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Charmer

- A Ladies Man and His Victims

Om Charmer

This is the story of George, an African American who grew up in a Caucasian suburb of Seattle, where his unaffectionate mother and racial isolation led him to develop an effervescent personality in order to get along. He became a small-time burglar and an accomplished liar--a wisecracking "smoothy" who pretended to be an undercover detective. George made lots of friends, especially within a subculture of giggly young white women who partied endlessly in upscale Seattle clubs during 1989-90. And he murdered three of them, bizarrely mutilating and "staging" their bodies. The drinks, dancing, and deejays--the group pad where George lived with an adoring coterie of feckless college kids--Olsen gives us the quirky details that make the murderer's well-hidden rage and misogyny all the more shocking. As the New York Times wrote, "Like fine cinema verité, [Charmer] mesmerizes us with the sense of watching real life, unaugmented, move before our eyes."

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  • Språk:
  • Engelska
  • ISBN:
  • 9781091400757
  • Format:
  • Häftad
  • Sidor:
  • 330
  • Utgiven:
  • 25. mars 2019
  • Mått:
  • 152x229x19 mm.
  • Vikt:
  • 485 g.
  Fri leverans
Leveranstid: 2-4 veckor
Förväntad leverans: 24. mars 2025

Beskrivning av Charmer

This is the story of George, an African American who grew up in a Caucasian suburb of Seattle, where his unaffectionate mother and racial isolation led him to develop an effervescent personality in order to get along. He became a small-time burglar and an accomplished liar--a wisecracking "smoothy" who pretended to be an undercover detective. George made lots of friends, especially within a subculture of giggly young white women who partied endlessly in upscale Seattle clubs during 1989-90. And he murdered three of them, bizarrely mutilating and "staging" their bodies. The drinks, dancing, and deejays--the group pad where George lived with an adoring coterie of feckless college kids--Olsen gives us the quirky details that make the murderer's well-hidden rage and misogyny all the more shocking. As the New York Times wrote, "Like fine cinema verité, [Charmer] mesmerizes us with the sense of watching real life, unaugmented, move before our eyes."

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