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Om The Renaissance Battle for Rome

The Renaissance Battle for Rome examines the rhetorical battle fought simultaneously between a wide variety of parties (individuals, groups, authorities) seeking prestige or legitimacy through the legacy of ancient Rome--a battle over the question of whose claims to this legacy were most legitimate. Distinguishing four domains--power, morality, cityscape and literature--in which ancient Rome represented a particularly powerful example, this book traces the contours of this rhetorical battle across Renaissance Europe, based on a broad selection of Humanist Latin Poetry. It shows how humanist poets negotiated different claims on behalf of others and themselves in their work, acting both as "spin doctors" and "new Romans", while also undermining competing claims to this same idealized past. By so doing this book not only offers a new understanding of several aspects of the Renaissance that are usually considered separately, but ultimately allows us to understand Renaissance culture asa constant negotiation between appropriating and contesting the idea and ideal of "Rome."

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  • Språk:
  • Engelska
  • ISBN:
  • 9780198878902
  • Format:
  • Inbunden
  • Sidor:
  • 288
  • Utgiven:
  • 31. januari 2024
  • Mått:
  • 241x163x23 mm.
  • Vikt:
  • 650 g.
  Fri leverans
Leveranstid: 2-4 veckor
Förväntad leverans: 25. november 2024

Beskrivning av The Renaissance Battle for Rome

The Renaissance Battle for Rome examines the rhetorical battle fought simultaneously between a wide variety of parties (individuals, groups, authorities) seeking prestige or legitimacy through the legacy of ancient Rome--a battle over the question of whose claims to this legacy were most legitimate. Distinguishing four domains--power, morality, cityscape and literature--in which ancient Rome represented a particularly powerful example, this book traces the contours of this rhetorical battle across Renaissance Europe, based on a broad selection of Humanist Latin Poetry. It shows how humanist poets negotiated different claims on behalf of others and themselves in their work, acting both as "spin doctors" and "new Romans", while also undermining competing claims to this same idealized past. By so doing this book not only offers a new understanding of several aspects of the Renaissance that are usually considered separately, but ultimately allows us to understand Renaissance culture asa constant negotiation between appropriating and contesting the idea and ideal of "Rome."

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