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Solos

- One Hundred Poems, 2017-2020

Om Solos

Al Basile''s poems have style, joy, and - above all - verve. Sometimes they unfold with the lyric expansiveness of great jazz solos. Sometimes they shine as beautifully jeweled miniatures. What a pleasure to read a book of poems with such unabashed energy. Al Basile''s playful ease with the pentameter line bespeaks a sensibility trained in the subtleties of musical rhythm and voice. Turn almost anywhere in this rich collection from five decades and you''ll find "an instinct for the game, and more." He produces poems that are almost holographic in their insistence on bringing their author into the reader''s space, where he - his tone of voice, body language and facial expressions - constitute an uncanny presence. The very title of the book identifies the author as a music-maker determined to be heard, and as a poet whose first concern is achieving the tone in which he wants to be heard by the reader.

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  • Språk:
  • Engelska
  • ISBN:
  • 9781943826780
  • Format:
  • Häftad
  • Sidor:
  • 242
  • Utgiven:
  • 15. mars 2021
  • Mått:
  • 152x229x14 mm.
  • Vikt:
  • 358 g.
  Fri leverans
Leveranstid: 2-4 veckor
Förväntad leverans: 27. januari 2025
Förlängd ångerrätt till 31. januari 2025
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Beskrivning av Solos

Al Basile''s poems have style, joy, and - above all - verve. Sometimes they unfold with the lyric expansiveness of great jazz solos. Sometimes they shine as beautifully jeweled miniatures. What a pleasure to read a book of poems with such unabashed energy. Al Basile''s playful ease with the pentameter line bespeaks a sensibility trained in the subtleties of musical rhythm and voice. Turn almost anywhere in this rich collection from five decades and you''ll find "an instinct for the game, and more." He produces poems that are almost holographic in their insistence on bringing their author into the reader''s space, where he - his tone of voice, body language and facial expressions - constitute an uncanny presence. The very title of the book identifies the author as a music-maker determined to be heard, and as a poet whose first concern is achieving the tone in which he wants to be heard by the reader.

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