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China

Om China

- 20 original drawings - The beauty of regional China captured with exquisite mastery - Exhibition quality production - An homage to one of the world's richest artistic traditions - A remarkable artistic feat by a leading architect Between 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series of twenty piano pieces. While playing them for a gathering of friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of China. For a country that has of late been focused on the future, I have been fascinated by the search for a true contemporary regional language in traditional Chinese architecture and painting. The intricate and careful composition in relation to landscape and light has been a continual revelation, as evidenced by the Summer Palace on the outskirts of Beijing and vanishing water towns such as Zhujiajiao, known as the "Venice of Shanghai." "In every fugitive vision I see worlds filled with the changing play of rainbows." Konstantin Balmont

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  • Språk:
  • Engelska
  • ISBN:
  • 9781946226563
  • Format:
  • Inbunden
  • Sidor:
  • 25
  • Utgiven:
  • 28 Juli 2022
  • Mått:
  • 246x241x28 mm.
  • Vikt:
  • 876 g.
  I lager
Leveranstid: 4-7 vardagar
Förväntad leverans: 25 Juni 2024

Beskrivning av China

- 20 original drawings - The beauty of regional China captured with exquisite mastery - Exhibition quality production - An homage to one of the world's richest artistic traditions - A remarkable artistic feat by a leading architect Between 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series of twenty piano pieces. While playing them for a gathering of friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of China. For a country that has of late been focused on the future, I have been fascinated by the search for a true contemporary regional language in traditional Chinese architecture and painting. The intricate and careful composition in relation to landscape and light has been a continual revelation, as evidenced by the Summer Palace on the outskirts of Beijing and vanishing water towns such as Zhujiajiao, known as the "Venice of Shanghai." "In every fugitive vision I see worlds filled with the changing play of rainbows." Konstantin Balmont

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