The Afro-Descendant Woman in Latin American Diasporic Visual Art

By studying multiple cultural expressions of Blackness throughout different regions of the Americas, the chapters of this book consider the relationship that social and historical processes such as sovereignty and colonialism have on cultural productions made by and about Black Latina women.
Rosita Scerbo analyzes a range of power dynamics as represented in different artistic media of the Afro-Latinx community including photography, muralism, performance, paintings, and digital art. The book acknowledges that racial and gender equity cannot exist without Intersectionality and that is why the entirety of the chapters will focus on cultural and visual productions exclusively created by Afrodescendant women. The Black Latinas featured in the various chapters, spanning multiple artistic mediums and originating from various Latin American and Caribbean nations, including Mexico, Colombia, the Dominican Republic, Puerto Rico, Brazil, and Cuba collectively pursue the central aim of foregrounding the Afro-descendant woman's experience. Simultaneously, they strive to enhance the visibility and acknowledgement of gendered Afro-diasporic culture within the Latin American context.
The book will be of interest to scholars working in art history, gender studies, women's studies, Latin American studies, African diaspora studies, and race and ethnic studies.