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  4. Musical Composition in the Context of Globalizat – New Perspectives on Music History of the Twentieth and Twenty–First Century

Musical Composition in the Context of Globalizat – New Perspectives on Music History of the Twentieth and Twenty–First Century

av Christian Utz

del av Music and Sound Culture (COL)-serien

del av Music and Sound Culture-serien

Musical Composition in the Context of Globalizat – New Perspectives on Music History of the Twentieth and Twenty–First Century av Christian Utz
Om Musical Composition in the Context of Globalizat – New Perspectives on Music History of the Twentieth and Twenty–First Century

Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.

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  • Språk:
  • Engelska
  • ISBN:
  • 9783837650952
  • Format:
  • Häftad
  • Sidor:
  • 470
  • Utgiven:
  • 27. april 2021
  • Mått:
  • 155x239x15 mm.
  • Vikt:
  • 666 g.
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Beskrivning av Musical Composition in the Context of Globalizat – New Perspectives on Music History of the Twentieth and Twenty–First Century

Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.

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