Böcker utgivna av Bloomsbury Publishing PLC

A swoony gothic YA romantasy, with an irresistible hero and heroine, enemies caught in a 'fake engagement'. His touch is deadly; her magic is darkness - but they are each other's only hope

Worldwide women constitute the majority of the teaching force, but men are more likely to achieve headship. Internationally a number of scholars working within sociology and the sociology of education have focused on the continued influence of gender on the shaping of identity and choices in relation to leadership, work and home. But in Greece the under-representation of women in educational leadership has received limited attention. Why are there so few women in educational leadership? How are leadership and gender constructed by men and women head teachers and teachers? Are the perceptions of men and women different and gendered? What is the future for women in leadership in Greece?Emmy Papanastasiou uses qualitative data from interviews with men and women head teachers and teachers in Greece and analyzes them using a feminist social constructionist framework to provide some answers to these key questions. In doing so, the book sheds light on social, cultural and political factors that influence women's potential advancement in educational leadership.

Textile has been used as a medium of communication since the prehistoric period. Up until the 19th century, civilizations throughout the world manipulated thread and fabric to communicate in a way that would astound many of us now. Unlike text and images, textile is haptic and three-dimensional. Its meaning is unfixed, constantly shifting as it circulates between different owners and creators. In How Textile Communicates, Ganaele Langlois dissects textile's unique capacity for communication through a range of global case studies, before examining the profound impact of colonialism on textile practice and the appropriation of this medium by capitalist systems. A thought-provoking contribution to the fields of both fashion and communication studies, Langlois' writing challenges readers' preconceptions and shines new light on the profound impact of textiles on human communication.

Chantal Mouffe has transformed the contemporary understanding of politics through her re-reading of political theory inspired by anti-foundationalist philosophy-based on Saussure's linguistics, Freud's psychoanalysis and Derrida's deconstruction. Her writings have challenged the centrist, post-political ideology of the 1990s and presciently diagnosed the emergence of right-wing populism seen today with Trump and Brexit. For Mouffe, such populism is the result of the failed centrist conception of politics reduced to technical management. She has called for a "return to politics" on the view that social antagonisms cannot be reconciled but must be channeled into an agonistic form of institutionally stabilized struggle. This book brings Chantal Mouffe's agonistic model of politics into direct dialogue with architecture and inquiries into the role that architecture plays constructing the political order of society, either by concealing or revealing its antagonisms and ideological conflicts. In doing so, it asks in what ways architecture operates politically; whether institutionally, in terms of its spaces and its part in forming cities, or as an aesthetic object with mediatic agency. Through this detailed exchange between Mouffe and four of the world's leading architectural thinkers; Reinhold Martin, Ines Weizman, Pier Vittorio Aureli and Sarah Whiting, a debate unfolds within the book that tests the implications of Mouffe's agonistic model of politics for architectural practice today. Through this, Bedford explores how architectural history, architectural drawing, the making of spectacular monuments, the design and policies behind housing, and the making of public and private space, all potentially contribute to the formulation of the channeling of social conflict into an agonistic form.

This open access book presents a comparative study of two classics of world literature, offering the first sustained consideration of what unites and divides the Nicomachean Ethics and the Bhagavad Gita. Focusing on the nature of ethical action and how it relates to the highest good, Roopen Majithia demonstrates how the Gita stresses the objectivity of knowledge and freedom from being a subject, while the Ethics emphasizes the knower, working out Aristotle's central commitment to the idea of substance as the primary building block of the world. Yet both the Gita and the Ethics explain variety in human behaviour in terms of three driving forces. Both agree moral agency is a construct that is a function of background, education, and habit, presupposing a cultural, political, and economic infrastructure, all of which shapes how each in turn conceives the highest good. What distinguishes the texts is how the content of right action is generated. Reading them together, alert to their individual accounts of how the practical relates to the reflective dimensions of life, Majithia enriches our understanding of two cornerstone texts in the Greek and Indian philosophical traditions. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by The Marjorie Young Bell Faculty Fund, The Philosophy Department's Baxter Fund and The Hart Almerrin Massey Endowment.

17 exciting projects from beginner to advanced level with lots of handy hints and inspirational ideas.

From Giller Prize and O. Henry Award winner Souvankham Thammavongsa comes a revelatory novel about loneliness, love, labour and class, an intimate and sharply written book following a nail salon owner as she toils away for the privileged clients who don't even know her true name.

Song and music have always played an important part in the cultural identity of the mariners and coastal peoples of the Red Sea. While previous studies on the maritime culture of this region have focused on the sailing vessel, the dhow, and seafaring communities, this is the first book to examine its rich musical repertoire.Using fieldwork conducted along the Hijaz and Upper Tihama coasts, The Songs of the Arabian Red Sea documents examples of different musical forms and styles as well as the stories of older mariners who describe the contexts in which songs were sung, from sea shanties during the working day to soulful ballads about home and loved ones at night. Presenting the songs and their lyrics in the context of the geography, culture, oral history and musicology of the region, the book reveals the complex and connected network that influenced their development and the vital place of song and music for diverse communities of the region.

This book explores the visual representation of masculinity in the work of Larry Clark, using this toprompt a wider conversation about the male body in visual culture and art.Infamous for his often deeply personal depictions of teenage sexuality, subcultures and drug use, filmmaker and photographer Larry Clark also paid close attention to male identity, as revealed for the first time in this book. It explores the visual representation of masculinity in Clark's work, revealing how his images of the male body differ from traditional depictions and function not only as objects of spectacle, but as spectacular objects in themselves.Despite being hugely influential, there has been a lack of critical attention paid to Clark's work following his celebrated photobook Tulsa (1971). Masculinity and Visual Culture is a vital contribution to research on Clark, and visual and photography studies more broadly, where it explores the photographer's depiction of the male subject as an object of desire. It also expands research in gender and queer studies by examining masculinity as a relational, social and intercultural construct in media and society, enhancing our understanding of Clark's narrative and iconographic practice, while simultaneously positioning his work at the centre of the cultural discourse around male subjectivity.Drawing on an array of Clark's work, including his films 'Kids' and 'Ken Park', as well as his photographs, Masculinity and Visual Culture brings it into conversation with the work of a wide range of other photographers including David Armstrong, Steven Klein and Nan Goldin. In doing so, the book provides an important re-examination of Clark's key influences and legacy.

The honest guide to the messy job of being a headteacher, including real stories of mistakes made and lessons learned, case studies and practical advice.

When your world is crumbling around you, how do you make life sweet again?