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Om Survive

“I’m under twenty-five and I am unable to envision the future. I’m not the only one." Survive​ presents a singular voice of the French ‘Bataclan Generation’—those most acutely conscious of the terrorist attacks in the mid-2010s—grappling with issues of memory or post-memory, trauma, and survivors’ dilemmas. Finkelstein cuts across national and cultural contexts, from French to Argentinian and North American. This novel situates contemporary youth in a violence-saturated present with which they are all too familiar, yet from which many of them feel alienated in a plurality of difficult-to-define ways. Finkelstein touches on the challenge facing her generation: to understand their own lives as uniquely meaningful in the face of unending mass suffering. ​Survive ​is concerned with the work of grieving for strangers—a grief which does not begin or end, but is rather a structural part of one’s being in the world. For Finkelstein, it is essential “[t]o abide. Deep inside what is dying, in the midst of the bullets going astray and the offenses accumulating, in the midst of the misunderstandings imposed on a face other than my own, on a body other than my own...to build a world that thinks, a world that gives, a world that beats—a living world.”

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  • Språk:
  • Engelska
  • ISBN:
  • 9781646053049
  • Format:
  • Häftad
  • Sidor:
  • 162
  • Utgiven:
  • 23 Juli 2024
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Beskrivning av Survive

“I’m under twenty-five and I am unable to envision the future. I’m not the only one."
Survive​ presents a singular voice of the French ‘Bataclan Generation’—those most acutely conscious of the terrorist attacks in the mid-2010s—grappling with issues of memory or post-memory, trauma, and survivors’ dilemmas.
Finkelstein cuts across national and cultural contexts, from French to Argentinian and North American. This novel situates contemporary youth in a violence-saturated present with which they are all too familiar, yet from which many of them feel alienated in a plurality of difficult-to-define ways. Finkelstein touches on the challenge facing her generation: to understand their own lives as uniquely meaningful in the face of unending mass suffering.
​Survive ​is concerned with the work of grieving for strangers—a grief which does not begin or end, but is rather a structural part of one’s being in the world. For Finkelstein, it is essential “[t]o abide. Deep inside what is dying, in the midst of the bullets going astray and the offenses accumulating, in the midst of the misunderstandings imposed on a face other than my own, on a body other than my own...to build a world that thinks, a world that gives, a world that beats—a living world.”

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