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A Theory of the Tache in Nineteenth-Century Painting

av ?ystein Sj?stad

del av Studies in Art Historiography-serien

A Theory of the Tache in Nineteenth-Century Painting av ?ystein Sj?stad
Om A Theory of the Tache in Nineteenth-Century Painting

Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cezanne, Seurat.

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  • Språk:
  • Engelska
  • ISBN:
  • 9781472429445
  • Format:
  • Inbunden
  • Sidor:
  • 190
  • Utgiven:
  • 28. juni 2014
  • Mått:
  • 243x167x17 mm.
  • Vikt:
  • 560 g.
  Fri leverans
Leveranstid: 2-4 veckor
Förväntad leverans: 6. december 2024

Om ?ystein Sj?stad

Se alla böcker av ?ystein Sj?stad

Beskrivning av A Theory of the Tache in Nineteenth-Century Painting

Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cezanne, Seurat.

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