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The Ends of History

- Victorians and "the Woman Question"

Om The Ends of History

Why were the Victorians so passionate about "History"?How did this passion relate to another Victorian obsession ¿ the "woman question"? In a brilliant and provocative study, Christina Crosby investigates the links between the Victorians¿ fascination with "history" and with the nature of "women."Discussing both key novels and non-literary texts ¿ Daniel Deronda and Hegel¿s Philosophy of History; Henry Esmond and Macaulay¿s History of England; Little Dorrit, Wilkie Collins¿ The Frozen Deep, and Mayhew¿s survey of "labour and the poor"; Villette, Patrick Fairburn¿s The Typology of Scripture and Ruskin¿s Modern Painters ¿ she argues that the construction of middle-class Victorian "man" as the universal subject of history entailed the identification of "women" as those who are before, beyond, above, or below history. Crosby¿s analysis raises a crucial question for today¿s feminists ¿ how can one read historically without replicating the problem of nineteenth century "history"?The book was first published in 1991.

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  • Språk:
  • Engelska
  • ISBN:
  • 9781138008038
  • Format:
  • Häftad
  • Sidor:
  • 200
  • Utgiven:
  • 4. juli 2014
  • Mått:
  • 156x234x0 mm.
  • Vikt:
  • 294 g.
  Fri leverans
Leveranstid: 2-4 veckor
Förväntad leverans: 24. januari 2025
Förlängd ångerrätt till 31. januari 2025
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Beskrivning av The Ends of History

Why were the Victorians so passionate about "History"?How did this passion relate to another Victorian obsession ¿ the "woman question"? In a brilliant and provocative study, Christina Crosby investigates the links between the Victorians¿ fascination with "history" and with the nature of "women."Discussing both key novels and non-literary texts ¿ Daniel Deronda and Hegel¿s Philosophy of History; Henry Esmond and Macaulay¿s History of England; Little Dorrit, Wilkie Collins¿ The Frozen Deep, and Mayhew¿s survey of "labour and the poor"; Villette, Patrick Fairburn¿s The Typology of Scripture and Ruskin¿s Modern Painters ¿ she argues that the construction of middle-class Victorian "man" as the universal subject of history entailed the identification of "women" as those who are before, beyond, above, or below history. Crosby¿s analysis raises a crucial question for today¿s feminists ¿ how can one read historically without replicating the problem of nineteenth century "history"?The book was first published in 1991.

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