. In any case, many intellectuals on the left still celebrated the Soviet Union, claiming that the terrors of its show trials, summary executions and secret police were either exaggerated or necessary. But, to Orwell, Stalin was always a "disgusting murderer" and he wanted to remind people of this fact in a powerful and memorable way. But how to do it? A political essay would never reach a wide enough audience; a traditional novel would take too long to write. Orwell hit on the inspired idea of combining the moralism of the traditional 'beast fable' with the satire of Gulliver's Travels. A group of farmyard animals, led by the pigs, overthrow their human masters. Their revolution is inspired by high ideals: the farm will be run in the interests of its animals with no more slaughtering, plenty of food for all and comfort in retirement. But when Napoleon the pig takes command, he quickly corrupts their principles, creating a new tyranny worse than the old. Orwell wrote Animal Farm in the middle of the Second World War, but at first no publishers wanted to touch it. It was finally published in August 1945, once the war was over. This little book quickly became a seminal text in the emerging 'cold war' (a phrase that Orwell himself coined). It also became a site of that conflict itself, suffering various attempts to subvert or change its meaning. Today, Animal Farm remains a powerful fable about the nature of tyranny and corruption which applies for all ages. Our edition also includes the following essays: Shooting an Elephant; Charles Dickens; Inside the Whale; The Frontiers of Art and Propaganda; Literature and Totalitarianism; Fascism and Democracy; Patriots and Revolutionaries; Catastrophic Gradualism; Some Thoughts on the Common Toad; Why I Write; Writers and Leviatha

  • av Herman Melville
    86 - 126,-

    With an Introduction and Notes by David Herd, Lecturer in English and American Literature at the University of Kent at Canterbury and co-editor of 'Poetry Review'.Moby Dick is the story of Captain Ahab's quest to avenge the whale that 'reaped' his leg. The quest is an obsession and the novel is a diabolical study of how a man becomes a fanatic.But it is also a hymn to democracy. Bent as the crew is on Ahab's appalling crusade, it is equally the image of a co-operative community at work: all hands dependent on all hands, each individual responsible for the security of each.Among the crew is Ishmael, the novel's narrator, ordinary sailor, and extraordinary reader. Digressive, allusive, vulgar, transcendent, the story Ishmael tells is above all an education:in the practice of whaling, in the art of writing. Expanding to equal his 'mighty theme' - not only the whale but all things sublime - Melville breathes in the world's great literature. Moby Dick is the greatest novel ever written by an American.

  • av Jane Austen
    86 - 200,-

    Introduction and Notes by Dr Ian Littlewood, University of Sussex.Pride and Prejudice, which opens with one of the most famous sentences in English Literature, is an ironic novel of manners. In it the garrulous and empty-headed Mrs Bennet has only one aim - that of finding a good match for each of her five daughters. In this she is mocked by her cynical and indolent husband.With its wit, its social precision and, above all, its irresistible heroine, Pride and Prejudice has proved one of the most enduringly popular novels in the English language.

  •  
    86,99

    The Holy Qur'an is the Word of God whose truth was revealed to Muhammad by the Angel Gabriel. It is divided into 14 Suras or chapters, and was traditionally transmitted by word of mouth.

  • av Lewis Carroll
    86 - 126,-

    This edition contains Alice's Adventures in Wonderland and its sequel, Through the Looking Glass. It is illustrated throughout by Sir John Tenniel, whose drawings for the books add so much to the enjoyment of them.

  • av Franz Kafka
    86,-

    Franz Kafka has given his name to a world of nightmare, but in Kafka's world, it is never completely clear just what the nightmare is. Kafka deals in dark and quirkily humorous terms with the insoluble dilemmas of a world which offers no reassurance, and no reliable guidance to resolving our existential and emotional uncertainties and anxieties.

  • av Fyodor Dostoevsky
    86,-

    Translated by Constance Garnett, with an Introduction and Notes by Agnes Cardinal, Honorary Senior Lecturer in Comparative Literature at the University of Kent.Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of the Russian ruling class of his day who have created a world which cannot accomodate the goodness of this idiot.

  • av F. Scott Fitzgerald
    86 - 124,-

    Generally considered to be F. Scott Fitzgerald's finest novel, The Great Gatsby is a consummate summary of the "e;roaring twenties"e;, and a devastating expose of the "e;Jazz Age"e;. Through the narration of Nick Carraway, the reader is taken into the superficially glittering world of the mansions which lined the Long Island shore in the 1920s, to encounter Nick's cousin Daisy, her brash but wealthy husband Tom Buchanan, Jay Gatsby and the mystery that surrounds him.

  • av Louisa May Alcott
    90 - 200,-

  • av George Orwell
    86,-

    The Thought Police, Doublethink, Newspeak, Big Brother - 1984 itself: these terms and concepts have moved from the world of fiction into our everyday lives. They are central to our thinking about freedom and its suppression; yet they were newly created by George Orwell in 1949 as he conjured his dystopian vision of a world where totalitarian power is absolute. In this novel, continuously popular since its first publication, readers can explore the dark and extraordinary world he brought so fully to life.The principal characters who lead us through that world are ordinary human beings like ourselves: Winston Smith and Julia, whose falling in love is also an act of rebellion against the Party. Opposing them are the massed powers of the state, which watches its citizens on all sides through technology now only too familiar to us. No-one is free from surveillance; the past is constantly altered, so that there is no truth except the most recent version; and Big Brother, both loved and feared, controls all. Even the simple act of keeping a diary - as Winston does - is punishable by death. In Winston's battle to keep his freedom of thought, he has a powerful adversary in O'Brien, who uses fear and pain to enter his very thought processes. Does 2+2 = 4? Or is it 5? We find out in Room 101.Nineteen Eighty-Four was Orwell's last novel; but the world he created is always with us, as successive generations of readers find within it a mirror for their own times and a warning for the future.Our edition also includes the following selection of Orwell's essays, column extracts and broadcasts: A Hanging; Spilling the Spanish Beans; Reviews of Jack London, The Iron Heel; H. G. Wells, When the Sleeper Awakes; Aldous Huxley, Brave New World; Ernest Bramah, The Secret of the League ; England Your England; Looking Back on the Spanish War; Arthur Koestler; The Prevention of Literature; Politics and the English Language; Why I Write; Politics Vs Literature; Sir Walter Raleigh...

  • av Adam Smith
    90,-

    Adam Smith (1723-1790) was one of the brightest stars of the eighteenth-century Scottish Enlightenment. An Inquiry into the Nature and Causes of the Wealth of Nations was his most important book. First published in London in March 1776, it had been eagerly anticipated by Smith's contemporaries and became an immediate bestseller. That edition sold out quickly and others followed. Today, Smith's Wealth of Nations rightfully claims a place in the Western intellectual canon. It is the first book of modern political economy, and still provides the foundation for the study of that discipline. But it is much more than that. Along with important discussions of economics and political theory, Smith mixed plain common sense with large measures of history, philosophy, psychology, sociology, and much else. Few texts remind us so clearly that the Enlightenment was very much a lived experience, a concern with improving the human condition in practical ways for real people. A masterpiece by any measure, Wealth of Nations remains a classic of world literature to be usefully enjoyed by readers today.

  • av Homer
    90,-

    Homer bidding farewell to his wife, Odysseus bound to the mast, Penelope at the loom, Achilles dragging Hector's body round the walls of Troy - scenes from Homer have been portrayed in every generation. Chapman's translations are argued to be two of the liveliest and readable.

  • av Fyodor Dostoevsky
    86,-

    Translated by Constance Garnett, with an Introduction by A. D. P. Briggs.As Fyodor Karamazov awaits an amorous encounter, he is violently done to death. The three sons of the old debauchee are forced to confront their own guilt or complicity. Who will own to parricide? The reckless and passionate Dmitri? The corrosive intellectual Ivan? Surely not the chaste novice monk Alyosha? The search reveals the divisions which rack the brothers, yet paradoxically unite them. Around the writhings of this one dysfunctional family Dostoevsky weaves a dense network of social, psychological and philosophical relationships.At the same time he shows - from the opening 'scandal' scene in the monastery to a personal appearance by an eccentric Devil - that his dramatic skills have lost nothing of their edge. The Karamazov Brothers, completed a few months before Dostoevsky's death in 1881, remains for many the high point of his genius as novelist and chronicler of the modern malaise.It cast a long shadow over D. H. Lawrence, Thomas Mann, Albert Camus, and other giants of twentieth-century European literature.

  • av Virginia Woolf
    86,-

    With an Introduction and Notes by Dr Nicola Bradbury, University of Reading.This simple and haunting story captures the transcience of life and its surrounding emotions.To the Lighthouse is the most autobiographical of Virginia Woolf's novels. It is based on her own early experiences, and while it touches on childhood and children's perceptions and desires, it is at its most trenchant when exploring adult relationships, marriage and the changing class-structure in the period spanning the Great War.

  • av Leo Tolstoy
    86,-

    War and Peace is a vast epic centred on Napoleon's war with Russia. While it expresses Tolstoy's view that history is an inexorable process which man cannot influence, he peoples his great novel with a cast of over five hundred characters. Three of these, the artless and delightful Natasha Rostov, the world-weary Prince Andrew Bolkonsky and the idealistic Pierre Bezukhov illustrate Tolstoy's philosophy in this novel of unquestioned mastery. This translation is one which received Tolstoy's approval.

  • av Sir Arthur Conan Doyle
    320,-

    The perfect gift for any Sherlock Holmes fan for only GBP19.99. Each boxset contains six books, together creating a comprehensive collection of the notorious detective's best cases and adventures.

  • av Hans Christian Andersen
    196 - 260,-

    For 150 years, the tales of Hans Christian Andersen have been delighting both adults and children. This edition contains all of Andersen's tales, including such favourites as "The Red Shoes", "The Mermaid", "The Emperor's New Clothes", and "The Ugly Duckling".

  • - Volumes One and Two
    av Karl Marx
    90,-

    Few writers have had a more demonstrable impact on the development of the modern world than has Karl Marx (1818-1883). Born in Trier into a middle-class Jewish family in 1818, by the time of his death in London in 1883, Marx claimed a growing international reputation. Of central importance then and later was his book Das Kapital, or, as it is known to English readers, simply Capital. Volume One of Capital was published in Paris in 1867 and is included in this edition. This was the only volume published during Marx's lifetime and the only to have come directly from his pen. Volume Two, available as a separate Wordsworth eBook, was published in 1884, and was based on notes Marx left, but written by his friend and collaborator, Friedrich Engels (1820-1895). Readers from the nineteenth century to the present have been captivated by the unmistakable power and urgency of this classic of world literature. Marx's critique of the capitalist system is rife with big themes: his theory of 'surplus value', his discussion of the exploitation of the working class, and his forecast of class conflict on a grand scale. Marx wrote with purpose. As he famously put it, 'Philosophers have previously tried to explain the world, our task is to change it.'

  • av Charlotte Bronte
    86 - 200,-

    Ranked as one of the greatest and most perennially popular works of English fiction, this title portrays the heroine, who although poor and of plain appearance, possesses an indomitable spirit, a sharp wit and great courage. She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order.

  • av Antoine de Saint-Exupéry
    86 - 122,99

    On one level this work is the story of an airman's discovery of a small boy from another planet in the desert and his stories of intergalactic travel, and on the other hand it is a thought-provoking allegory of the human condition.

  • av J. M. Barrie
    90 - 126,-

  • av Oscar Wilde
    86,-

    With an Introduction and Notes by John M.L. Drew, University of Buckingham.Wilde's only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in 'art for art's sake', to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design.Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the 'note of doom' which runs like 'a purple thread' through its carefully crafted prose.

  • av Lucy Maud Montgomery
    126 - 200,-

    Anne Shirley is an eleven-year-old orphan who has hung on determinedly to an optimistic spirit and a wildly creative imagination through her early deprivations. She erupts into the lives of aging brother and sister Matthew and Marilla Cuthbert, a girl instead of the boy they had sent for. Thus begins a story of transformation for all three; indeed the whole rural community of Avonlea comes under Anne's influence in some way. We see her grow from a girl to a young woman of sixteen, making her mistakes, and not always learning from them. Intelligent, hot-headed as her own red hair, unwilling to take a moral truth as read until she works it out for herself, she must also face grief and loss and learn the true meaning of love. Part Tom Sawyer, part Jane Eyre, by the end of Anne of Green Gables, Anne has become the heroine of her own story.

  • av Jane Austen
    86 - 126,-

    Introduction and Notes by Professor Stephen Arkin, San Francisco University.'Young women who have no economic or political power must attend to the serious business of contriving material security'. Jane Austen's sardonic humour lays bare the stratagems, the hypocrisy and the poignancy inherent in the struggle of two very different sisters to achieve respectability.Sense and Sensibility is a delightful comedy of manners in which the sisters Elinor and Marianne represent these two qualities. Elinor's character is one of Augustan detachment, while Marianne, a fervent disciple of the Romantic Age, learns to curb her passionate nature in the interests of survival.This book, the first of Austen's novels to be published, remains as fresh a cautionary tale today as it ever was.

  • av Bram Stoker
    86 - 126,-

    Introduction and Notes by Dr David Rogers, Kingston University.'There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.'Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula, a truly iconic and unsettling tale of vampirism.

  • av Leo Tolstoy
    86,-

    Translated by Louise and Aylmer Maude. Introduction and Notes by E.B. Greenwood, University of Kent.Anna Karenina is one of the most loved and memorable heroines of literature. Her overwhelming charm dominates a novel of unparalleled richness and density.Tolstoy considered this book to be his first real attempt at a novel form, and it addresses the very nature of society at all levels,- of destiny, death, human relationships and the irreconcilable contradictions of existence. It ends tragically, and there is much that evokes despair, yet set beside this is an abounding joy in life's many ephemeral pleasures, and a profusion of comic relief.

  • av Robert Louis Stevenson
    86 - 126,-

    'Fifteen men on the dead man's chest-Yo-ho-ho and a bottle of rum!' Treasure Island is a tale of pirates and villains, maps, treasure and shipwreck, and is perhaps the best adventure story ever written.When young Jim Hawkins finds a packet in Captain Flint's sea chest, he could not know that the map inside it would lead him to unimaginable treasure. Shipping as cabin boy on the Hispaniola, he sails with Squire Trelawney, Captain Smollett, Dr Livesey, the sinister Long John Silver and a frightening crew to Treasure Island. There, mutiny, murder and mayhem lead to a thrilling climax.

  • av Nathaniel Hawthorne
    86,-

    Introduction and Notes by Henry Claridge, Senior Lecturer, School of English, University of Kent at Canterbury.This is a troubling story of crime, sin, guilt, punishment and expiation, set in the rigid moral climate of 17th-century New England. The young mother of an illegitimate child confronts her Puritan judges.However, it is not so much her harsh sentence, but the cruelties of slowly exposed guilt as her lover is revealed, that hold the reader enthralled all the way to the book's poignant climax.

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