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An Idea for a Theatre Ecology

An Idea for a Theatre Ecologyav Carl Lavery
Om An Idea for a Theatre Ecology

An idea for a theatre ecology is the first volume in a loose trilogy of texts dedicated to rethinking theatre's relationship with the earth. Unlike existing publications in this field, the book does not seek to unpack the meaning of performances, plays and performance lectures that deal with explicitly environmentally themes (climate change, pollution, flooding, soil erosion, etc.). On the contrary, it unfolds an alternative theory of theatre ecology that reflects on the ecology that is immanent to the theatrical medium itself. The aim is to recalibrate what ecology and theatre are considered to be once they are approached as being implicated in and with each other, from the very beginning. To do that, the book unfolds its argument, patiently and rigorously, over six chapters that investigates the genealogies, methods, practices, and histories of theatre ecology. The book provides Theatre and Performance Studies with an immanent ecology that will contribute to the work of thinkers and practitioners within those disciplines as well as clarifying the specific contribution that theatre can make to the Environmental Humanities.

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  • Språk:
  • Engelska
  • ISBN:
  • 9781526188922
  • Format:
  • Inbunden
  • Sidor:
  • 296
  • Utgiven:
  • 15. juli 2025
  • Mått:
  • 156x234x0 mm.
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Beskrivning av An Idea for a Theatre Ecology

An idea for a theatre ecology is the first volume in a loose trilogy of texts dedicated to rethinking theatre's relationship with the earth. Unlike existing publications in this field, the book does not seek to unpack the meaning of performances, plays and performance lectures that deal with explicitly environmentally themes (climate change, pollution, flooding, soil erosion, etc.). On the contrary, it unfolds an alternative theory of theatre ecology that reflects on the ecology that is immanent to the theatrical medium itself. The aim is to recalibrate what ecology and theatre are considered to be once they are approached as being implicated in and with each other, from the very beginning. To do that, the book unfolds its argument, patiently and rigorously, over six chapters that investigates the genealogies, methods, practices, and histories of theatre ecology. The book provides Theatre and Performance Studies with an immanent ecology that will contribute to the work of thinkers and practitioners within those disciplines as well as clarifying the specific contribution that theatre can make to the Environmental Humanities.

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