Böcker utgivna av EDINBURGH UNIVERSITY PRESS

Female Agency and Documentary Strategies' centres on how self-portraiture and contemporary documentary manifestations such as blogging and the prevalent usage of social media shape and inform female subjectivities and claims to truth.

Addressing the politics of representation and authorship both behind and in front of the camera, a range of international scholars explore the pressing issues in relation to female authorship in contemporary documentary practices.

This collection of essays is in kinship with this radical shake-up of how and what we study - and it also aims to re-navigate what constitutes materiality. These efforts are summed up by a rewriting of the Derridean axiom'there is no outside text'as'there is no outside nature.

Examining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape.

'Visceral Screens argues eloquently for horror's centrality to essential debates in contemporary film and media studies theory. By framing horror beyond conventional notions of cautionary or anxious relations to media technologies, Allan Cameron presents a fascinating new account of horror as an 'intermediate' genre: between meanings encompassing bodies, images, and image-bodies.' Adam Lowenstein, University of Pittsburgh Horror cinema grants bodies and images a precarious hold on sense and order: from the zombie's gory disintegration to the shaky visuals of 'found footage' horror, and from the vampire's absent reflection to the spectacle of shattering glass in the Italian giallo. Addressing classic horror movies alongside popular and innovative contemporary works, Visceral Screens investigates how they have rendered the human form as a media artefact, dramatically dis-figuring it with optical effects, chromatic shifts, glitches and audiovisual fragmentation. Conducting their own anatomies of the screen, cutting into the matter of cinema, horror films revel in the breakdown of frames, patterns and figures, undermining subjectivity and meaning. Allan Cameron is Senior Lecturer in Media, Film and Television at the University of Auckland, New Zealand Cover image: Ana - Remix of Amer (2012), created by Ouananiche based on the feature film Amer (2009), directed by Hélène Cattet and Bruno Forzani, produced by Anonymes Films and Tobina Film. Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-1919-2 Barcode

This book engages critically with the different models and approaches for managing religion adopted in Europe, Asia and Oceania. A truly intercontinental volume, this collection brings together high level scholarship from renowned scholars and rising stars in the fields of political theory, Islamic studies, sociology and law.

This book engages critically with the different models and approaches for managing religion adopted in Europe, Asia and Oceania. A truly intercontinental volume, this collection brings together high level scholarship from renowned scholars and rising stars in the fields of political theory, Islamic studies, sociology and law.

This book provides a chapter-length discussion of the works of 20 major contemporary British novelists and features essays by many of the leading literary critics of the day. It offers new insights into complext contemporary novels and presents a new approaches to narrative, the new multi-cultural Britain, and the writing of historical fiction.

Originally published between 1968 and 2009, this collection of 25 pieces includes six interviews translated into English for the first time and a new transcription of a Q&A session with Baudrillard following a lecture he gave in London in 1994, The guiding theme of the collection is Baudrillard's engagement with culture.

'Dating from 1968 to 2006, from his first to his final interview, this selection covers all the phases of Baudrillard's long career. Clear, coherent and often humorous - the lighting fast responses of a genial philosopher - these interviews catch Baudrillard thinking aloud.' Mike Gane, Loughborough University Profound and original insights into the fate of culture in 25 conversations with Jean Baudrillard Jean Baudrillard (1929-2007) possessed an uncanny knack for divining the secret trajectory of the world. His clear vision and provocative ideas made sense of a bewildering array of contemporary phenomena. Originally published between 1968 and 2009, the interviews collected here - published to mark the tenth anniversary of his death - cover the key themes of Baudrillard's work and provide revelatory new insights into its purpose and conceptual experimentation. Key Features - 25 eloquent conversations, including six translated by Chris Turner where appear here English for the first time - Covers numerous contemporary topics and issues: from architecture, art, photojournalism and photography to war, terrorism and evil - Contains a dialogue with Baudrillard that is contemporaneous with the civil unrest in France and the events of May 1968 - Includes a new English-language transcription of a Q&A with Baudrillard following a lecture he gave in London in 1994 Richard G. Smith is Associate Professor in Human Geography. David B. Clarke is Professor of Human Geography. They are both at Swansea University. Cover image: Jean Baudrillard (c) Ulf Andersen/Hulton Archive/Getty Images Cover design: [EUP logo] edinburghuniversitypress.com ISBN [PPC] 978-1-4744-1777-8 ISBN [cover] 978-1-4744-1778-5 Barcode

The essays in this volume tell the stories of Chinese Muslim intellectuals trying to create satisfying, safe and coherent lives at the intersection of two potentially conflicting cultures.

As the first comprehensive study of Daves s career, this collection of essays seeks to deepen our understanding of his work, and also to problematize existing conceptions of him as a competent, conventional and even naive studio man.

A collection of interdisciplinary essays, collected for the first time, on the work of filmmaker and screenwriter Amy Heckerling whose work includes Clueless and Fast Times at Ridgemont High.

Examines how violence was described and evaluated in the foundational texts of Islam How was violence justified in early Islam? What role did violent actions play in the formation and maintenance of the Muslim political order? How did Muslim thinkers view the origins and acceptability of violence? These questions are addressed by an international range of eminent authors through both general accounts of types of violence and detailed case studies of violent acts drawn from the early Islamic sources. Violence is understood, widely, to include jihād, state repressions and rebellions, and also more personally directed violence against victims (women, animals, children, slaves) and criminals. By understanding the early development of Muslim thinking around violence, our comprehension of subsequent trends in Islamic thought, during the medieval period and up to the modern day, become clearer. Key Features - Examines the portrayal of violence in a variety of different intellectual contexts - Takes a broad understanding of violence - from warfare between Muslims (and between Muslims and others) to individual acts of violence - Enables a better informed debate about the nature of violence in early Islam - Includes contributions from leading international experts including Michael Cooperson, Maribel Fierro, Geert Jan van Gelder, Christopher Melchert, John T. Nawas, Andrew Rippin and Dominique Urvoy István Kristó-Nagy is a Lecturer in Arab and Islamic Studies at the University of Exeter. He is the author of La pensée d'Ibn al-Muqaffaʽ (2013) Robert Gleave is Professor of Arabic Studies at the University of Exeter and was Director of the Legitimate and Illegitimate Violence Project 2010-13. His most recent publications include Islam and Literalism: Literal Meaning and Interpretation in Islamic Legal Theory (Edinburgh University Press, 2012) Cover image: Bahram Gur and Azada, ceramic plate 12/13th Century, image courtesy of Metropolitan Museum of Art. Cover design: [EUP logo] www.euppublishing.com

'The volume is a must read for those interested in the developments that lead to the onslaught of ISIS across Iraq in 2014. It is a gold mine of meticulously researched and presented analysis of the key issues facing contemporary Iraq and of the legacies left behind by the American-led coalition after 2003.'Amatzia Baram, Director of the Centre for Iraq Studies, University of Haifa'Benjamin Isakhan has assembled a fine collection of essays that provide context to the rise of the Islamic State. By considering the key legacies of the 2003 intervention and the subsequent occupation, this book documents the rise of sectarianism, sub-state dynamics, and the increased security concerns of neighbouring states and the international community.'Gareth Stansfield, Director of the Institute of Arab and Islamic Studies, University of ExeterA timely examination of the complex factors that led to the crisis in Iraq and the rise of the 'Islamic State'In March 2003, a US-led 'Coalition of the Willing' launched a pre-emptive intervention against Iraq. The war was driven by an ambitious plan to turn Iraq into a liberal democracy, underpinned by free-market capitalism and constituted by a citizen body free to live in peace and prosperity. However, the Iraq war did not go to plan and the coalition were forced to withdraw at the end of 2011, having failed to deliver on their promise of a democratic, peaceful and prosperous Iraq. Newly available in paperback, The Legacy of Iraq seeks to not only reflect on this abject failure but to put forth the argument that key mistakes made by the coalition and the Iraqi political elite set in train a sequence of events that have had devastating consequences for Iraq, for the region and for the world. Today, as Iraq faces perhaps its greatest challenge with the devastating advance of the 'Islamic State' and another US-led coalition undertakes renewed military action in Iraq, understanding the complex and difficult legacies of the 2003 war could not be more urgent. Ignoring the legacies of the Iraq war and denying their connection to contemporary events could mean that vital lessons are not learned and the same mistakes are made.Benjamin Isakhan is Associate Professor of Politics and Policy Studies and Director of the Middle East Studies Forum in the Alfred Deakin Institute at Deakin University, Australia. Ben is also Adjunct Senior Research Associate, Department of Politics and International Relations at the University of Johannesburg, South Africa.

The Call of Classical Literature in the Romantic Age' reveals the extent to which writers now called romantic venerate and use classical texts to transform lyric and narrative poetry, the novel, mythology, politics, and issues of race and slavery, as well as to provide models for their own literary careers and personal lives.

11 essays by leading Whitehead scholars re-examinae Whitehead's Barbour-Page lectures, published as the book 'Symbolism: Its Meaning and Effect' in 1927, to give you exciting insights into the contemporary implications of Whitehead's symbolism in an era of new scientific, cultural and technological developments.

11 essays by leading Whitehead scholars re-examinae Whitehead s Barbour-Page lectures, published as the book Symbolism: Its Meaning and Effect in 1927, to give you exciting insights into the contemporary implications of Whitehead's symbolism in an era of new scientific, cultural and technological developments.

With in-depth studies of Jean-Paul Sartre, Julia Kristeva, Alain Badiou and Jacques Ranciere, along with shorter analyses of Jean-Claude Milner and Quentin Meillassoux, Boncardo asks how Stephane Mallarme became so politically significant for left-wing French intellectuals.

What is the relationship between the British woman writer and the short story? This collection examines what this versatile genre offers women writers and what this can tell us about the society and culture they inhabit.

This collection brings together an international and interdisciplinary group of Adam Smith and Jean-Jacques Rousseau scholars to explore the key shared concerns of these two great thinkers in politics, philosophy, economics, history and literature.

These 14 essays apply Deleuze and Guattari's work to analysing television, film, music, art, drunkenness, mourning, virtual technology, protest, activism, animal rights and abolition. Each chapter questions the premise of the animal and critiques the centrality of the human.

These fourteen essays apply Deleuze's work to analysing television, film, music, art, drunkenness, mourning, virtual technology, protest, activism, animal rights and abolition. Each chapter questions the premise of the animal and critiques the centrality of the human.

Gary D. Rhodes and Robert Singer present a vital collection of essays on the director's long career. Case studies include celebrated films like Studies at the CUNY Graduate Center. Buchanan Rides Alone (1958), lesser-known works like Escape in the Fog (1945), and Boetticher's continuing influence on contemporary classics like Series Breaking Bad.

Etienne Balibar is a French philosopher and Distinguished Professor of French and Italian and of Comparative Literature at the University of California Irvine. These 10 essays introduce the key concepts in Balibar's thought, particularly his idea of the citizen/subject, through which he reads the political history of Europe.

This is the first book to investigate the coming-of-age genre as a significant phenomenon in New Zealand's national cinema, tracing its development and elucidating its role in cultural change.