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Böcker i Communication, Culture, and Religion-serien

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  • - A Christian Theory of Communication
    av Robert S. Fortner
    647 - 1 491

    Part of the "Communication, Culture, and Religion Series", this title looks at the nature of communication from a biblical Christian perspective. It discusses the implications of such a theory for interpersonal relations, use of media, and the development of digital culture in the wake of the computer.

  • - All That We Can't Leave Behind
    av Ms Mary E. Hess
    527 - 1 287

    Drawing from her expertise as a seminary professor and consultant to religious institutions on the use of technology in teaching, Mary E. Hess invites professors, pastors, seminarians, and anyone interested in religious education into critical reflection on ways of engaging technology to enhance learning and serve as critical interpreters within communities of faith.

  • - Religious Perspectives of 19 Film Directors from Around the World
     
    1 247

    Movie texts are often examined for subtexts and for the way that they dramatize social and psychological issues as well as current movements. Through a Catholic Lens looks at the Catholic subtext through a collection of studies of 19 film directors from around the world whose Catholic backgrounds can be found in their writing and directing.

  • - Religious Perspectives of 19 Film Directors from Around the World
     
    577

    Movie texts are often examined for subtexts and for the way that they dramatize social and psychological issues as well as current movements. Through a Catholic Lens looks at the Catholic subtext through a collection of studies of 19 film directors from around the world whose Catholic backgrounds can be found in their writing and directing.

  • - Jesus and Christ-Figures in Film
    av Lloyd Baugh
    520

    Baugh traces the development of the Jesus-film and through critical film and theological analysis show us the limitations of this genre. Baugh analyzes several important and often prize-winning films showing how each film-maker has created a valid and often complex and challenging metaphor of the Christ-event. He questions many of the traditional approaches to religious film, and offers a new approach and new criteria for the appreciation and judgment of these films.

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