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Shakespeare in the ‘Post’Colonies

Om Shakespeare in the ‘Post’Colonies

Shakespeare in the 'Post' Colonies provides a wide-ranging examination of engagements with and adaptations of Shakespeare in regions that were once under European colonial rule. Arguing for the 'Post' Colonies as a distinct category within Global Shakespeares, this volume explores the reality of 21st-century Shakespeares in geographies of postcolonial inheritance, such as continental Africa, Australasia, the Arab world, the Indian subcontinent, East Asia and the Americas. As former colonies in Asia and Africa cross fifty and even seventy years of political independence, contributors re-examine the presence of Shakespeare in marginalised or politically disenfranchised communities, interrogating how Shakespeare intersects with the internal and global power dynamics of post-independence nations. The essays cover a rich range of genres ranging from theatrical performances, translations, and cinematic adaptations to classroom strategies. They turn to texts that have often gone ignored and give voice to Shakespeare appropriations by subaltern groups. They address questions of race, gender, nationality, indigeneity, caste and class, and shed new light on the diverse range of contemporary Shakespeare engagements across global "Post"Colonies.

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  • Språk:
  • Engelska
  • ISBN:
  • 9781350344143
  • Format:
  • Inbunden
  • Sidor:
  • 256
  • Utgiven:
  • 26. juni 2025
  • Mått:
  • 138x216x0 mm.
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  • Boken kan förbeställas tidigast 3 månader innan utgivningsdatumet

Beskrivning av Shakespeare in the ‘Post’Colonies

Shakespeare in the 'Post' Colonies provides a wide-ranging examination of engagements with and adaptations of Shakespeare in regions that were once under European colonial rule.

Arguing for the 'Post' Colonies as a distinct category within Global Shakespeares, this volume explores the reality of 21st-century Shakespeares in geographies of postcolonial inheritance, such as continental Africa, Australasia, the Arab world, the Indian subcontinent, East Asia and the Americas. As former colonies in Asia and Africa cross fifty and even seventy years of political independence, contributors re-examine the presence of Shakespeare in marginalised or politically disenfranchised communities, interrogating how Shakespeare intersects with the internal and global power dynamics of post-independence nations.

The essays cover a rich range of genres ranging from theatrical performances, translations, and cinematic adaptations to classroom strategies. They turn to texts that have often gone ignored and give voice to Shakespeare appropriations by subaltern groups. They address questions of race, gender, nationality, indigeneity, caste and class, and shed new light on the diverse range of contemporary Shakespeare engagements across global "Post"Colonies.

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