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Silke Otto–Knapp – In the Waiting Room

Om Silke Otto–Knapp – In the Waiting Room

Los Angeles-based artist Silke Otto-Knapp has developed a painting practice characterized by its rigorous process and attentiveness to the medium‿s possibilities. Using layers of black watercolor pigment, she builds up delicate surfaces, producing subtle variations in density and a powerful sense of atmosphere. Otto-Knapp‿s exhibition at the Renaissance Society, In the waiting room, presented a new group of large-scale free-standing paintings in that evokes a multidimensional stage set. Some depict silhouetted bodies while others introduce scenic elements reminiscent of painted backdrops. Offering a close look at the exhibition, this volume includes an array of illustrations, a conversation between curator Solveig ÿvstebÿ and the artist, and four newly commissioned essays by Carol Armstrong, Darby English, Rachel Hann, and Catriona MacLeod, grounded in art history and performance studies. Â

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  • Språk:
  • Engelska
  • ISBN:
  • 9780941548816
  • Format:
  • Häftad
  • Sidor:
  • 132
  • Utgiven:
  • 29. september 2021
  • Mått:
  • 265x226x17 mm.
  • Vikt:
  • 778 g.
  I lager
Leveranstid: 4-7 vardagar
Förväntad leverans: 26. november 2024

Beskrivning av Silke Otto–Knapp – In the Waiting Room

Los Angeles-based artist Silke Otto-Knapp has developed a painting practice characterized by its rigorous process and attentiveness to the medium‿s possibilities. Using layers of black watercolor pigment, she builds up delicate surfaces, producing subtle variations in density and a powerful sense of atmosphere. Otto-Knapp‿s exhibition at the Renaissance Society, In the waiting room, presented a new group of large-scale free-standing paintings in that evokes a multidimensional stage set. Some depict silhouetted bodies while others introduce scenic elements reminiscent of painted backdrops. Offering a close look at the exhibition, this volume includes an array of illustrations, a conversation between curator Solveig ÿvstebÿ and the artist, and four newly commissioned essays by Carol Armstrong, Darby English, Rachel Hann, and Catriona MacLeod, grounded in art history and performance studies. Â

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