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Asia Calling

- A Photographer's Notebook 1980-1997

Om Asia Calling

A spectacular photographer's daybook, in the tradition of Peter Beard, Bill Burke, and Robert Frank, detailing the wanderlust of faraway travel and profound discovery in a part of the world few desire to wander.Asia Calling is longtime mid-east photographer Edward Grazda's art journal recap of his decades traversing the globe during times of immense social and cultural change in the Asian continent. Much like Peter Beard and Bill Burke before, Grazda's journal entries and diaristic graphics, along with his image manipulation and conceptual positionings of his photographs and writings make this no mere photo notebook, but rather an indelible stamp, a graphic passport if you will, of people and places, frozen in time, but now alive with invigorating juxtapositions and dynamic sequencing, a filmic recap of a place and time long gone but still there.  Starting in 1980, Grazda traveled to Hong Kong, Thailand, Burma, Vietnam, Laos, India, China, Pakistan, and Afghanistan. This was a time of change in Asia–globalization, wars, drugs, tourism, and religion remaking ethnic traditions and governments alike. Grazda's photos–with a few fictional and literary texts–is your passport to that long time ago.

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  • Språk:
  • Engelska
  • ISBN:
  • 9781648230004
  • Format:
  • Inbunden
  • Sidor:
  • 72
  • Utgiven:
  • 28. oktober 2021
  • Mått:
  • 248x285x13 mm.
  • Vikt:
  • 602 g.
  I lager
Leveranstid: 4-7 vardagar
Förväntad leverans: 11. november 2024

Beskrivning av Asia Calling

A spectacular photographer's daybook, in the tradition of Peter Beard, Bill Burke, and Robert Frank, detailing the wanderlust of faraway travel and profound discovery in a part of the world few desire to wander.Asia Calling is longtime mid-east photographer Edward Grazda's art journal recap of his decades traversing the globe during times of immense social and cultural change in the Asian continent. Much like Peter Beard and Bill Burke before, Grazda's journal entries and diaristic graphics, along with his image manipulation and conceptual positionings of his photographs and writings make this no mere photo notebook, but rather an indelible stamp, a graphic passport if you will, of people and places, frozen in time, but now alive with invigorating juxtapositions and dynamic sequencing, a filmic recap of a place and time long gone but still there.  Starting in 1980, Grazda traveled to Hong Kong, Thailand, Burma, Vietnam, Laos, India, China, Pakistan, and Afghanistan. This was a time of change in Asia–globalization, wars, drugs, tourism, and religion remaking ethnic traditions and governments alike. Grazda's photos–with a few fictional and literary texts–is your passport to that long time ago.

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