Marknadens största urval
Snabb leverans

Everyone Loves Live Music

- A Theory of Performance Institutions

Om Everyone Loves Live Music

"In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"--

Visa mer
  • Språk:
  • Engelska
  • ISBN:
  • 9780226738543
  • Format:
  • Häftad
  • Sidor:
  • 352
  • Utgiven:
  • 6. januari 2021
  • Mått:
  • 247x354x21 mm.
  • Vikt:
  • 528 g.
  I lager
Leveranstid: 4-7 vardagar
Förväntad leverans: 7. januari 2025
Förlängd ångerrätt till 31. januari 2025
  •  

    Kan ej levereras före jul.
    Köp nu och skriv ut ett presentkort

Beskrivning av Everyone Loves Live Music

"In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"--

Användarnas betyg av Everyone Loves Live Music



Hitta liknande böcker
Boken Everyone Loves Live Music finns i följande kategorier:

Gör som tusentals andra bokälskare

Prenumerera på vårt nyhetsbrev för att få fantastiska erbjudanden och inspiration för din nästa läsning.