Böcker utgivna av Yale University Press

A biography of the influential jazz pianist, Bill Evans. Peter Pettinger, himself a concert pianist, describes Evans's life, his personal tragedies and commercial successes, his music making, his technique and compositional methods, his approach to ensemble playing, and his legacy.

An innovative retrospective look at the work of one of America's most iconic artists, utilizing the concepts of mirroring and doubling, which have long preoccupied Johns

A magisterial history of the Lakota Indians and their profound role in shaping America's history

An inclusive vision of mathematics-its beauty, its humanity, and its power to build virtues that help us all flourish

Based on the 1854 edition of "Walden", this work includes emendations taken from Thoreau's draft manuscripts, with his own markings on page proofs, and notes in his personal copy of the book. This work includes: Introduction, which places Thoreau's life and achievement in context; Notes on the Text; an Afterword by the editor; and, a Bibliography.

An invaluable introduction to the art and craft of musical composition from a distinguished teacher and composer

A sobering study of the troubled African nation, both pre- and post-genocide, and its uncertain future

The first critical, annotated edition of M. K. Gandhi's most famous written work, published seventy years after his death

The calamities of the mid-seventeenth century were not only unprecedented, they were agonisingly widespread. The author examines first-hand accounts of men and women throughout the world describing what they saw and suffered during a sequence of political, economic and social crises that stretched from 1618 to the 1680s.

The international bestseller available in English for the first time: E. H. Gombrich's world history for the curious of all ages...

Some twenty-five centuries after the Buddha started teaching, his message continues to inspire people across the globe, including those living in predominantly secular societies. What does it mean to adapt religious practices to secular contexts? Stephen Batchelor, an internationally known author and teacher, is committed to a secularized version of the Buddha's teachings. The time has come, he feels, to articulate a coherent ethical, contemplative, and philosophical vision of Buddhism for our age. After Buddhism, the culmination of four decades of study and practice in the Tibetan, Zen, and Theravada traditions, is his attempt to set the record straight about who the Buddha was and what he was trying to teach. Combining critical readings of the earliest canonical texts with narrative accounts of five members of the Buddha's inner circle, Batchelor depicts the Buddha as a pragmatic ethicist rather than a dogmatic metaphysician. He envisions Buddhism as a constantly evolving culture of awakening whose long survival is due to its capacity to reinvent itself and interact creatively with each society it encounters. This original and provocative book presents a new framework for understanding the remarkable spread of Buddhism in today's globalized world. It also reminds us of what was so startling about the Buddha's vision of human flourishing.

To many in the West, the name Cambodia still conjures up indelible images of destruction and death, the legacy of the brutal Khmer Rouge regime and the terror it inflicted in its attempt to create a communist utopia in the 1970s. Sebastian Strangio, a journalist based in the capital city of Phnom Penh, now offers an eye-opening appraisal of modern-day Cambodia in the years following its emergence from bitter conflict and bloody upheaval. In the early 1990s, Cambodia became the focus of the UN's first great post-Cold War nation-building project, with billions in international aid rolling in to support the fledgling democracy. But since the UN-supervised elections in 1993, the nation has slipped steadily backward into neo-authoritarian rule under Prime Minister Hun Sen. Behind a mirage of democracy, ordinary people have few rights and corruption infuses virtually every facet of everyday life. In this lively and compelling study, the first of its kind, Strangio explores the present state of Cambodian society under Hun Sen's leadership, painting a vivid portrait of a nation struggling to reconcile the promise of peace and democracy with a violent and tumultuous past.

A magisterial history of South Africa, from the earliest known human inhabitation of the region to the present. Lynn Berat updates this classic text with a new chapter chronicling the first presidential term of Mbeki and ending with the celebrations of the centenary of South Africa's ruling African National Congress in January 2012. "e;A history that is both accurate and authentic, written in a delightful literary style."e;-Archbishop Desmond Tutu "e;Should become the standard general text for South African history. . . . Recommended for college classes and anyone interested in obtaining a historical framework in which to place events occurring in South Africa today."e;-Roger B. Beck, History: Reviews of New Books

Gogol's 1842 novel Dead Souls, a comic masterpiece about a mysterious con man and his grotesque victims, is one of the major works of Russian literature. It was translated into English in 1942 by Bernard Guilbert Guerney; the translation was hailed by Vladimir Nabokov as "e;an extraordinarily fine piece of work"e; and is still considered the best translation of Dead Souls ever published. Long out of print, the Guerney translation of Dead Souls is now reissued. The text has been made more faithful to Gogol's original by removing passages that Guerney inserted from earlier drafts of Dead Souls. The text is accompanied by Susanne Fusso's introduction and by appendices that present excerpts from Guerney's translations of other drafts of Gogol's work and letters Gogol wrote around the time of the writing and publication of Deal Souls. "e;I am delighted that Guerney's translation of Dead Souls [is] available again. It is head and shoulders above all the others, for Guerney understands that to 'translate' Gogol is necessarily to undertake a poetic recreation, and he does so brilliantly."e;—Robert A. Maguire, Columbia University "e;The Guerney translation of Dead Souls is the only translation I know of that makes any serious attempt to approximate the qualities of  Gogol's style—exuberant, erratic, 'Baroque,' bizarre."e;—Hugh McLean, University of California, Berkeley "e;A splendidly revised and edited edition of Bernard Guerney's classic English translation of Gogol's Dead Souls. The distinguished Gogol scholar Susanne Fusso may have brought us as close as the English reader may ever expect to come to Gogol's masterpiece. No student, scholar, or general reader will want to miss this updated, refined version of one of the most delightful and sublime works of Russian literature."e;—Robert Jackson, Yale University

Historians have portrayed British participation in World War I as a series of tragic debacles, with lines of men mown down by machine guns, with untried new military technology, and incompetent generals who threw their troops into improvised and unsuccessful attacks. In this book a renowned military historian studies the evolution of British infantry tactics during the war and challenges this interpretation, showing that while the British army's plans and technologies failed persistently during the improvised first half of the war, the army gradually improved its technique, technology, and, eventually, its' self-assurance. By the time of its successful sustained offensive in the fall of 1918, says Paddy Griffith, the British army was demonstrating a battlefield skill and mobility that would rarely be surpassed even during World War II.Evaluating the great gap that exists between theory and practice, between textbook and bullet-swept mudfield, Griffith argues that many battles were carefully planned to exploit advanced tactics and to avoid casualties, but that breakthrough was simply impossible under the conditions of the time. According to Griffith, the British were already masters of "e;storm troop tactics"e; by the end of 1916, and in several important respects were further ahead than the Germans would be even in 1918. In fields such as the timing and orchestration of all-arms assaults, predicted artillery fire, "e;Commando-style"e; trench raiding, the use of light machine guns, or the barrage fire of heavy machine guns, the British led the world. Although British generals were not military geniuses, says Griffith, they should at least be credited for effectively inventing much of the twentieth-century's art of war.

A compelling introduction to the life and artistic output of a trailblazing Norwegian painter, printmaker, and horticulturist

A revelatory look at how the mature work of Caspar David Friedrich engaged with concurrent developments in natural science and philosophy.

The humiliation of Russia by separatist rebels in the Chechen War marked a key moment in Russian history. This is an eyewitness account of the war, a portrait of the Chechen people, and an explanation of the Russian defeat and the present weakness of the Russian state and nation.

"Undoing is just as much a democratic right as doing."---Gordon Matta-Clark

A brilliant new translation of Ó Cadhain's modern Irish literature masterpiece, meant to spark debate and comparison with Alan Titley's Dirty Dust, now with bonus materials on its history, reception, interpretations, adaptations, and more "Gloriously attuned to the energy, copiousness, invective and ribaldry of the original Cre na Cille."--Patricia Craig, Times Literary Supplement "Corrosively satirical and darkly comic. . . . A tour de force of a gabfest."--Mark Harman, Los Angeles Review of Books In critical opinion and popular polls, Máirtín Ó Cadhain's Graveyard Clay is invariably ranked the most important prose work in modern Irish. This bold new translation of his radically original Cré na Cille is the shared project of two fluent speakers of the Irish of Ó Cadhain's native region, Liam Mac Con Iomaire and Tim Robinson. They have achieved a lofty goal: to convey Ó Cadhain's meaning accurately and to meet his towering literary standards. Graveyard Clay is a novel of black humor, reminiscent of the work of Synge and Beckett. The story unfolds entirely in dialogue as the newly dead arrive in the graveyard, bringing news of recent local happenings to those already confined in their coffins. Avalanches of gossip, backbiting, flirting, feuds, and scandal-mongering ensue, while the absurdity of human nature becomes ever clearer. This edition of Ó Cadhain's masterpiece is enriched with footnotes, bibliography, publication and reception history, and other materials that invite further study and deeper enjoyment of his most engaging and challenging work.