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Apostasy

Om Apostasy

1m, 2f / Drama Sheila Gold, 55, a successful Jewish businesswoman suffering from terminal cancer, is spending the end of her life in a comfortable hospice where her only companion is her 30 year old daughter, Rachel. The two have a tense relationship as Rachel has spent most of her adult life working at Planned Parenthood and is generally a disappointment to her entrepreneurial mother. While in the hospice Sheila has become fascinated by a late night televangelist, Dr. Julian Strong, a black man in his 50's. She finds his message inspiring and comforting and she writes Strong, offering to make a sizable donation to his ministry. Much to her surprise, Strong flies out to visit Sheila, presumably to see her sign the check in person. His physical presence is even greater than his TV persona and the two fall head over heels in love. Sheila begins to toy with the idea of converting to Christianity and spending her final days with Strong's church in California. This revelation upsets her daughter to no end as Rachel is certain that Strong is a crook, promising hope and salvation, when all he really wants is to come between her and her inheritance. Is Strong truly in love with Sheila or is he only out for her money? Sheila must choose between her daughter and a new love and lifestyle, in what will certainly be her final days. "When Sheila Gold announces to her grown daughter, Rachel, that she is thinking of trading in her barely used Judaism for late-model, born-again Christianity, it looks as if we're being set up for a play about religious faith. But Gino DiIorio has something else up his sleeve in Apostasy, the absorbing new drama running through Aug. 13 at the New Jersey Repertory Company in Long Branch. Sheila's flirtation with Jesus is going to turn into a flirtation of an entirely different kind. And abortion politics will intrude messily on the play's relationships. " - The New York Times

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  • Språk:
  • Engelska
  • ISBN:
  • 9780573696084
  • Format:
  • Häftad
  • Sidor:
  • 80
  • Utgiven:
  • 6. februari 2009
  • Mått:
  • 127x203x4 mm.
  • Vikt:
  • 89 g.
  Fri leverans
Leveranstid: 2-4 veckor
Förväntad leverans: 11. december 2024

Beskrivning av Apostasy

1m, 2f / Drama
Sheila Gold, 55, a successful Jewish businesswoman suffering from terminal cancer, is spending the end of her life in a comfortable hospice where her only companion is her 30 year old daughter, Rachel. The two have a tense relationship as Rachel has spent most of her adult life working at Planned Parenthood and is generally a disappointment to her entrepreneurial mother.
While in the hospice Sheila has become fascinated by a late night televangelist, Dr. Julian Strong, a black man in his 50's. She finds his message inspiring and comforting and she writes Strong, offering to make a sizable donation to his ministry. Much to her surprise, Strong flies out to visit Sheila, presumably to see her sign the check in person. His physical presence is even greater than his TV persona and the two fall head over heels in love. Sheila begins to toy with the idea of converting to Christianity and spending her final days with Strong's church in California. This revelation upsets her daughter to no end as Rachel is certain that Strong is a crook, promising hope and salvation, when all he really wants is to come between her and her inheritance.
Is Strong truly in love with Sheila or is he only out for her money? Sheila must choose between her daughter and a new love and lifestyle, in what will certainly be her final days.
"When Sheila Gold announces to her grown daughter, Rachel, that she is thinking of trading in her barely used Judaism for late-model, born-again Christianity, it looks as if we're being set up for a play about religious faith. But Gino DiIorio has something else up his sleeve in Apostasy, the absorbing new drama running through Aug. 13 at the New Jersey Repertory Company in Long Branch. Sheila's flirtation with Jesus is going to turn into a flirtation of an entirely different kind. And abortion politics will intrude messily on the play's relationships. " - The New York Times

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