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The Cultural Sociology of Art and Music

Om The Cultural Sociology of Art and Music

This edited collection develops the Strong Program¿s contribution to the sociological study of the arts and places it in conversation with other cultural perspectives in the field. Presenting some of the newest and most original research by both renowned figures and early career scholars, the volume marks a new stage in the development of the cultural sociology of art and music. The chapters in Part 1 set new agendas by reflecting on the field¿s history, presenting theoretical innovations, and suggesting future directions for research. Part 2 explores aesthetic issues and challenges in the creation, experience, and interpretation of art and music. Part 3 focuses on the material environments and social settings where people engage with art and music. In Part 4, the contributors examine controversies about music and contestation over artistic matters, whether in the public sphere, in the American judicial system, or in an emerging academic discipline. The editor¿s introductionand Ron Eyerman's afterword place the chapters in context and reflect on their collective contribution to meaning-centered sociology.

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  • Språk:
  • Engelska
  • ISBN:
  • 9783031114229
  • Format:
  • Häftad
  • Sidor:
  • 468
  • Utgiven:
  • 17. december 2023
  • Utgåva:
  • 23001
  • Mått:
  • 148x26x210 mm.
  • Vikt:
  • 600 g.
  Fri leverans
Leveranstid: 2-4 veckor
Förväntad leverans: 20. december 2024
Förlängd ångerrätt till 31. januari 2025

Beskrivning av The Cultural Sociology of Art and Music

This edited collection develops the Strong Program¿s contribution to the sociological study of the arts and places it in conversation with other cultural perspectives in the field. Presenting some of the newest and most original research by both renowned figures and early career scholars, the volume marks a new stage in the development of the cultural sociology of art and music.
The chapters in Part 1 set new agendas by reflecting on the field¿s history, presenting theoretical innovations, and suggesting future directions for research. Part 2 explores aesthetic issues and challenges in the creation, experience, and interpretation of art and music. Part 3 focuses on the material environments and social settings where people engage with art and music. In Part 4, the contributors examine controversies about music and contestation over artistic matters, whether in the public sphere, in the American judicial system, or in an emerging academic discipline. The editor¿s introductionand Ron Eyerman's afterword place the chapters in context and reflect on their collective contribution to meaning-centered sociology.

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