Böcker utgivna av Yale University Press

A bold new account of the state of globalization today—and what its collapse might mean for the world economy

A provocative account that looks at why human doctors are failing their patients-and how AI is better placed to save lives   Hundreds of thousands of people die every year, not from a plane crash or a shooting incident, but from misdiagnosis at the hands of those we most trust with our health: doctors. Today doctors are facing unprecedented levels of stress, with rising patient numbers and a constant evolution of medical knowledge. But at the same time, they are prone to racial, class, and social biases that affect the care patients receive. How can we improve patient experience and alleviate the burdens of doctors at the same time?   In this groundbreaking study, Charlotte Blease reveals how AI could emerge as the most reliable physician in history. Drawing on firsthand interviews with leading authorities in AI, doctors, and patients themselves, Blease shows how technology is already changing things for the better. From diagnosis and second opinions to treatment and aftercare, AI has the potential to revolutionise healthcare-if we give it a chance.

A major new political history of the French Revolution   In 1786, France’s ancien régime was functioning as usual. Its alliance with the victorious American colonies had restored its diplomatic prestige, the economy seemed to be flourishing, and internal politics seemed quiet. But just a few short years later, the dynasty which had ruled France for over 800 years was swept away. What happened to cause such devastating change to the long-established political structure?   John Hardman traces the political history of the French Revolution, from its origins to its aftermath. Hardman argues that the nature of ancien régime politics, the mismanagement of the fiscal crisis, and a new generation of young, overly confident politicians brought the Bourbon monarchy’s apparatus crashing down. He shows how feudalism was on its last legs in 1789, and analyses the key roles played by Louis XVI, Antoine Barnave, and Georges Danton.   This is a remarkable history of one of modern Europe’s defining moments, shedding new light on the complex politics of the day.

Tracing the surge in creativity and transformations in culture and the arts during one of history’s most tumultuous decades  Boom: Art and Design in the 1940s looks at the complex shifts in technology and the arts, including music, film, and fashion, that surged in a tumultuous decade. Despite restrictions and hardships, the visual arts flourished, with some artists addressing political concerns in their work and others moving into abstraction. War disrupted the fashion industry in Paris, allowing New York to become a competitive center. Furniture design made creative use of technological advances. The movement of artists during the war years and afterward catalyzed the exchange of ideas and created more diverse artistic communities.   Essays by leading figures in their respective fields show how wartime restrictions impacted world economies and the innovative solutions found by creative communities, examine Hollywood of the 1940s and its ability to unite international audiences, explore the ways clothing and textiles were shaped by the rapid changes of the era, and discuss how musicians played a vital role at this moment in history and helped shape the sounds of today. Interviews with contemporary figures, such as jazz artist Christian McBride and filmmaker Ken Burns, reflect on the impact of the 1940s on their respective fields. Including paintings by Lee Krasner, Horace Pippin, and Jackson Pollock, photographs by Margaret Bourke-White and Weegee, furniture by George Nakashima, jewelry by Alexander Calder, poetry by Anna Akhmatova, and apparel by Elsa Schiaparelli, the book covers the transformational responses to a volatile time across the spectrum of artistic practice.   Distributed for the Philadelphia Museum of Art  Exhibition Schedule:  Philadelphia Museum of Art (April 12–September 1, 2025)

A pioneering collector of Cubist art, the English art historian and critic Douglas Cooper was one of the most important—and controversial—figures in the international art world of the 20th century   Born into a wealthy family whose money was made in the 19th century in Australia, Cooper (1911- 1984) built up much of his collection of works by Picasso, Braque, Gris and Léger in the 1930s. He also trained himself to become a respected art historian, his reputation as a scholar resting largely on his catalogue of the Courtauld Collection (1954) and his catalogue raisonné of Juan Gris (1977). He also curated exhibitions of Gauguin, Braque and two major displays of Cubism. The second of these, The Essential Cubism, held at the Tate Gallery in 1983, was one of the most remarkable accumulations of Cubist painting, sculpture and drawings ever assembled.   Based on extensive research and packed with new material and fresh interpretations, IRASCIBLE! focuses attention on Cooper’s colourful life and significant accomplishments: his financing and directorship of the Mayor Gallery in London as a very young man in the 1930s, when he became close to artists such as Francis Bacon, Paul Nash, Henry Moore, Paul Klee, Joan Miró, and Max Ernst; his wartime experiences as an ambulance driver in support of the collapsing French army in 1940; his job as a senior Monuments Man in charge of tracking down Nazi-looted art in Switzerland; his move to Provence in the early 1950s, taking his collection with him; and his legendary clashes with leading figures and institutions in the British art world. This book is the definitive account of Cooper’s collecting, art dealing, writing and curating.

The remarkable untold story of Shakespeare's first theatre - the playhouse before the Globe In 1576, in a muddy field in Shoreditch, James Burbage erected London's first purpose-built commercial playhouse. A place of high culture and quick profit, run by cunning dreamers, the Theatre for the first time offered London's players the chance to control what they staged. At a time when playgoing was held to be close to a sin, this entertainment factory was a flashpoint for controversy - but would also become Shakespeare's first theatre, where he learned to ply his trade before his company moved to the Globe.   Through the life of this little-known playhouse, Daniel Swift tells the story of how Shakespeare became Shakespeare, and the Elizabethan stage began to flourish. Introducing us to the businessmen who dreamed up the Theatre, the carpenters who built it, the preachers who hated it, and the actors who performed upon its small stage, The Dream Factory recreates the world that produced Romeo and Juliet and A Midsummer Night's Dream - and the audiences who first saw them.

The creative and collaborative history of vanguard printmaking studio and publisher Brand X

The life, dramatic reign, and enduring legacy of the pharaoh Ramesses the Great, with lessons for the present, from internationally acclaimed Egyptologist Toby Wilkinson