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Osmos Magazine: Issue 24

Om Osmos Magazine: Issue 24

New writings from Stephanie Snyder, Kate Fowle, Geoffrey Batchen and more on photo cultures past and presentThe latest issue of OSMOS features a cover by Catherine DeLattre; an essay by contributing editor Tom McDonough on artist Alfredo Jaar; Stephanie Synder on photographer Liza Ryan; Christian Rattemeyer on Zagreb-based conceptual artist David Maljkovic; an essay by Kate Fowle on Sherrill Roland; a portfolio by artist Roscoe Thicke; Maria Ines Plaza Lazo on Berlin-based performance and video artist Leila Hekmat; an essay by writer Geoffrey Batchen on A New Power: Photography and Britain 1800-1850 at the Bodleian Library, Oxford; a feature by Christian Oldham on renowned avant-garde Ikebana master Kosen Ohtsubo; and a text by Tim Walsh on the previous issue's cover artist James Barth, whose self-portraits use avatars as a means to explore their transgendered identity and representation. Through painting and 3D modeling, Barth's works combine photography, painting, science fiction, cinematic language and poetic gestures.

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  • Språk:
  • Engelska
  • ISBN:
  • 9781734555721
  • Format:
  • Häftad
  • Sidor:
  • 96
  • Utgiven:
  • 7. maj 2024
  Fri leverans
Leveranstid: Kan förbeställas
Förlängd ångerrätt till 31. januari 2025

Beskrivning av Osmos Magazine: Issue 24

New writings from Stephanie Snyder, Kate Fowle, Geoffrey Batchen and more on photo cultures past and presentThe latest issue of OSMOS features a cover by Catherine DeLattre; an essay by contributing editor Tom McDonough on artist Alfredo Jaar; Stephanie Synder on photographer Liza Ryan; Christian Rattemeyer on Zagreb-based conceptual artist David Maljkovic; an essay by Kate Fowle on Sherrill Roland; a portfolio by artist Roscoe Thicke; Maria Ines Plaza Lazo on Berlin-based performance and video artist Leila Hekmat; an essay by writer Geoffrey Batchen on A New Power: Photography and Britain 1800-1850 at the Bodleian Library, Oxford; a feature by Christian Oldham on renowned avant-garde Ikebana master Kosen Ohtsubo; and a text by Tim Walsh on the previous issue's cover artist James Barth, whose self-portraits use avatars as a means to explore their transgendered identity and representation. Through painting and 3D modeling, Barth's works combine photography, painting, science fiction, cinematic language and poetic gestures.

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