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  3. How to Write History. The Dipsads. Saturnalia. Herodotus or Aetion. Zeuxis or Antiochus. A Slip of the Tongue in Greeting. Apology for the "Salaried Posts in Great Houses." Harmonides. A Conversation with Hesiod. The Scythian or The Consul. Hermotimus or

How to Write History. The Dipsads. Saturnalia. Herodotus or Aetion. Zeuxis or Antiochus. A Slip of the Tongue in Greeting. Apology for the "Salaried Posts in Great Houses." Harmonides. A Conversation with Hesiod. The Scythian or The Consul. Hermotimus or

av Lucian

del av Loeb Classical Library-serien

del av Loeb Classical Library *CONTINS TO info@harvardup.co.uk-serien

How to Write History. The Dipsads. Saturnalia. Herodotus or Aetion. Zeuxis or Antiochus. A Slip of the Tongue in Greeting. Apology for the
Om How to Write History. The Dipsads. Saturnalia. Herodotus or Aetion. Zeuxis or Antiochus. A Slip of the Tongue in Greeting. Apology for the "Salaried Posts in Great Houses." Harmonides. A Conversation with Hesiod. The Scythian or The Consul. Hermotimus or

Lucian (c. 120-190 CE), apprentice sculptor then travelling rhetorician, settled in Athens and developed an original brand of satire. Notable for the Attic purity and elegance of his Greek and for literary versatility, he is famous chiefly for the lively, cynical wit of the dialogues in which he satirizes human folly, superstition, and hypocrisy.

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  • Språk:
  • Engelska
  • ISBN:
  • 9780674994744
  • Format:
  • Inbunden
  • Sidor:
  • 512
  • Utgiven:
  • 1. januari 1959
  • Mått:
  • 168x117x27 mm.
  • Vikt:
  • 376 g.
  I lager
Leveranstid: 4-7 vardagar
Förväntad leverans: 26. november 2024

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Beskrivning av How to Write History. The Dipsads. Saturnalia. Herodotus or Aetion. Zeuxis or Antiochus. A Slip of the Tongue in Greeting. Apology for the "Salaried Posts in Great Houses." Harmonides. A Conversation with Hesiod. The Scythian or The Consul. Hermotimus or

Lucian (c. 120-190 CE), apprentice sculptor then travelling rhetorician, settled in Athens and developed an original brand of satire. Notable for the Attic purity and elegance of his Greek and for literary versatility, he is famous chiefly for the lively, cynical wit of the dialogues in which he satirizes human folly, superstition, and hypocrisy.

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