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Max Guy

av Max Guy
Om Max Guy

A catalog of an exhibition by contemporary artist Max Guy that uses The Wizard of Oz as a way to ask questions about society and culture. This book accompanies Max Guy's exhibition "But tell Me, is it a civilized country?," an installation of new works centered on The Wizard of Oz. The title is drawn from a conversation between the Witch of the North and Dorothy in which the Witch defines "civilized" as not including magic. Anchored in Chicago-where L. Frank Baum's novel was written and first published, and home to enduring monuments to Oz fandom-the exhibition and book bridge the parallel universes of the Emerald City and its birthplace, drawing out the traces each carries of the other. A number of latent currents course underneath the work: critical perspectives on modernist urbanism, the peculiar products of fan culture, and the transformative power of storytelling and other acts of world-making. This catalog features essays by artist and writer Brit Barton and the exhibition's curator, Michael Harrison, as well as a transcription of a conversation between Guy and artist and writer Irena Haiduk. The book will also include a new artist project made specifically for the book in the form of an annotated bibliography created by Guy of writings and images that relate to and inspire his practice.

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  • Språk:
  • Engelska
  • ISBN:
  • 9780941548892
  • Format:
  • Inbunden
  • Sidor:
  • 112
  • Utgiven:
  • 5. april 2024
  • Mått:
  • 178x0x241 mm.
  Fri leverans
Leveranstid: Kan förbeställas
Förlängd ångerrätt till 31. januari 2025
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    Förväntas inte levereras innan jul

Beskrivning av Max Guy

A catalog of an exhibition by contemporary artist Max Guy that uses The Wizard of Oz as a way to ask questions about society and culture. This book accompanies Max Guy's exhibition "But tell Me, is it a civilized country?," an installation of new works centered on The Wizard of Oz. The title is drawn from a conversation between the Witch of the North and Dorothy in which the Witch defines "civilized" as not including magic. Anchored in Chicago-where L. Frank Baum's novel was written and first published, and home to enduring monuments to Oz fandom-the exhibition and book bridge the parallel universes of the Emerald City and its birthplace, drawing out the traces each carries of the other. A number of latent currents course underneath the work: critical perspectives on modernist urbanism, the peculiar products of fan culture, and the transformative power of storytelling and other acts of world-making. This catalog features essays by artist and writer Brit Barton and the exhibition's curator, Michael Harrison, as well as a transcription of a conversation between Guy and artist and writer Irena Haiduk. The book will also include a new artist project made specifically for the book in the form of an annotated bibliography created by Guy of writings and images that relate to and inspire his practice.

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