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Women's Dance Traditions of Uzbekistan

Om Women's Dance Traditions of Uzbekistan

The first comprehensive work in English on the three major regional styles of Uzbek women's dance - Ferghana, Khiva and Bukhara - and their broader Silk Road cultural connections, from folklore rootsto contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizationsto a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics - not Russian ballet - to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance.

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  • Språk:
  • Okänt
  • ISBN:
  • 9781350249479
  • Format:
  • Häftad
  • Sidor:
  • 272
  • Utgiven:
  • 18. april 2024
  • Mått:
  • 156x25x234 mm.
  • Vikt:
  • 298 g.
  I lager
Leveranstid: 4-7 vardagar
Förväntad leverans: 7. januari 2025
Förlängd ångerrätt till 31. januari 2025
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Beskrivning av Women's Dance Traditions of Uzbekistan

The first comprehensive work in English on the three major regional styles of Uzbek women's dance - Ferghana, Khiva and Bukhara - and their broader Silk Road cultural connections, from folklore rootsto contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizationsto a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics - not Russian ballet - to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance.

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